A fugitive on the run from the law and carrying several million dollars hides out in the house of a farm family. The tables turn when the family turns out to be even more criminally ... See full summary »
Thierry (Gérard Sandoz) drops out of school to apprentice as a lion tamer at the zoo when he meets Roselyne (Isabelle Pasco), who shares his passion. They fall in love and when he loses his... See full summary »
Michel, a psycho-analyst, falls asleep while listening to his patient Olga, a kleptomaniac and a sexual pervert, tell him how she likes her husband beating her. When he wakes up, he finds ... See full summary »
Hélène de Fougerolles,
Duca Lamberti est un ancien médecin, radié de l'ordre pour avoir pratiqué l'euthanasie; il est appelé par l'ing. Auseri pour essayer de sortir son fils David d'une dépression nerveuse qu'il... See full summary »
Sadiel, rebel leader in a North African state, takes refuge in Switzerland in the aftermath of a coup. Aware of the threat posed by Sadiel, the ruthless Colonel Kassar contacts the French ... See full summary »
Yves Boisset became famous for his "political movies " in the seventies,with such works as "un condé","RAS" "Dupont Lajoie" or "le juge Fayard dit le shériff".All these works ,particularly the second and the third ones ,are eminently watchable and Boisset's sincerity cannot be questioned.
"Bleu comme l'enfer" is a different matter:it was intended in order to match the American violent thrillers ,with a road movie feel thrown in for good measure.It signally fails in its purpose.The screenplay is far-fetched,where characters appear and disappear without bringing anything to the plot.All the secondary characters are uninteresting,from the cop's sister-in -law (in love with him) to the gangsters ,from the gas station man to the family-with-the-delightful-little-girl.
The three leads are the classic triangle,no more no less;Lambert Wilson is too subtle an actor to play such an empty-headed hoodlum.Tcheky Karyo's part (the cop) is more interesting but it does not avoid clichés for all that ;and the female part is bland ,the actress 's just being lovely.
In the nineties ,Yves Boisset went back to former glories.He directed a made-for-TV "le pantalon rouge",which was,relatively speaking,as moving and disturbing as Kubrik's "paths of glory".
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