An ex-boxer is drifting around after escaping from the mental hospital. He meets a widow who convinces him to help fix up the neglected estate her ex-husband left. Her Uncle talks them both... See full summary »
Rebellious footballer Johnny, falls for cheerleader Tracy. They come from opposite backrounds; she's from a comfortable well off family, his is poor and broken. Tracy already has a ... See full summary »
Terry Noonan returns home to New York's Hells Kitchen after a ten year absence. He soon hooks up with childhood pal Jackie who is involved in the Irish mob run by his brother Frankie. Terry... See full summary »
An uptight New York tax lawyer gets his life turned upside down, all in a single day, when he's asked to escort a feisty and free-spirited female ex-convict whom asks him to help prove her innocence of her crime.
Glendon Wasey is a fortune hunter looking for a fast track out of China. Gloria Tatlock is a missionary nurse seeking the curing powers of opium for her patients. Fate sets them on a hectic... See full summary »
It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
Based upon the true story of Bruce Johnston Sr., his son, and his brothers; together, they constituted one of suburban Philadelphia's most notorious crime families during the 1970's. Their criminal activities ranged from burglary, theft... and ultimately, murder. Written by
Screenwriter Nicholas Kazan originally wrote in the script a scene in which after Brad Sr. and Brad Jr. "do laundry", Brad Sr. takes little Brad to a whorehouse. The scene was not filmed due to "reasons beyond his control". See more »
After Brad Jr. fires off several rounds around his father, he shoves the end of the handgun's barrel right into his father's face. The heat from the rounds that were just fired seconds before should have been enough to burn his father's face, yet Brad Sr. doesn't flinch, and when Brad. Jr. pulls the gun back from his father's face, there is no evidence of a burn. See more »
AT CLOSE RANGE is one of the bleakest, coldest, scariest, and most depressing films I have ever seen...it was made even more depressing when I learned at the end that it was based on a true story. A very young but already magnetic Sean Penn is heartbreakingly convincing and predictably terrific in the lead role of a tough but generally good kid with family problems that range from a poor home with his mother and grandmother to having a lowlife, evil-to- the-asshole scumbag for a father. As the father, Christopher Walken, in what may be the greatest performance of his career, gives one of the most despicable, hateful, and frightening in it's believability performances in the history of film. He is the epitome of an evil person who has turned amoral with a lot of practice. I can't remember the last time I hated a character in a film as much as I despised Walken. The remarkable final confrontation scene between him and Penn, after a tragedy has happened, is an example of how limitless the raw power that film can evoke truly is when it is in the hands of amazing character actors who get inside their characters in such an awe-inspiring way that they make you feel like you are watching a documentary. The scene makes you so sad and angry at the same time that it just breaks your f**king heart! It is one of the very best scenes of both actors' stellar careers, and it is a scene that I'm sure will be shown every time either actor receives a Career Achievement Award in their future. Mary-Stuart Masterson, a talented actress who unfortunately seems to have gotten lost in the Bermuda Triangle after FRIED GREEN TOMATOES, is also touching and convincing as Penn's underage girlfriend. After watching GLENGARRY GLEN ROSS and now this, I think James Foley is clearly one of the modern masters when it comes to directing and setting the stage for great acting. It's not an entertaining movie by any stretch of the imagination, but it's a powerful, honest, unmercifully human one that will be hard to forget. B+
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