A crime writer living in Venice while working on his new novel meets and soon marries his real-estate agent. Relocated to a remote house on Sant'Erasmo Island, his obsession with his wife's daily whereabouts takes a dark turn.
A literature professor at the University of Lausanne, Marc has a reputation for having love affairs with his female students. A few days after the disappearance of one of the most brillant ... See full summary »
A fugitive on the run from the law and carrying several million dollars hides out in the house of a farm family. The tables turn when the family turns out to be even more criminally ... See full summary »
Agathe lives with her husband and son in a posh apartment in front of the Parc du Luxembourg. Patrick lives with his son in the back of a van. She is the head of an important contemporary ... See full summary »
An American architect arrives in Italy, supervising an exhibition for a French architect, Boullée, who is famous for his oval structures. Through the course of 9 months he becomes obsessed ... See full summary »
Zorg is a handyman working at in France, maintaining and looking after the bungalows. He lives a quiet and peaceful life, working diligently and writing in his spare time. One day Betty ... See full summary »
In this modern retelling of the Virgin birth, Mary is a student who plays basketball and works at her father's petrol station; Joseph is an earnest dropout who drives a cab. The angel ... See full summary »
Yves Boisset became famous for his "political movies " in the seventies,with such works as "un condé","RAS" "Dupont Lajoie" or "le juge Fayard dit le shériff".All these works ,particularly the second and the third ones ,are eminently watchable and Boisset's sincerity cannot be questioned.
"Bleu comme l'enfer" is a different matter:it was intended in order to match the American violent thrillers ,with a road movie feel thrown in for good measure.It signally fails in its purpose.The screenplay is far-fetched,where characters appear and disappear without bringing anything to the plot.All the secondary characters are uninteresting,from the cop's sister-in -law (in love with him) to the gangsters ,from the gas station man to the family-with-the-delightful-little-girl.
The three leads are the classic triangle,no more no less;Lambert Wilson is too subtle an actor to play such an empty-headed hoodlum.Tcheky Karyo's part (the cop) is more interesting but it does not avoid clichés for all that ;and the female part is bland ,the actress 's just being lovely.
In the nineties ,Yves Boisset went back to former glories.He directed a made-for-TV "le pantalon rouge",which was,relatively speaking,as moving and disturbing as Kubrik's "paths of glory".
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