| Photos (see all 48 | slideshow) |
| Isabella Rossellini | ... | Dorothy Vallens | |
| Kyle MacLachlan | ... | Jeffrey Beaumont (as Kyle Maclachlan) | |
| Dennis Hopper | ... | Frank Booth | |
| Laura Dern | ... | Sandy Williams | |
| Hope Lange | ... | Mrs. Williams | |
| Dean Stockwell | ... | Ben | |
| George Dickerson | ... | Detective Williams | |
| Priscilla Pointer | ... | Mrs. Beaumont | |
| Frances Bay | ... | Aunt Barbara | |
| Jack Harvey | ... | Mr. Beaumont | |
| Ken Stovitz | ... | Mike | |
| Brad Dourif | ... | Raymond | |
| Jack Nance | ... | Paul | |
| J. Michael Hunter | ... | Hunter | |
| Dick Green | ... | Don Vallens | |
| Fred Pickler | ... | Yellow Man | |
| Philip Markert | ... | Dr. Gynde | |
| Leonard Watkins | ... | Double Ed | |
| Moses Gibson | ... | Double Ed | |
| Selden Smith | ... | Nurse Cindy | |
| Peter Carew | ... | Coroner | |
| Jon Jon Snipes | ... | Little Donny | |
| Angelo Badalamenti | ... | Piano Player (as Andy Badale) | |
| Jean Pierre Viale | ... | Master of Ceremonies | |
| Donald Moore | ... | Desk Sergeant | |
| A. Michelle Depland | ... | Party Girl | |
| Michelle Sasser | ... | Party Girl | |
| Katie Reid | ... | Party Girl | |
| Sparky | ... | The Dog | |
| rest of cast listed alphabetically: | |||
| Robert J. Maxwell | ... | Slow Club Customer (uncredited) | |
Directed by | |||
| David Lynch | |||
Writing credits | ||
| David Lynch | (screenplay) | |
Produced by | |||
| Fred C. Caruso | .... | producer (as Fred Caruso) | |
| Richard A. Roth | .... | executive producer (as Richard Roth) | |
Original Music by | |||
| Angelo Badalamenti | |||
Cinematography by | |||
| Frederick Elmes | (director of photography) | ||
Film Editing by | |||
| Duwayne Dunham | |||
Casting by | |||
| Pat Golden | |||
| Johanna Ray | |||
Production Design by | |||
| Patricia Norris | |||
Set Decoration by | |||
| Edward 'Tantar' LeViseur | |||
Makeup Department | |||
| Jeff Goodwin | .... | makeup supervisor | |
| Dean Jones | .... | special effects makeup | |
| Barbara Page | .... | assistant makeup artist | |
| Barbara Page | .... | hair stylist | |
| Dean Gates | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Fred C. Caruso | .... | production manager (as Fred Caruso) | |
| Gail Kearns | .... | production supervisor (as Gail M. Kearns) | |
Second Unit Director or Assistant Director | |||
| Ellen Rauch | .... | first assistant director | |
| Ian Woolf | .... | second assistant director | |
Art Department | |||
| Michel Anderson | .... | props-set dresser | |
| Shaw Burney | .... | set prop man | |
| Catherine Davis | .... | art department assistant | |
| Vernon Harrell | .... | props-set dresser | |
| Edward 'Tantar' LeViseur | .... | property master (as Tantar Leviseur) | |
| Tanya Lowe | .... | scenic artist | |
| Loren McNamara | .... | props-set dresser (as Loren Mcnamara) | |
| Les Pendleton | .... | construction coordinator (as Les Pendelton) | |
| Paul Sebastian | .... | props-set dresser | |
| Dawn Serody | .... | draftsperson | |
| Robert Testerman | .... | chief scenic artist | |
| Tim Viereck | .... | lead carpenter | |
| Arron Waitz | .... | props set dresser | |
| Doug White | .... | props-set dresser | |
| Mark S. Turner | .... | stand-by painter (uncredited) | |
Sound Department | |||
| Alan Abrams | .... | assistant sound editor | |
| Mark Berger | .... | re-recording mixer | |
| Karen Brocco | .... | assistant sound editor | |
| Frank E. Eulner | .... | sound recordist (as Frank Eulner) | |
| Rob Fruchtman | .... | sound editor | |
| Vivien Hillgrove Gilliam | .... | dialogue editor (as Vivien Gilliam) | |
| Sarah Goldsmith | .... | assistant sound editor (as Sarah Rothenberg) | |
| Richard Hymns | .... | sound effects editor | |
| Pat Jackson | .... | sound editor | |
| Ann Kroeber | .... | sound mixer | |
| Patrick Moriarty | .... | boom operator | |
| John Morris | .... | assistant sound editor | |
| John Nutt | .... | dialogue editor | |
| David Parker | .... | re-recording mixer | |
| Paige Sartorius | .... | assistant sound editor (as Page Sartorius) | |
| Michael Silvers | .... | dialogue editor | |
| Alan Splet | .... | sound designer | |
| Dennie Thorpe | .... | foley artist | |
| John Verbeck | .... | assistant sound editor | |
| Philip Rogers | .... | sound recordist (uncredited) | |
Special Effects by | |||
| George R. Hill | .... | special effects (as George Hill) | |
| Greg Hull | .... | special effects | |
Stunts | |||
| Reginald Barnes Jr. | .... | stunt performer | |
| David Boushey | .... | stunt performer | |
| Robert Burton | .... | stunt performer | |
| Mark Fincannon | .... | stunt performer (as W. Mark Fincannon) | |
| Richard Langdon | .... | stunt coordinator | |
| Sherrie Ann Langdon | .... | stunt performer | |
| John W. McEuen | .... | stunt performer (as John W. Mceuen) | |
| Dean Mumford | .... | stunt performer | |
| Debra Shuckman | .... | stunt performer (as Debra Schuckman) | |
| Ken Sprunt Jr. | .... | stunt performer | |
Casting Department | |||
| Sharon Bialy | .... | casting assistant | |
| Pamela Guest | .... | casting associate (as Pam Rack) | |
| Nina Axelrod | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Gloria Glynn | .... | costume shop supervisor (as Gloria Laughridge) | |
| Ronald Leamon | .... | costumer | |
| Henry Earl Lewis | .... | set wardrobe | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter (as Donnah Bassett) | |
| Brian Berdan | .... | apprentice editor | |
| Tim Craig | .... | apprentice editor | |
| Jonathan P. Shaw | .... | assistant editor (as Jonathan Shaw) | |
| Mary Sweeney | .... | assistant editor | |
| Daniel S. Frisch | .... | post-production assistant (uncredited) | |
Music Department | |||
| Mark Adler | .... | music editor | |
| Angelo Badalamenti | .... | conductor | |
| Sandina Bailo-Lape | .... | assistant music editor | |
| Todd Boekelheide | .... | music re-recording mixer | |
| David Lynch | .... | composer: additional music | |
Transportation Department | |||
| John Bankson | .... | driver | |
| Doug DuRose | .... | driver (as Doug Du Rose) | |
| Pat Hill | .... | transportation coordinator (as Patricia Hill) | |
| Cynthia Jarose | .... | driver | |
| A. Welch Lambeth | .... | driver (as Welch Lambeth) | |
Other crew | |||
| Morris Atkins | .... | location coordinator | |
| Celia Claire Barnes | .... | production assistant | |
| Frank Behnke | .... | intern associate | |
| Edward Bowen | .... | location assistant (as Edward Bown) | |
| Peter Braatz | .... | intern associate | |
| Mary Bridges | .... | craft service | |
| Patty Clark | .... | production assistant | |
| Kathryn Colbert | .... | production office coordinator | |
| Chrissie Davis | .... | production secretary (as Sarah Christine Davis) | |
| Steve Day | .... | production assistant | |
| Roe Fonvielle | .... | production assistant | |
| Cindy J. Gray | .... | assistant accountant (as Cindy Jo Gray) | |
| Bobby Kearns | .... | production assistant (as Robert Kearns) | |
| Kathi Levine | .... | assistant accountant | |
| Lyn Lucibello | .... | auditor (as Rita M. Lucibello) | |
| Jennifer Chambers Lynch | .... | production assistant (as Jennifer Lynch) | |
| Rina Sternfeld-Allon | .... | script supervisor (as Rina Sternfeld) | |
| John Wentworth | .... | assistant: David Lynch | |
| John Wildermuth Jr. | .... | key production assistant (as John Wildermuth) | |
|
|
|
|
|
| Twin Peaks: Fire Walk with Me | City of Shoulders and Noses | Basic Instinct | Tightrope | Giallo a Venezia |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
| Add this title to MyMovies |
In the early moments of "Blue Velvet" we see idealized small town images - blooming red roses and immaculate white picket fences - accompanied by the sounds of the gentle Bobby Vinton pop tune that gives the film its title. If you sense something unsettling about this perfection, that's only appropriate. "Blue Velvet" is a David Lynch film, you see, and it won't be long at all before a clean-cut college student comes across a rotting ear in an open field.
Jeffrey Beaumont (Kyle MacLachlan) is the boy who finds the ear, and Sandy Williams (Laura Dern) is the blonde policeman's daughter who assists Jeffrey when he decides to investigate the truth about his disturbing discovery. Sandy and Jeffrey link the ear to night club singer Dorothy Vallens (Isabella Rossellini) and later, a deranged man named Frank Booth (Dennis Hopper).
"I don't know if you're a detective or a pervert," Sandy tells Jeffrey when he decides to sneak into Dorothy's apartment. As Jeffrey becomes sexually entangled with Dorothy, we can only cast similar doubt.
It's true that "Blue Velvet"'s dark mysteries have the power to repulse. Voyeurism, rape, torture, and murder are all key to the plot. Yet the film is also spellbinding in its beauty. Vibrant colors and ominous shadows offer gorgeous contrast - call it Technicolor noir - and the film is rife with unforgettable imagery. Moments big and small, from MacLachlan playing with a child's birthday hat to Dean Stockwell's show-stopping lip-synch of Roy Orbison's "In Dreams", are as haunting as anything you will see at the movies anywhere.
The acting is top-notch. MacLachlan is just right as the lost innocent Jeffrey, and Hopper shreds the screen as his depraved counterpoint Frank. Rossellini's performance as Dorothy is devastating and extremely courageous: this is her defining moment as an actress.
"Blue Velvet" is perhaps the quintesstential David Lynch film. His strange humor and painterly gift for creating stunning images are prominently on display, and the film illustrates Lynch's contradictory impulses toward unbridled nastiness and aw-shucks sweetness like no other has. After all these years, "Blue Velvet" is still a shocker, and deciding how one feels about it is still a challenge. It is a film to be considered and then reconsidered, visited and revisited, the kind of film that will never fade away. For serious cinephiles, then, "Blue Velvet" is a film to be cherished.