Daring British WWI fighter pilot James "Biggles" Bigglesworth and 1980s low-level business executive Jim Ferguson discover that they can time travel to each other's eras. They try to stop the Germans from changing the outcome of WWI.
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One minute the New Yorker advertising expert Jim Ferguson is at a business party -- the next he finds himself way back in 1917 in a plane fight during World War I. Mr. Raymond explains to him that he has a time-twin, to whom he's relocated in space and time whenever one of them is in trouble. So he has to help his twin, biplane pilot Biggles, in his attempt to destroy a German super weapon, that could win their war. Of course it's hard for Jim to explain his sudden disappearances to his fiance, Debbie. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Features Peter Cushing's last screen performance, filmed January 21-March 1985 (copyright 1985). See more »
Colonel Raymond's quarters have a blazing fire, despite the fact that there are no chimneys in Tower Bridge. See more »
[Debbie and Jim have traveled back in time to 1917]
Jim, this is all a big put on, isn't it? Like Fantasy Island, right?
Come on, Debbie, it's not *that* bad. It's only World War I.
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In the end of the credits it says: Filmed on location in New York - London - and the Western Front 1917. See more »
KNOCK 'EM DEAD KID
Performed by Mötley Crüe
Music and Lyrics by Nikki Sixx and Vince Neil
Published by Warner Brothers Music - Original publishers
Mötley Crüe Music/Warner Tamer Lane Publishing
Courtesy of Elektra/Asylum Records
by arrangement with Warner Special Products
from the album "Shout at the Devil" See more »
This film is not meant to be taken seriously, but is a thoroughly enjoyable romp, with a lot of humour. I watch my recording from time to time, and still laugh at it.
I particularly liked the way that Col. Raymond explained to Ferguson that the Germans are developing a secret weapon that could change the outcome of WWI, as though the war is still taking place, rather than being long over. This film gave the feeling that the past is still just as real as the present, and is somehow happening at the same time - spooky!
The background music was excellent: the "So you want to be a hero?!" piece as the biplanes streaked along just over the ground, woods on both sides, was marvelous.
The supporting characters of Algy, Bertie and Ginger seemed to fit so well with the old Capt. W.E. Johns stories - the actors really looked the part. Neil Dickson was excellent as the brave but human British hero who, when Von Stalheim proposes a toast "To War", replies "To Peace". The film definitely captured some of the "Boy's Own" era of British story-telling, when the heroes were bold, resourceful and always ready to have a go at the enemy, regardless of the odds or the danger - but always remained polite and courteous.
I really don't understand why this film bombed out at the box-office; after all, we have all seen far worse films which did much better. Perhaps the name "Biggles" is too British to attract an American audience, who don't have the nostalgic fondness for the character that we who read the books in our youth have?
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