| Photos (See all 13 | slideshow) |
| Noam Almaz | ... | Boy Caravaggio | |
| Dawn Archibald | ... | Pipo | |
| Sean Bean | ... | Ranuccio | |
| Jack Birkett | ... | The Pope | |
| Sadie Corre | ... | Princess Collona | |
| Una Brandon-Jones | ... | Weeping Woman | |
| Imogen Claire | ... | Lady with the Jewels | |
| Robbie Coltrane | ... | Scipione Borghese | |
| Garry Cooper | ... | Davide | |
| Lol Coxhill | ... | Old Priest | |
| Nigel Davenport | ... | Giustiniani | |
| Vernon Dobtcheff | ... | Art Lover | |
| Terry Downes | ... | Bodyguard | |
| Dexter Fletcher | ... | Young Caravaggio | |
| Michael Gough | ... | Cardinal Del Monte | |
| Jonathan Hyde | ... | Baglione | |
| Spencer Leigh | ... | Jerusaleme | |
| Emile Nicolaou | ... | Young Jerusaleme | |
| Gene October | ... | Model Peeling Fruit | |
| Cindy Oswin | ... | Lady Elizabeth | |
| John Rogan | ... | Vatican Official | |
| Zohra Segal | ... | Jerualeme's Grandmother (as Zohra Sehgal) | |
| Tilda Swinton | ... | Lena | |
| Lucien Taylor | ... | Boy with Guitar | |
| Nigel Terry | ... | Caravaggio | |
| Simon Fisher-Turner | ... | Fra Fillipo (as Simon Turner) | |
| rest of cast listed alphabetically: | |||
| Kevin Hull | ... | Roman in toga (uncredited) | |
| Chelita Secunda | ... | (uncredited) | |
| Cerith Wyn Evans | ... | Altar boy (uncredited) | |
Directed by | |||
| Derek Jarman | |||
Writing credits(in alphabetical order) | ||
| Suso Cecchi D'Amico | uncredited | |
| Nicholas Ward Jackson | story (as Nicholas Ward-Jackson) | |
| Derek Jarman | ||
Produced by | |||
| Nicholas Ward Jackson | .... | executive producer (as Nicholas Ward-Jackson) | |
| Colin MacCabe | .... | executive producer | |
| James Mackay | .... | development producer | |
| Sarah Radclyffe | .... | producer | |
Original Music by | |||
| Simon Fisher-Turner | |||
Cinematography by | |||
| Gabriel Beristain | |||
Film Editing by | |||
| George Akers | |||
Casting by | |||
| Debbie McWilliams | |||
Production Design by | |||
| Christopher Hobbs | |||
Art Direction by | |||
| Michael Buchanan | (as Mike Buchanan) | ||
Costume Design by | |||
| Sandy Powell | |||
Makeup Department | |||
| Morag Ross | .... | makeup artist | |
Production Management | |||
| Jill Pack | .... | executive in charge of production | |
| Sarah Wilson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Pat Aldersley | .... | third assistant director | |
| Simon Moseley | .... | second assistant director | |
| Glynn Purcell | .... | first assistant director | |
Art Department | |||
| Christopher Hobbs | .... | painter | |
| Josh Jones | .... | stagehand | |
| Annie La Paz | .... | scenic artist | |
| Lucy Morahan | .... | scenic artist | |
| Tim Youngman | .... | property master | |
Sound Department | |||
| Peter Maxwell | .... | dubbing mixer | |
| Peter Maxwell | .... | sound re-recording mixer | |
| Billy McCarthy | .... | sound recordist | |
| George Richards | .... | boom swinger | |
| Budge Tremlett | .... | dubbing editor (as 'Budge' Tremlett) | |
| Steve Hancock | .... | sound camera operator (uncredited) | |
Stunts | |||
| Jim Dowdall | .... | stunt coordinator | |
| Gareth Milne | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Noel Balbirnie | .... | focus puller | |
| Phil Bough | .... | second assistant camera | |
| Tony Hare | .... | sparks | |
| Tony Haughey | .... | grip | |
| Mike Laye | .... | still photographer | |
| John Mathieson | .... | clapper loader | |
| Larry S. Prinz | .... | gaffer | |
| Steve Tickner | .... | camera operator: second unit | |
Casting Department | |||
| Simon Fisher-Turner | .... | extras casting | |
Costume and Wardrobe Department | |||
| Annie Symons | .... | wardrobe supervisor | |
Editorial Department | |||
| Alastair Bates | .... | assistant editor | |
| Nicola Black | .... | assistant editor | |
| Anuree De Silva | .... | assistant editor | |
| Matthew Whiteman | .... | assistant editor | |
Music Department | |||
| Chi-Chi Nwanoku | .... | musician: double bass | |
| Mary Philips | .... | music assistant | |
| Richard Preston | .... | music engineer | |
Other crew | |||
| Stephen Masters | .... | titles designer | |
| Heather Storr | .... | continuity | |
Thanks | |||
| Suso Cecchi D'Amico | .... | thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| is this out on dvd? | teejay6682 |
| Typewriter??????? | jennoua_1984 |
| the contortionist actress, who is she? | byllyrs |
| It was kinda difficult to me | hsspg |
| Script | estheleda |
| Soundtrack? | akaffircat |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb UK section |
Derek Jarman has crafted a beautiful and unique work of art in "Caravaggio". Perhaps the fact that I have a great love for the work of the real Michelangelo Caravaggio, influences my judgment just a bit; It was quite enjoyable to see the paintings come to life, and to witness how they might have actually been created. In fact, much of Jarmans poetic film has the look of a lush, living painting. There is much to admire here besides the aesthetics; the talented and beautiful cast, led by Nigel Terry, the intense-looking Sean Bean, as Ranuccio, and the elegant Tilda Swinton, as Lena; the woman loved by two very passionate, and tormented men. The acting is all around excellent, but Nigel Terry as Michelangelo really stands out. He is great to watch, and brings life to a man the world knows not so much about. Also actor Dexter Fletcher was quite funny and likable in his portrayal of the younger Caravaggio. More than a historical, biographical account of the painter, this is more the study of a classic love triangle. Caravaggio's models were mostly street people, many of them also criminals, and it seemed that he often became personally involved with his subjects. His love for 'Lena' seems to be as strong, if not stronger, than his love for 'Ranuccio'. And this divided love has tragic consequences, for all involved. I didn't find "Caravaggio" an overly gay film, as the subject wasn't focused on obsessively, like other films of this nature tend to do. The love affair between Lena and Michelangelo was given as much attention as the relationship between him and Ranuccio. Therefore those who might feel a little uncomfortable with the subject matter, need not be, as it is actually quite accessible. Recommended, especially for admirers of the painter Caravaggio. As mentioned earlier, there are scenes that are modeled exactly on the paintings. To see these come alive is really something to behold. There is a new region 2 DVD from Germany that features the most beautiful transfer I have ever seen of any film. It comes close to "High Definition" quality, I recommend this as well.