This is the sequel to "Romancing the Stone" where Jack and Joan have their yacht and easy life, but are gradually getting bored with each other and this way of life. Joan accepts an ... See full summary »
When trucker Jack Burton agreed to take his friend Wang Chi to pick up his fiancee at the airport, he never expected to get involved in a supernatural battle between good and evil. Wang's fiancee has emerald green eyes, which make her a perfect target for an immortal sorcerer named Lo Pan and his three invincible cronies. Lo Pan must marry a girl with green eyes so he can regain his physical form. Now, Jack must save Wang's fiancee from Lo Pan and his henchmen, and win back his stolen truck. But how can he defeat an enemy who has no body? Written by
This the last studio film that John Carpenter worked on at the end of the 1980's due to the problems he'd received during the production of the film with then studio head Lawrence Gordon, who practically interfered with the film up until its release date. Prince of Darkness (1987) and They Live (1988) would be made independently through Alive Films without any studio interference and distributed by Universal Pictures. See more »
When Jack Burton is kicked through the air by one of the three storms, padding can be seen through the shirt of the stuntman before he hits the chair. See more »
John Carpenter really steps away from his usual fare in this easy going `fortune-cookie theater' parody that was originally the manuscript for the second Buckaroo Banzai movie. It features a cast of pithy characters, bizarre and memorable dialogue, entertaining special effects and fight scenes that are well choreographed by western standards.
For those of you who already love John Carpenter, prepare for one of his finest moments. In 1987 Carpenter's sentimental sci-fi-side made `Starman' an instant classic and in 1984 his tense, brooding gothism made `Prince of Darkness' truly frightening. Sandwiched in-between these movie greats is the 1986 production of `Big Trouble on Little China', where eastern martial arts mysticism meets John Wayne bravado with zany and often absurdly hilarious results. How can you not love a movie unwilling to take itself too seriously while at the same time still managing to keep a straight face?
Carpenter's skills as a director, producer and songwriter come together in this film to produce what many consider to be his finest work. Big Trouble' s theme and content naturally compliments Carpenter's style of cynical humor, flashy cinematic expression and loose, caricature-esque development of memorable story line figures. If this isn't his opus magnum then it is at least one of his greatest moments as a director.
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