A nearly wordless visual narrative intercuts two main stories and a couple of minor ones. A woman, perhaps the Madonna, brings forth her baby to a crowd of intrusive paparazzi; she tries to... See full summary »
A film with no spoken dialogue, just follows the music and lyrics of Benjamin Britten's "War Requiem, which include WWI soldier poet Wilfred Owen's poems reflecting the war's horrors. It ... See full summary »
A dramatization, in modern theatrical style, of the life and thought of the Viennese-born, Cambridge-educated philosopher Ludwig Wittgenstein (1889-1951), whose principal interest was the ... See full summary »
Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both ... See full summary »
300 A.D. : the Roman Sebastianus is exiled to a remote outpost populated exclusively by men. Weakened by their desires, these men turn to homosexual activities to satisfy their needs. ... See full summary »
An unseen woman recites Shakespeare's sonnets - fourteen in all - as a man wordlessly seeks his heart's desire. The photography is stop-motion, the music is ethereal, the scenery is often ... See full summary »
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound (... See full summary »
Queen Elizabeth I travels to late twentieth-century Britain to discover a tawdry and depressing landscape where life mostly seems aimless and is anyway held cheap. Three post-punk girls ... See full summary »
The tumultuous and adventurous life of Michelangelo Merisi, controversial artist, called by Fate to become the immortal Caravaggio. A violent genius that will dare to defy the ideal vision ... See full summary »
Elena Sofia Ricci,
Prospero, a potent magician, lives on a desolate isle with his virginal daughter, Miranda. He's in exile, banished from his duchy by his usurping brother and the King of Naples. Providence ... See full summary »
Fictionalized biopic of famed 17th century Italian painter Michelangelo Merisi de Caravaggio. As a young man, he gained the support of Cardinal Del Monte and Caravaggio proceeded to develop a new style of painting giving a more realistic view of the world in which he lived. He also begins love affairs with one of his models, Ranuccio as well as with Ranuccio's girlfriend Lena. Their relationship leads to murder and deceit. Written by
A typewriter is used, a saxophone is played, a train and steamship hooter are heard. In addition one of the characters plays with a (very advanced for the time of the movie) credit card-sized calculator with beeping buttons. These items are included deliberately as a stylistic decision of the filmmakers, not "goofs" of people unaware of the absence of these items in the 1500s and 1600s. See more »
[after being stabbed by Ranuccio Caravaggio touches the wound and blood]
[Ranucchio kisses him]
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I really hated this film. I have watched many experimental, ambitious, and complex movies that demand much thought and attention from the viewer, but this one was an inexcusable exercise in self-indulgence by the filmmaker. The voice overs contained language which was heartbreakingly beautiful and I wished that more of that intelligence and beauty had been transmitted to the rest of the movie. Instead we get a tawdry pastiche of soft-core pornography which becomes so tedious that, when another perfect male form was displayed I became numb and angry. One would imagine that Caravvagio created his work in a vacuum, and that his art was a product of his violent and transgressive nature only. Having studied art, and being an artist myself, I was looking for some insight into this fascinating man and his revolutionary work. The scenes of him painting were unconvincing and the paintings in progress looked like amateur attempts in figure-drawing. I was able to wrest some meaning from Caravaggio, but that occurred early on and the only reason I kept watching it was the thought that it would kick in and start making some overarching sense. Watching this would lead one to believe that Renaissance Italy was populated mostly by homosexuals with a strong predilection for violent sex, and the clergy who exploited them for their private titillation. "Caravvagio" managed to demean the people it was trying to celebrate, oversimplify a complex individual, and bore and confuse its audience. Only recommended for a committed student of Jarman's work, as the "auteur" was obviously more interested in himself than in the subject.
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