Eugene, a young teenage Jewish boy, recalls his memoirs of his time as an adolescent youth. He lives with his parents, his aunt, two cousins, and his brother, Stanley, whom he looks up to ...
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Eugene and Stanley Jerome try to break into show biz as comedy writers while their parents' marriage ends. When the boys' material is broadcast on radio, the family hears their private life played for laughs.
A middle aged restaurateur begins to feel the desire to roam and realizes that one day each week, his mother's apartment will be empty all afternoon. He makes several attempts at seduction,... See full summary »
Three separate stories concerning relationship issues are presented, each largely taking place in suite 719 of the Plaza Hotel in New York City. In story one, suburban New Yorkers Sam and ... See full summary »
Three sisters with quite different personalities and lives reunite when the youngest of them, Babe, has just shot her husband. The oldest sister, Lenny, takes care of their grandfather and ... See full summary »
What would you do if someone you loved sat down with you one night and calmly told you that they were going to end their life before morning? This is Thelma Cates' dilemma. Her daughter, ... See full summary »
Grandmother has nothing to say when Libby tells her that she is off to LA to look up Dad, a Hollywood screenwriter. Grandmother has been in a New York cemetery for six years and Dad has ... See full summary »
Eugene, a young teenage Jewish boy, recalls his memoirs of his time as an adolescent youth. He lives with his parents, his aunt, two cousins, and his brother, Stanley, whom he looks up to and admires. He goes through the hardships of puberty, sexual fantasy, and living the life of a poor boy in a crowded house. Written by
Jason Ihle <email@example.com>
The first part of Neil Simon's semi-autobiographical "Eugene Trilogy" which was followed by Biloxi Blues (1988) and Broadway Bound (1992). All three films originated as plays and all had alliterative titles based on alliteration of the letters 'B' and 'Br'. See more »
Liver and cabbage - the Jewish mediaeval torture! My friend Marty Gregori, an A student in Science, told me that cooked cabbage can be smelled farther than sound travelling for seven minutes.
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A sweetly nostalgic look at Neil Simon's childhood...
BRIGHTON BEACH MEMOIRS was the first of a trilogy of plays that Neil Simon wrote about his own life, renaming himself Eugene Morris Jerome. This play was a Broadway smash and made a star and Tony Award winner out of Matthew Broderick. When it was time to bring the play to the screen, Broderick was unavailable because he was back on Broadway in the second play of the trilogy, BILOXI BLUES, so Jonathan Silverman was pegged to star in the film version as Eugene, the slightly neurotic teen going through puberty and other realities of being a Jewish teen during WWII with the help of his loving family. Silverman makes a suitable replacement for Broderick and seems quite at ease speaking directly to the camera. I'm one of the few who really liked Blythe Danner as his strong willed mother...maybe the accent was a bit much, but Danner infuses the character with warmth and strength and Bob Dishy has one of his best roles as Eugene's father, a quiet tower of strength whose world weariness never allows him to neglect his family. Judith Ivey plays Danner's sister, a lonely woman whose lack of self-esteem seems to have stemmed from feeling she has lived in her sister's shadow her whole life and Brian Drillinger also scores as Stanley, Eugene's older brother, who loses his paycheck gambling and then loses his job and doesn't know how to tell Mom and Dad. Gene Saks directs with a loving, if loose hand and the film could have been more tightly paced, but the performances of Silverman, Danner, and Dishy made it worth my time.
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