A documentary filmmaker, who has spent the last 15 years making films like "Aluminum: Our Shiny Friend," is finally given the chance to make the documentary on Indian farming he has always ... See full summary »
In 1966 New Jersey, Jill Rosen, a frustrated high schooler, is intrigued by an enigmatic new student known only as the Sheik. Sheik is an Italian whose primary interests are his car, Frank ... See full summary »
It's recruiting time and despite being short and scrawny, Johnny Walker is America's hottest young football prospect. His dilemma: should he take one of the many offers from college talent ... See full summary »
Bud S. Smith
Anthony Michael Hall,
Robert Downey Jr.,
A multimillionaire, whose son is gay and daughter a lesbian, leaves a will with one clause: His children will inherit his money only if at least one of them produces him a grandchild within a year of his death.
Robert Downey Sr.
Robert Downey Jr.,
Millionaire businessman Thornton Melon is upset when his son Jason announces that he is not sure about going to college. Thornton insists that college is the best thing he never had for himself, and to prove his point, he agrees to enroll in school along with his son. Thornton is a big hit on campus: always throwing the biggest parties, knowing all the right people, but is this the way to pass college? Written by
Murray Chapman <firstname.lastname@example.org>
When Valerie and Chas arrive at the caveman party, the saber-tooth teeth on Valerie's necklace are all pointing outward as normal. In her closeup when she says "Jason said it would be great", the teeth on her left are pointed inward toward her chest. They then return to facing out in the next shot. See more »
The end credits begin with the message: "For Estelle. Thanks so much." This is a dedication to Estelle Endler, Rodney Dangerfield's manager and one of the executive producers of the film, who died during production. See more »
This is as classic (though campy) as Rodney gets. I just had to comment ahead of time that any remake of this, especially one involving Cedric the Entertainer, cannot possibly live up to the original.
I'm really tired of Hollywood trying to win over the hip-hoppy, shallow culture by instilling Cedrick the Entertainer in this remake-to-be when the original was done by a classic entertainer. What's next...a remake of Animal House with P-Diddy as Bluto (or whatever he calls himself these days)? Rodney is already turning over in his grave knowing how bad the remake is going to be. Somewhere up there I hope he can convince God to strike the set with thunderous bolts of lightning and 14 inch hailstones. Can't Hollywood leave well enough alone? Rodney, now that you're dead....they give you even less respect!
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