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Directed by | |||
| John Carpenter | |||
Writing credits | ||
| Gary Goldman | (written by) & | |
| David Z. Weinstein | (written by) | |
| W.D. Richter | (adaptation) | |
Produced by | |||
| Keith Barish | .... | executive producer | |
| Larry J. Franco | .... | producer | |
| Jim Lau | .... | associate producer | |
| James Lew | .... | associate producer | |
| Paul Monash | .... | executive producer | |
Original Music by | |||
| John Carpenter | |||
| Alan Howarth | |||
Cinematography by | |||
| Dean Cundey | |||
Film Editing by | |||
| Steve Mirkovich | |||
| Mark Warner | |||
| Edward A. Warschilka | |||
Casting by | |||
| Joanna Merlin | |||
Production Design by | |||
| John J. Lloyd | |||
Art Direction by | |||
| Les Gobruegge | |||
Set Decoration by | |||
| George R. Nelson | (as George R. 'Bob' Nelson) | ||
Costume Design by | |||
| April Ferry | |||
Makeup Department | |||
| Ken Chase | .... | makeup supervisor | |
| Steve Johnson | .... | special makeup effects | |
| Susan V. Kalinowski | .... | hair stylist (as Susan Kalinowski) | |
Production Management | |||
| James Herbert | .... | unit production manager | |
| George E. Mather | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Matt Earl Beesley | .... | second assistant director | |
| Larry J. Franco | .... | first assistant director (as Larry Franco) | |
| Tommy Lee Wallace | .... | second unit director | |
Sound Department | |||
| Don J. Bassman | .... | sound re-recording mixer (as Don Bassman) | |
| Joseph F. Brennan | .... | boom operator | |
| Thomas Causey | .... | sound mixer | |
| Kevin F. Cleary | .... | sound re-recording mixer | |
| Monika Dorfman-Lightstone | .... | special sound effects editor | |
| Dean Drabin | .... | foley mixer | |
| Martin Dreffke | .... | special sound effects editor | |
| David Fechtor | .... | special sound effects editor (as David A. Fechtor) | |
| William Hartman | .... | sound effects supervisor | |
| Gary A. Hecker | .... | foley artist (as Gary 'Wrecker' Hecker) | |
| Laja Holland | .... | special sound effects editor | |
| Pieter Hubbard | .... | sound effects editor | |
| David M. Ice | .... | sound effects editor (as David Ice) | |
| Lenny Jennings | .... | sound effects editor | |
| Eric Lindemann | .... | sound effects editor (as Eric Lindeman) | |
| Gary Macheel | .... | sound synthesist | |
| Anthony Milch | .... | special sound effects supervisor | |
| Richard Overton | .... | sound re-recording mixer | |
| Glad Pickering | .... | adr editor | |
| David A. Poole | .... | assistant adr editor (as David Poole) | |
| Robert Renga | .... | sound recordist | |
| Steve Rice | .... | adr editor | |
| Hank Salerno | .... | supervising adr editor | |
| Hal Sanders | .... | sound effects editor | |
| Alicia Stevenson | .... | foley artist | |
| Darcy Vebber | .... | boom operator (as Darcey Vebber) | |
| Bill Voigtlander | .... | adr editor (as Bill Voightlander) | |
| David Williams | .... | special sound effects editor | |
Special Effects by | |||
| Stanley Amborn | .... | special effects assistant | |
| Randy Cabral | .... | special effects technician | |
| James Fredburg | .... | special effects foreman | |
| James Kagel | .... | creature crew (as Jim Kagel) | |
| Thaine Morris | .... | special effects foreman | |
| Joseph A. Unsinn | .... | special effects coordinator (as Joseph Unsinn) | |
| Randy Algoe | .... | visual effects technician (uncredited) | |
| Greg C. Jensen | .... | special effects (uncredited) | |
| Olov Nylander | .... | special photographic effects (uncredited) | |
Visual Effects by | |||
| Michael Backauskas | .... | visual effects optical line-up | |
| Mat Beck | .... | camera operator: visual effects crew (as Matt Beck) | |
| Peter Berman | .... | first assistant photographer: visual effects crew | |
| Dale Brady | .... | creature crew: Boss Film Studios | |
| Kevin Brennan | .... | creature crew: Boss Film Studios | |
| Theresa Burkett | .... | creature crew: Boss Film Studios | |
| Roberto Carlos | .... | creature crew: Boss Film Studios | |
| Craig Caton | .... | creature crew: Boss Film Studios | |
| Craig Clark | .... | special effects animator | |
| Charles Cowles | .... | optical camera operator | |
| Ken Diaz | .... | creature crew: Boss Film Studios | |
| Richard Edlund | .... | visual effects producer | |
| Robert Eyslee | .... | gaffer: visual effects crew | |
| Alex R. Felix III | .... | creature crew: Boss Film Studios | |
| Ed Felix | .... | creature crew: Boss Film Studios | |
| Eric Fiedler | .... | first technician: Boss Film Studios | |
| Eddie Garcia | .... | creature crew: Boss Film Studios | |
| Screaming Mad George | .... | first technician: Boss Film Studios | |
| Alan Harding | .... | optical camera operator | |
| Rebecca Heskes | .... | technical animator (as Rebecca Petrulli Heskes) | |
| George Jenson | .... | visual effects art director (as George Jensen) | |
| Steve Johnson | .... | creature creator: Boss Film Studios | |
| Ed Jones | .... | optical line-up | |
| James Kagel | .... | creature crew: Boss Film Studios | |
| Dave Kesley | .... | creature shop coordinator: Boss Film Studios | |
| Makio Kida | .... | creature crew: Boss Film Studios | |
| Neil Krepela | .... | matte department supervisor | |
| Brad Kuehn | .... | optical line-up | |
| Ron Macinnes | .... | creature crew: Boss Film Studios | |
| Mary Mason | .... | optical coordinator | |
| Dave Matherly | .... | creature crew: Boss Film Studios | |
| Dennis Michelson | .... | visual effects editor | |
| Virgil Mirano | .... | still photographer: visual effects crew | |
| Bill Neil | .... | director of photography: visual effects crew | |
| James Nelson | .... | production advisor: visual effects crew | |
| Lisa Nielsen | .... | creature crew: Boss Film Studios | |
| Roberto Olivas | .... | creature crew: Boss Film Studios | |
| Chris Regan | .... | optical supervisor: visual effects crew | |
| Richard Ruiz | .... | chief effects moldmaker: Boss Film Studios | |
| Wayne Strong | .... | creature crew: Boss Film Studios | |
| Annick Therrien | .... | technical animation supervisor | |
| Lynda Thompson | .... | visual effects production supervisor | |
| Patrick Van Auken | .... | grip: visual effects crew | |
| Paul Van Camp | .... | software programmer | |
| Garry Waller | .... | special projects supervisor | |
| Mary E. Walter | .... | optical line-up | |
| Mark Bryan Wilson | .... | creature crew: Boss Film Studios | |
| Sam Longoria | .... | engineer/machinist (uncredited) | |
Camera and Electrical Department | |||
| Clyde E. Bryan | .... | first assistant camera | |
| Ron Cardarelli | .... | key grip (as Ronald Cardarelli) | |
| Jack Cooperman | .... | underwater director of photography | |
| Larry D. Davis | .... | second assistant camera | |
| John Donnelly | .... | best boy | |
| J. Barry Herron | .... | underwater director of photography | |
| Gary B. Kibbe | .... | camera operator (as Gary Kibbe) | |
| George La Fountaine Jr. | .... | best boy | |
| Thomas Marshall | .... | best boy | |
| Steven Poster | .... | director of photography: second unit (as Steve Poster) | |
| John R. Shannon | .... | still photographer | |
| Raymond Stella | .... | camera operator (as Ray Stella) | |
| Steve Tate | .... | first assistant camera | |
| Mark Walthour | .... | gaffer | |
| Charles Williams | .... | company grip (as Charles 'Tex' Williams) | |
| Stefanie Wiseman | .... | film loader | |
| Billy Craft | .... | lighting technician (uncredited) | |
Animation Department | |||
| Glenn Chaika | .... | animator (as Glen Chaika) | |
| Margaret Craig-Chang | .... | assistant animator | |
| Deborah Gaydos | .... | assistant animator (as Deborah Ann Gaydos) | |
| Renee Holt | .... | assistant animator | |
| Jeff Howard | .... | animator | |
| Mauro Maressa | .... | animator | |
| Samuel E. Recinos | .... | technical animator (as Samuel Recinos) | |
| Peggy Regan | .... | animator | |
| Eusebio Torres | .... | assistant animator | |
| Kevin Kutchaver | .... | animator (uncredited) | |
Casting Department | |||
| Pamela Guest | .... | casting associate (as Pamela Rack) | |
Costume and Wardrobe Department | |||
| Oda Groeschel | .... | set costumer | |
| Paul Lopez | .... | costumer: men | |
| Michele Neely | .... | costumer: women | |
| Lois DeArmond | .... | costume illustrator (uncredited) | |
Editorial Department | |||
| Nancy Froelich | .... | assistant editor | |
| David Jansen | .... | apprentice editor | |
| J.W. Kompare | .... | assistant editor | |
| Ronald B. Moore | .... | effects editorial consultant (as Ronald Moore) | |
| Steven Ramirez | .... | first assistant editor (as Steven E. Ramirez) | |
| Ed Stabile | .... | assistant editor (uncredited) | |
Music Department | |||
| Scott Grusin | .... | music editor | |
Transportation Department | |||
| Steve Duncan | .... | transportation captain | |
| Eddie Lee Voelker | .... | transportation coordinator | |
| Rick Braverman | .... | driver (uncredited) | |
| Dean E. Mason | .... | driver: cast (uncredited) | |
Other crew | |||
| Susan Alpert | .... | production assistant (as Sue Alpert) | |
| Christine Baer | .... | secretary to producer | |
| Linda Brachman | .... | production consultant | |
| Dale Brady | .... | creature crew | |
| Kevin Brennan | .... | creature crew | |
| Theresa Burkett | .... | creature crew | |
| John Bush | .... | location manager: San Francisco | |
| Allen Cappuccilli | .... | assistant: Ronald Moore | |
| Roberto Carlos | .... | creature crew | |
| Craig Caton | .... | creature crew | |
| Kim-Kasey Costello | .... | assistant: Mr. Monash | |
| Dan Curry | .... | title designer | |
| Theresa Curtin | .... | assistant: Mr. Franco and Mr. Carpenter | |
| Ken Diaz | .... | creature crew | |
| Ken Dudderar | .... | precision cinetechnician | |
| Al Ebner | .... | unit publicist | |
| Alex R. Felix III | .... | creature crew (as Alex Felix) | |
| Ed Felix | .... | creature crew | |
| Eric Fiedler | .... | film technician | |
| Paulette C. Fine | .... | production accountant (as Paulette Fine) | |
| Eddie Garcia | .... | creature crew | |
| Mary Sutton Hallmann | .... | production coordinator | |
| Adam Hill | .... | creature effects moldmaker: Boss Films | |
| Adam Hill | .... | puppeteer: Boss Films | |
| Sandra Holden | .... | production secretary | |
| Jerry Jeffress | .... | electronics | |
| Steve Johnson | .... | creature design | |
| David P. Kelsey | .... | creature shop coordinator | |
| Makio Kida | .... | creature crew | |
| Sandy King | .... | script supervisor | |
| Harry Kohoyda Jr. | .... | production accountant (as Harry Kohoyda) | |
| Daniel Kwan | .... | marketing coordinator | |
| Jim Lau | .... | martial arts consultant | |
| Robin Dean Leyden | .... | electronics | |
| Ron Macinnes | .... | creature crew | |
| Dave Matherly | .... | creature crew | |
| Mark Matthews | .... | precision cinetechnician | |
| Lesa Nielsen | .... | creature crew | |
| Roberto Olivas | .... | creature crew | |
| Pat Repola | .... | laboratory technician | |
| Artist W. Robinson | .... | production consultant (as Artist Robinson) | |
| Mindy Rothstein | .... | production administrator | |
| Richard Ruiz | .... | chief effects mold maker | |
| Dana Miller Schornstein | .... | assistant production coordinator | |
| Jon Schreiber | .... | production assistant | |
| Steven Shkolnik | .... | location manager: Los Angeles (as Steve Shkolnik) | |
| Mark Siegel | .... | creature maker | |
| Mark Siegel | .... | puppeteer | |
| Peter J. Silbermann | .... | marketing supervisor | |
| Wayne Strong | .... | creature crew | |
| Gary Weddington | .... | assistant auditor | |
| Mark West | .... | design engineer | |
| Charles Whiteman | .... | chief engineer | |
| Robert Wilcox | .... | electronics | |
| Claire Wilson | .... | assistant: Richard Edlund | |
| Mark Bryan Wilson | .... | creature crew | |
| Adam Hill | .... | fiberglass statue caster: Paramount Studios (uncredited) | |
| Adam Hill | .... | set sculptor/plasterer/caster: Fox Studios (uncredited) | |
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| Brighton Wok: The Legend of Ganja Boxing | The Sorcerer's Apprentice | Scott Pilgrim vs. the World | Star Wars: Episode VI - Return of the Jedi | The Forbidden Kingdom |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Despite his recent slide into mediocrity, John Carpenter is responsible for what could be termed some of the biggest cult movies of the 1980's. Following his resounding success with Halloween he went on to direct a number of quirky yet excellent movies that began to tail of toward the end of the 80's with the release of such dross as Prince of Darkness. Carpenters movies are probably some of the most under appreciated pictures of recent cinema history on a commercial level, and none more so than perhaps one of his finest, the delightfully absurd action movie Big Trouble in Little China.
The plot is as daft as they come. Loud mouthed truck driver Jack Burton (played by Carpenter's long time collaborator Kurt Russell) arrives in San Francisco's Chinatown where he agrees to help out old friend Wang (played by Denis Dun) by driving him to the airport to pick up his green eyed fiancé. Things quickly go south however when a band of street punks kidnap the girl and the motley duo set off in pursuit. The pair soon find themselves caught in the middle of gang war that takes on a decidedly mythical bent and are forced to flee while Jack's truck is stolen. All this occurs within the first fifteen to twenty minutes.
If there's one thing you can say about Big Trouble, it's that it's action packed. The plot (such as it is) moves at an incredible pace and the film rarely slows to take breath as it rolls from one action set piece to the next. In such movies, normally the dialogue, and subsequently the acting suffer from a lack of any real attention. Not so here. Carpenter balances everything so perfectly that it's a wonder his career took such a slide. Although the actual story may be incredibly absurd and at times suffers from some rather obvious gaps of logic, the dialogue never fails to sparkle. Russell gives his very best wise ass shtick as Burton, the confused have a go hero who's so out of his depth he should really be fish bait, while Dun excels with a character who is consistently more heroic and capable than the lead. Another wonderful turn comes from an appearance by a young Kim Cattrall (of Sex and the City fame) as Gracie Law, a downmarket lawyer with an ability to talk at incredible speed. Some of the scenes between these three are pure comic genius, as Dun and Cattrall rattle out plot information at a rapid staccato pace while an increasingly bewildered Russell tries desperately to keep up.
Despite such positive remarks, Big Trouble was perhaps one of Carpenter's biggest commercial flops. While many of the movie's fans find this difficult to understand I do not. The reason for its failure is really incredibly simple. In terms of its style and the underlying comedy behind the piece, Carpenter's loving part tribute, part send up of all things Kung Fu was way ahead of the curve in every important respect. Take the relationship between our 'hero' Jack and his 'sidekick' Wang. The true dynamic of this relationship is a wonderfully post modern slant on the cliché buddy dynamic that existed in the 80's and it was done long before post modernist humour became truly fashionable in films (the most obvious example of post modern piece of cinema being Scream). Despite receiving star billing, Russell's Jack is actually a sidekick to Wang. While Wang has the knowledge, the skill and the courage to make him a true classic hero figure, Jack lags behind, being brash, ignorant and of little actual use in a fight. Similarly the action, although remarkably quaint by today's standards in both its look and execution, is a surprisingly accurate foreshadow of the current Hollywood move toward the more graceful, balletic chaos exhibited by movies like The Matrix and Crouching Tiger, Hidden Dragon.
Ultimately Big Trouble in Little China is a movie that survived thanks to the home video market and for that we can only be grateful. While its looks may have aged, its sense of humour and style is as fresh today as the day it first rolled out in cinemas. In short, it's pure escapist magic.