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Blindside (1987)

R  |   |  Thriller  |  29 June 1988 (USA)
5.2
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Ratings: 5.2/10 from 228 users  
Reviews: 3 user | 1 critic

Harvey Keitel plays Penfield Gruber, a once great scientist, reduced to managing a sleazy hotel. Gruber monitors the daily comings and goings of his tenants, mainly for his own interest, ... See full summary »

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Title: Blindside (1987)

Blindside (1987) on IMDb 5.2/10

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Cast

Cast overview, first billed only:
...
Penfield Gruber
...
Julie
...
Adele
Michael Rudder ...
Freelong
Cordelia Strube ...
Dolman
Durango Coy ...
Borden
Alan Fawcett ...
Gilchrist
...
Sandy
...
Collinson (as Kenneth MacGregor)
Sam Malkin ...
Peters
...
Two Tone
Frenchie McFariane ...
Cheryl Wilson ...
Janine
Robert Ramsay Collins ...
Killer #1
Lawrence King-Phillips ...
Killer #2
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Storyline

Harvey Keitel plays Penfield Gruber, a once great scientist, reduced to managing a sleazy hotel. Gruber monitors the daily comings and goings of his tenants, mainly for his own interest, until underworld figures ask him to spy on a suspected double-crosser. While watching the man, Gruber overhears a murder plot. Written by Brennan Storr

Plot Summary | Add Synopsis

Taglines:

First, he was paid to watch her. Now, he'd pay any price to have her.

Genres:

Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Release Date:

29 June 1988 (USA)  »

Also Known As:

Caindo na Própria Armadilha  »

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User Reviews

 
ZIGZAGGING INTO CONFUSION.
3 May 2004 | by (Mountain Mesa, California) – See all my reviews

Harvey Keitel plays Penfield Gruber, once a prominent researcher in the field of surveillance science, who has lost his status as a result of his wife's messy suicide and is to be found as owner/manager of a run-down Toronto motel (he sports a goatee and smokes a pipe apparently to convince viewers of his past when fortune smiled). A narcotics dealer pays Penfield to surveil a business rival who resides in the motel and since Gruber routinely spies upon his clientele anyway, through access of the TV monitors, his new assignment does not require much creativity; however, in the course of his observing, he discovers that a murder is being planned to occur among his tenants, other than those purveying drugs. By capturing his findings on tape, Penfield is thrust into the middle of a savage gang war, all the while becoming romantically involved with the incipient homicide target, the film sagging into a patchwork of interrelated complications and betrayals. Director Paul Lynch places emphasis upon use of closeups, helpful in this case as the work is largely shot not only at night, but during very murky night at that, and watching Keitel in turn blankly studying his video recording of his wife's death by sleeping pill overdose, potentially voyeuristic as it may seem, is actually rather mild since Keitel's reading of his part is remarkably devoid of feeling, ostensibly due to his character's history of misfortune. Shelved for nearly two years, in all probability because its storyline is consistently unfocussed, the production does benefit from capable editing by Stephen Lawrence and interesting turns from Lori Hallier as Penfield's drastically targeted lover and Lolita Davidovich as a strip teaser with a heart of gold.


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