IMDb > Caravaggio (1986)
Caravaggio
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Caravaggio (1986) More at IMDbPro »

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Overview

User Rating:
6.7/10   3,128 votes »
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Down 5% in popularity this week. See why on IMDbPro.
Director:
Contact:
View company contact information for Caravaggio on IMDbPro.
Release Date:
29 August 1986 (USA) See more »
Genre:
Plot:
A retelling of the life of the celebrated 17th-century painter through his brilliant, nearly blasphemous paintings and his flirtations with the underworld. Full summary » | Add synopsis »
Plot Keywords:
Awards:
3 wins & 1 nomination See more »
User Reviews:
pretentious and awful See more (21 total) »

Cast

  (in credits order) (verified as complete)
Noam Almaz ... Boy Caravaggio
Dawn Archibald ... Pipo

Sean Bean ... Ranuccio
Jack Birkett ... The Pope
Sadie Corre ... Princess Collona
Una Brandon-Jones ... Weeping Woman
Imogen Claire ... Lady with the Jewels

Robbie Coltrane ... Scipione Borghese
Garry Cooper ... Davide
Lol Coxhill ... Old Priest

Nigel Davenport ... Giustiniani

Vernon Dobtcheff ... Art Lover
Terry Downes ... Bodyguard

Dexter Fletcher ... Young Caravaggio

Michael Gough ... Cardinal Del Monte

Jonathan Hyde ... Baglione
Spencer Leigh ... Jerusaleme
Emile Nicolaou ... Young Jerusaleme
Gene October ... Model Peeling Fruit
Cindy Oswin ... Lady Elizabeth
John Rogan ... Vatican Official
Zohra Segal ... Jerualeme's Grandmother (as Zohra Sehgal)

Tilda Swinton ... Lena
Lucien Taylor ... Boy with Guitar

Nigel Terry ... Caravaggio
Simon Fisher-Turner ... Fra Fillipo (as Simon Turner)
rest of cast listed alphabetically:
Kevin Hull ... Roman in toga (uncredited)
Chelita Secunda ... (uncredited)
Cerith Wyn Evans ... Altar boy (uncredited)
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Directed by
Derek Jarman 
 
Writing credits
(in alphabetical order)
Suso Cecchi D'Amico  uncredited
Nicholas Ward Jackson  story (as Nicholas Ward-Jackson)
Derek Jarman 

Produced by
Nicholas Ward Jackson .... executive producer (as Nicholas Ward-Jackson)
Colin MacCabe .... executive producer
James Mackay .... development producer
Sarah Radclyffe .... producer
 
Original Music by
Simon Fisher-Turner 
 
Cinematography by
Gabriel Beristain 
 
Film Editing by
George Akers 
 
Casting by
Debbie McWilliams 
 
Production Design by
Christopher Hobbs 
 
Art Direction by
Michael Buchanan  (as Mike Buchanan)
 
Costume Design by
Sandy Powell 
 
Makeup Department
Morag Ross .... makeup artist
 
Production Management
Jill Pack .... executive in charge of production
Sarah Wilson .... production manager
 
Second Unit Director or Assistant Director
Pat Aldersley .... third assistant director
Simon Moseley .... second assistant director
Glynn Purcell .... first assistant director
 
Art Department
Christopher Hobbs .... painter
Josh Jones .... stagehand
Annie La Paz .... scenic artist
Lucy Morahan .... scenic artist
Tim Youngman .... property master
 
Sound Department
Peter Maxwell .... dubbing mixer
Peter Maxwell .... sound re-recording mixer
Billy McCarthy .... sound recordist
George Richards .... boom swinger
Budge Tremlett .... dubbing editor (as 'Budge' Tremlett)
Steve Hancock .... sound camera operator (uncredited)
 
Stunts
Jim Dowdall .... stunt coordinator
Gareth Milne .... stunt coordinator
 
Camera and Electrical Department
Noel Balbirnie .... focus puller
Phil Bough .... second assistant camera
Tony Hair .... sparks (as Tony Hare)
Tony Haughey .... grip
Mike Laye .... still photographer
John Mathieson .... clapper loader
Larry S. Prinz .... gaffer
Steve Tickner .... camera operator: second unit
 
Casting Department
Simon Fisher-Turner .... extras casting
 
Costume and Wardrobe Department
Annie Symons .... wardrobe supervisor
 
Editorial Department
Alastair Bates .... assistant editor
Nicola Black .... assistant editor
Anuree De Silva .... assistant editor
Matthew Whiteman .... assistant editor
 
Music Department
Chi-Chi Nwanoku .... musician: double bass
Mary Philips .... music assistant
Richard Preston .... music engineer
 
Other crew
Stephen Masters .... titles designer
Heather Storr .... continuity
 
Thanks
Suso Cecchi D'Amico .... thanks
 

Production CompaniesDistributorsOther Companies
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Additional Details

Also Known As:
Runtime:
93 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:

Did You Know?

Trivia:
Michael Gough was fourth choice for the role of Del Monte.See more »
Goofs:
Incorrectly regarded as goofs: A typewriter is used, a saxophone is played, a train and steamship hooter are heard. In addition one of the characters plays with a (very advanced for the time of the movie) credit card-sized calculator with beeping buttons. These items are included deliberately as a stylistic decision of the filmmakers, not "goofs" of people unaware of the absence of these items in the 1500s and 1600s.See more »
Quotes:
Caravaggio:[after being stabbed by Ranuccio Caravaggio touches the wound and blood] Blood brothers!
[Ranucchio kisses him]
See more »
Movie Connections:
Referenced in "QI: Adam (#1.1)" (2003)See more »
Soundtrack:
El Niño de AlmadénSee more »

FAQ

This FAQ is empty. Add the first question.
4 out of 5 people found the following review useful.
pretentious and awful, 23 August 2011
Author: worldofgabby from United States

I really hated this film. I have watched many experimental, ambitious, and complex movies that demand much thought and attention from the viewer, but this one was an inexcusable exercise in self-indulgence by the filmmaker. The voice overs contained language which was heartbreakingly beautiful and I wished that more of that intelligence and beauty had been transmitted to the rest of the movie. Instead we get a tawdry pastiche of soft-core pornography which becomes so tedious that, when another perfect male form was displayed I became numb and angry. One would imagine that Caravvagio created his work in a vacuum, and that his art was a product of his violent and transgressive nature only. Having studied art, and being an artist myself, I was looking for some insight into this fascinating man and his revolutionary work. The scenes of him painting were unconvincing and the paintings in progress looked like amateur attempts in figure-drawing. I was able to wrest some meaning from Caravaggio, but that occurred early on and the only reason I kept watching it was the thought that it would kick in and start making some overarching sense. Watching this would lead one to believe that Renaissance Italy was populated mostly by homosexuals with a strong predilection for violent sex, and the clergy who exploited them for their private titillation. "Caravvagio" managed to demean the people it was trying to celebrate, oversimplify a complex individual, and bore and confuse its audience. Only recommended for a committed student of Jarman's work, as the "auteur" was obviously more interested in himself than in the subject.

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Message Boards

Discuss this movie with other users on IMDb message board for Caravaggio (1986)
Recent Posts (updated daily)User
Typewriter?? jennoua_1984
the contortionist actress, who is she? byllyrs
It was kinda difficult to me hsspg
is this out on dvd? teejay6682
Script estheleda
Soundtrack? akaffircat
See more »

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