| Selim Boughedir | ... | Noura | |
| Mustapha Adouani | ... | Si Azzouz | |
| Rabia Ben Abdallah | ... | La Jamila | |
| Mohammed Driss | ... | Salih | |
| Hélène Catzaras | ... | Latifa | |
| Fatima Ben Saïdane | ... | Salouha | |
| Abdelhamid Gayess | ... | Cheick Mohktar | |
| Jamel Sassi | ... | Moncef | |
| Radhouane Meddeb | ... | Mounir | |
| Carolyn Chelby | ... | Leila | |
| Zahira Ben Ammar | ... | La matrone | |
| Fethi Haddaoui | ... | Khemais | |
| Aissa Harrath | ... | Ali | |
| Taoufik Chabchoub | ... | Colombo | |
| Siah Msadek | ... | Le boucher et l'ogre | |
| Jamila Ourabi | ... | Proprietaire du hammam | |
| Aziza Boulabiar | ... | Zekhia | |
| Salem Ben Hassine | ... | Le clochard | |
| Mustapha Koudai | ... | Hamadi Karama | |
| Amouche Setbon | ... | La Belle Aicha (as Anouche Setbon) | |
| Marianne Catzaras | ... | Fatma | |
| Walid Bahri | ... | Samir | |
| Hamadi Ben Saad | ... | Client du coiffeur | |
| Férid Boughedir | ... | Client du coiffeur | |
| Mounir El Ghrairi | ... | Milicien | |
| Mahmoud Abderrazak | ... | Milicien | |
| Mohsen Bouselmi | ... | Un ouvrier | |
| Leila Ouertani | ... | Fille draguee | |
| Samia Meddeb | ... | Fille draguee | |
| Leila Dakhli | ... | Fille draguee | |
| Souha Ben Mlouka | ... | Cliente boutique pere | |
| Latifa Gharbi | ... | Cliente boutique pere | |
| Raja Ben Ammar | ... | Cliente de Salih | |
| Kamel Touati | ... | Le coiffeur | |
| Taoufik Jebali | ... | Client du coiffeur | |
| Raouf Ben Amor | ... | Client du coiffeur |
Directed by | |||
| Férid Boughedir | |||
Writing credits(in alphabetical order) | ||
| Férid Boughedir | ||
| Nouri Bouzid | ||
| Taoufik Jebali | dialogue | |
| Maryse León García | ||
Produced by | |||
| Ahmed Baha Attia | .... | producer | |
| Sylvain Bursztejn | .... | producer | |
| Hassen Daldoul | .... | producer | |
| Eliane Stutterheim | .... | producer | |
Original Music by | |||
| Anouar Brahem | |||
Cinematography by | |||
| Georges Barsky | |||
Film Editing by | |||
| Marie-Christine Rougerie | |||
| Moufida Tlatli | |||
Production Design by | |||
| Taieb Jallouli | |||
Set Decoration by | |||
| Taieb Jallouli | (chief decorator) | ||
Costume Design by | |||
| Naama Jazi | |||
Makeup Department | |||
| Zeineb Ayachi | .... | assistant makeup artist | |
| Essia Baaziz | .... | hair stylist | |
| Fatma Jaziri | .... | makeup artist | |
Production Management | |||
| Abdessafar Ben Youssef | .... | unit manager | |
| Vincent Coudanne | .... | unit manager | |
| Touhami Kochbati | .... | unit manager | |
| Ali Mansouri | .... | unit manager | |
Art Department | |||
| Rachid El Basti | .... | constructor | |
| Raouf Jerbi | .... | props | |
| Naceur Kaabi | .... | painter | |
Sound Department | |||
| Henri Humbert | .... | sound effects (as Henry Humbert) | |
| Hachim Joulak | .... | sound | |
| Riadh Thabet | .... | boom operator | |
| Gérard Tilly | .... | sound mixer | |
Camera and Electrical Department | |||
| Achour Abdelmajid | .... | assistant electrician | |
| Anouar Ben Aissa | .... | still photographer | |
| Nourredine Ben Aoun | .... | assistant camera | |
| Jellal Ben Barka | .... | assistant electrician | |
| Taoufik Bourgain | .... | assistant camera | |
| Skander Dhaoui | .... | assistant electrician | |
| Catherine Kalmar | .... | assistant camera | |
| Ali Naili | .... | electrician | |
| Salah Rezgui | .... | assistant electrician | |
Casting Department | |||
| Marianne Catzaras | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Claude Bennys | .... | stylist | |
| Najer Soltani | .... | costume assistant | |
Editorial Department | |||
| Ridah Dridi | .... | assistant editor | |
| Karim Hammouda | .... | assistant editor | |
| Maguelone Pouget | .... | assistant editor | |
Music Department | |||
| Paul Bouchara | .... | musician | |
| François Couturier | .... | musician | |
| Bechir Selmi | .... | musician | |
| Taoufih Zgonda | .... | musician | |
Other crew | |||
| Abdallah Baaloch | .... | production administrator | |
| Hatchem Ben Ammar | .... | press attache | |
| Hayer Ben Henin | .... | production secretary | |
| François Bert | .... | machinist | |
| Claude d'Anna | .... | technical advisor | |
| Serge Debillot | .... | production administrator | |
| Rita Dhaoui | .... | production secretary | |
| Mondher El Gaied | .... | assistant machinist | |
| Chauffy Heddaoui | .... | assistant machinist | |
| Neji Khedri | .... | assistant machinist | |
| Anne Mirman | .... | script girl (as Anne Mirmam) | |
| Nourredine Oueslah | .... | accessories | |
| Yeef Stalnikiewicz | .... | production secretary | |
| Hassen Tebbi | .... | assistant machinist | |
| Moncel Zdouri | .... | color calibrator | |
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| My Own Private Idaho | Persepolis | The Science of Sleep | Lola and Billy the Kid | The Rainbow |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Tunisia section |
"Halfaouine: Boy of the Terraces" (1990, Ferid Boughedir)
Apparently puberty's the same for everybody, everywhere.
Transcending time and place, date and setting, the film is a coming-of-age tale far from the thematically similar Tunisian entry "The Silences of the Palace", which depicting in scorching detail the plight of the woman in this society and her expectory burden of rape and sexual favors, "Halfaouine" depicts male-female Tunisian relations as much like our own American, with a lot of strong and knowing females and the lascivious lunkhead sweethearts who love them. Into this world is twelve-year-old Noura, endeavoring on a quest to understand the world of women, how to be a man, relationships, and above all, to see boobs.
Now, this is not the demented and disgusting brilliance of something like "Leolo", and it's not any outrageous or controversial endeavor on the level of "Maladolescenza" or "Murmur of the Heart", but its intent is to be breezy entertaining, not to get people talking about it in shocked whispers to their friends. The film has a solid grasp for both a good punchline (for instance, when a womanizer gives a young boy advice on how to get with women, the film cuts directly to the boy getting punished for harassing local girls) and a good visual joke (as when a street argument is cooled as the participants find a common bond: ogling a woman as she saunters away), functioning as little more than mindless entertainment.
It fails to be overly notable outside of surprising me how comfortable Tunisia is with nudity, as the film is filled to the brim with it. Lead actor Selim Boughedir is not only sort of dumb-looking, but also only seems to have two facial expressions: A blank slate and a sheepish grin. The rest of the characters are ill-defined, and most of the women, with the except his town-temptress aunt, are more notable for their bodies than their lives, which, it could be argued, is somewhat appropriate, considering the movie's title character is a horny, inexperienced twelve-year-old.
In the end, it's a harmless bit a fluff, a sex comedy with broad characters and a surplus of nudity, and more than anything else, I think it's nice to know that no matter where you're from, be it the suburbs of Michigan, the neighborhoods of Paris or the streets of Tunisia, every boy around the world just wants to get a little action.
{Grade: 7.5/10 (B-) / #15 (of 24) of 1990}