A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous facade, there is revealed a person of intelligence and sensitivity.
Herzog's film is based upon the true and mysterious story of Kaspar Hauser, a young man who suddenly appeared in Nuremberg in 1828, barely able to speak or walk, and bearing a strange note;... See full summary »
A dramatization, in modern theatrical style, of the life and thought of the Viennese-born, Cambridge-educated philosopher Ludwig Wittgenstein (1889-1951), whose principal interest was the ... See full summary »
The story of Oscar Wilde, genius, poet, playwright and the First Modern Man. The self-realization of his homosexuality caused Wilde enormous torment as he juggled marriage, fatherhood and ... See full summary »
Harvard student Mark Zuckerberg creates the social networking website that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.
Historical evocation of Ludwig, king of Bavaria, from his crowning in 1864 until his death in 1886, as a romantic hero. Fan of Richard Wagner, betrayed by him, in love with his cousin ... See full summary »
Action opens in November of 1793, with Danton returning to Paris from his country retreat upon learning that the Committee for Public Safety, under Robespierre's incitement, has begun a ... See full summary »
A typewriter is used, a saxophone is played, a train and steamship hooter are heard. In addition one of the characters plays with a (very advanced for the time of the movie) credit card-sized calculator with beeping buttons. These items are included deliberately as a stylistic decision of the filmmakers, not "goofs" of people unaware of the absence of these items in the 1500s and 1600s. See more »
Few moviegoers would know that the real Caravaggio was a convicted criminal and even by today's standards, a hell raiser. Rome's police records list fourteen citations in six years, from public nuisance to several violent assaults. In May of 1606 he murdered a friend, one Ranuccio Tomassoni in a sword fight. Added to these lurid details, his sexual interests show that he freely drifted from the Vatican's ordained model. This makes Caravaggio an interesting person, but a highly complex candidate for a biographic investigation on film.
While Derek Jarman's film captures (with delightful conceit) many of the surface details of Caravaggio's life, it's a work of startling genius because it succeeds on a far more profound level. Jarman tells the story of Caravaggio rather like Caravaggio would paint, infusing it (effortlessly) with the central themes of his life's deepest convictions, creating a portrait which reflects the subject and the artist with equal relevance. What's more, many of the same themes that have been identified with both artists - sexuality, transcendence, violence, censorship, politics (religious/sexual) and the tumultuous source of creative identity are present in both men. It works as very few films do. This is also an unusually accessible film for Derek Jarman. The performances are entertaining and it's filmed with astounding beauty and simplicity. This film is a masterpiece.
However, because of it's homosexual themes and personal tone, "Caravaggio" is likely to be appreciated only by those viewers who weary of film as simple diversion and long for something more challenging. This is a powerful artistic statement, but it flew under the radar during a decade of British film-making where "Gandhi", "Chariots of Fire" and "A Room With A View" represented the best of what was being made. While those films are great in their way, this film value is greater in terms of bravura and personal expression. See it if you can.
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