| William Hurt | ... | James Leeds | |
| Marlee Matlin | ... | Sarah Norman | |
| Piper Laurie | ... | Mrs. Norman | |
| Philip Bosco | ... | Dr. Curtis Franklin | |
| Allison Gompf | ... | Lydia | |
| John F. Cleary | ... | Johnny | |
| Philip Holmes | ... | Glen | |
| Georgia Ann Cline | ... | Cheryl | |
| William D. Byrd | ... | Danny | |
| Frank Carter Jr. | ... | Tony | |
| John Limnidis | ... | William | |
| Bob Hiltermann | ... | Orin | |
| E. Katherine Kerr | ... | Mary Lee Ochs | |
| John Basinger | ... | Alan Jones | |
| Barry Magnani | ... | Tom Schuyler | |
| Linda Bove | ... | Marian Loesser | |
| Ann Hanson | ... | Martha Franklin | |
| James Carrington | ... | Mr. Harrison | |
| Max Brown | ... | Glen's Father | |
| María Cellario | ... | Glen's Mother | |
| Jon-Paul Dougherty | ... | Glen's Brother | |
| Linda Swim | ... | Sarah's Friend | |
| Lois Clowater | ... | Sarah's Friend | |
| Allan R. Francis | ... | Waiter | |
| Richard Kendall | ... | Cafeteria Cook | |
| Christopher Shay | ... | Ricky | |
| Laraine Isa | ... | Woman in Beauty Shop | |
| Nanci Kendall | ... | Woman at Party | |
| Marie Brazil | ... | Mother | |
| Charlene Legere | ... | Child | |
| Leigh French | ... | Announcer (voice) | |
| Archie Hahn | ... | Announcer (voice) (as Archie Hahn III) | |
| Jack Blessing | ... | Announcer (voice) | |
| Nicholas Guest | ... | Announcer (voice) | |
| Gigi Vorgan | ... | Announcer (voice) | |
| Lynne Marie Stewart | ... | Announcer (voice) |
Directed by | |||
| Randa Haines | |||
Writing credits | ||
| Mark Medoff | (stage play) | |
| Hesper Anderson | (screenplay) and | |
| Mark Medoff | (screenplay) | |
| James Carrington | uncredited | |
Produced by | |||
| Candace Koethe | .... | associate producer | |
| Patrick J. Palmer | .... | producer (as Patrick Palmer) | |
| Burt Sugarman | .... | producer | |
Original Music by | |||
| Michael Convertino | |||
Cinematography by | |||
| John Seale | (director of photography) | ||
Film Editing by | |||
| Lisa Fruchtman | |||
Casting by | |||
| Gretchen Rennell | |||
Production Design by | |||
| Gene Callahan | |||
Art Direction by | |||
| Barbra Matis | |||
Set Decoration by | |||
| Rose Marie McSherry | |||
Costume Design by | |||
| Renée April | (as Renee April) | ||
Makeup Department | |||
| Ann Brodie | .... | makeup designer | |
| Paul LeBlanc | .... | hair stylist | |
Production Management | |||
| Stéphane Reichel | .... | unit production manager (as Stephane Reichel) | |
Second Unit Director or Assistant Director | |||
| Jim Kaufman | .... | first assistant director | |
| Patrick J. Palmer | .... | second unit director (as Patrick Palmer) | |
| Kim H. Winther | .... | second assistant director (as Kim Winther) | |
Art Department | |||
| Guenter Bartlik | .... | head scenic artist | |
| Daniel R. Bradette | .... | assistant property master | |
| J. Tracy Budd | .... | property master | |
| Tom Doherty | .... | first assistant art director (as Thomas Doherty) | |
| Kathy Ebbinghaus | .... | art department trainee | |
| Mark S. Freeborn | .... | assistant set decorator (as Mark Freeborn) | |
| Barry Gardner | .... | stand-by painter | |
| Weits Jekel | .... | construction supervisor | |
| Gilles Léonard | .... | set dresser (as Gilles Leonard) | |
| Michael O'Connor | .... | set dresser | |
| Richard Reseigne | .... | construction design coordinator | |
Sound Department | |||
| James Ashwill | .... | foley mixer | |
| George Berndt | .... | adr editor | |
| Ruth Bird | .... | assistant sound editor | |
| Paul Brown | .... | sound consultant | |
| Dody Dorn | .... | sound editor (as Dody J. Dorn) | |
| Dennis Drummond | .... | sound editor | |
| Patrick Drummond | .... | sound editor | |
| Ken Dufva | .... | foley artist | |
| Walter A. Gest | .... | sound re-recordist | |
| Robert Grieve | .... | supervising sound editor (as Robert A. Grieve) | |
| Richard Lightstone | .... | production sound mixer | |
| Robert J. Litt | .... | sound re-recording mixer | |
| Stephanie Lowry | .... | assistant sound editor (as Stephanie Ng) | |
| Steve Maslow | .... | sound re-recording mixer | |
| Jim Thompson | .... | boom operator (as James L. Thompson) | |
| Elliot Tyson | .... | sound re-recording mixer | |
| Linda Whittlesey | .... | foley editor | |
| John Roesch | .... | foley artist (uncredited) | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
Special Effects by | |||
| Ron Thiessen | .... | special effects assistant | |
| Neil Trifunovich | .... | special effects supervisor | |
Camera and Electrical Department | |||
| David Crone | .... | Steadicam services | |
| Robert Daprato | .... | dolly grip | |
| Steve Ferrier | .... | assistant head electrician | |
| Paul Gravel | .... | first assistant camera: second unit | |
| Paul Gravel | .... | focus puller | |
| Dave Grinstead | .... | grip | |
| Manfred Guthe | .... | director of photography: second unit (as Fred Guthe) | |
| Kevin Jewison | .... | first assistant camera | |
| Joseph Peters | .... | electrician | |
| Bill Pryde | .... | second assistant camera | |
| Ron Renzetti | .... | grip | |
| Paul Roscorla | .... | electrician | |
| Takashi Seida | .... | still photographer | |
| Randy Tambling | .... | key grip | |
| Rae Thurston | .... | head electrician | |
| Pauline Heaton | .... | cinematographer: underwater unit (uncredited) | |
Casting Department | |||
| Ruth Lambert | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Fabienne April | .... | costumer | |
| Mario Davignon | .... | assistant costumer | |
| Arthur Rowsell | .... | costumer | |
Editorial Department | |||
| Mary Bauer | .... | associate editor | |
| Ron Lambert | .... | color timer | |
| Tony Merzetti | .... | apprentice editor | |
| Jenny Weyman-Cockle | .... | first assistant editor: Canada | |
| Bob Sarles | .... | apprentice editor (uncredited) | |
Music Department | |||
| Gary Barlough | .... | synthesizer programming | |
| Else Blangsted | .... | supervising music editor | |
| Chris Boardman | .... | orchestrator | |
| Michael Convertino | .... | additional orchestrator | |
| M.B. Gordy | .... | musician: Percussion | |
| James Thatcher | .... | musician: french horn | |
| Shirley Walker | .... | additional orchestrator | |
| Shirley Walker | .... | conductor | |
| Dan Wallin | .... | music scoring mixer | |
| Craig Harris | .... | music designer: Sarah's underwater silence (uncredited) | |
| Craig Harris | .... | musician: synthesizers, score sequencing and studio production (uncredited) | |
Transportation Department | |||
| David Beaudrow | .... | driver captain | |
| Craig S. Kohne | .... | driver captain | |
| Nick Sweetman | .... | transportation coordinator | |
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| Doubt | Blue Valentine | A Place in the Sun | Peyton Place | Carrie |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
William Hurt plays a speech therapist, James Leeds, a gifted teacher. His success in his field has not prevented him from being an egotist, anddisrespecting other cultures.
Marlee Matlin plays a Deaf woman, Sarah Lee, who's damaging family experience has caused her to become so angry that even though she is an intelligent, sassy, sensual, independent woman, she prefers to mop floors in her old school.
Sarah is contrasted with the other Deaf people who are working on their speech. Although he signs, James is highly dogmatic about the primary necessity of speech. The other Deaf people come across as disabled in comparison, their speech flawed compared to Sarah's eloquent and expressive signing. Their vocabulary is basic; in one scene their attempt at signing delights the hearing audience as they imagine the Deaf kids getting closer to being "normal".
James falls in love with Sarah's strong and commanding personality, but paradoxically still treats her in a patronising way, aiming to "improve" her by working on her speech. It becomes a battle of wills between them as Sarah seeks to have autonomy over her preferred medium of communication.
Even so, the dynamic of the relationship spurs Sarah on beyond the narrow horizons of her menial job.