| Photos (See all 29 | slideshow) | Videos (see all 2) |
| Jay Baker | ... | Harvey | |
| Pat Barlow | ... | Clara | |
| Lloyd Berry | ... | Ferryman | |
| Deborah Foreman | ... | Muffy / Buffy | |
| Deborah Goodrich | ... | Nikki | |
| Tom Heaton | ... | Constable Potter / Uncle Frank | |
| Mike Nomad | ... | Buck | |
| Ken Olandt | ... | Rob | |
| Griffin O'Neal | ... | Skip | |
| Leah Pinsent | ... | Nan (as Leah King Pinsent) | |
| Clayton Rohner | ... | Chaz | |
| Amy Steel | ... | Kit | |
| Thomas F. Wilson | ... | Arch |
Directed by | |||
| Fred Walton | |||
Writing credits | ||
| Danilo Bach | (written by) | |
Produced by | |||
| Frank Mancuso Jr. | .... | producer | |
Original Music by | |||
| Charles Bernstein | |||
Cinematography by | |||
| Charles Minsky | (director of photography) | ||
Film Editing by | |||
| Bruce Green | |||
Casting by | |||
| Pamela Basker | |||
| Fern Champion | |||
Art Direction by | |||
| W. Stewart Campbell | (as Stewart Campbell) | ||
Set Decoration by | |||
| Della Mae Johnston | (as Della Johnston) | ||
Makeup Department | |||
| Martin Becker | .... | makeup effects: Reel EFX, Inc. | |
| Deborah Anne Dawson | .... | hair stylist | |
| Victoria Down | .... | assistant makeup artist | |
| Jim Gill | .... | makeup effects: Reel EFX, Inc. | |
| Bettie Kauffman | .... | makeup effects: Reel EFX, Inc. (as Bettie Kaufman) | |
| Todd McIntosh | .... | head makeup artist | |
| Beverly K. Sewers | .... | assistant hair stylist | |
| Christopher Swift | .... | makeup effects: Reel EFX, Inc. | |
Production Management | |||
| Randy Cheveldave | .... | production manager (as Randolph F. Cheveldave) | |
Second Unit Director or Assistant Director | |||
| Reid A. Dunlop | .... | third assistant director (as Reid Dunlop) | |
| Lee Knippelberg | .... | first assistant director | |
| David Rollin Webb | .... | second assistant director (as David Webb) | |
| Geoff Wilkinson | .... | third assistant director | |
Art Department | |||
| Gary Brolly | .... | construction coordinator (as Garry Brolly) | |
| Roger Dole | .... | assistant set decorator | |
| Bill Flanagan | .... | stand-by carpenter | |
| D.N. Pettipas | .... | set dresser (as Dianne Pettipas) | |
| Hugh Poole | .... | scenic artist | |
| Dave Rowan | .... | set dresser | |
| David Tait | .... | carpenter | |
| Sonny Van Hecke | .... | assistant property master | |
| Robert J. Visciglia Sr. | .... | property master (as Robert Visciglia Sr.) | |
| Barbara Anne Bock | .... | art crew (uncredited) | |
| Scott H. Campbell | .... | assistant art director (uncredited) | |
Sound Department | |||
| Mark Berger | .... | sound re-recording mixer | |
| Jonathan D. Evans | .... | sound engineer | |
| Kim Fowler | .... | foley (as Kim Fowler Esser) | |
| Herb Heritage | .... | boom operator | |
| F. Hudson Miller | .... | sound effects | |
| R.J. Palmer | .... | supervising sound editor | |
| David Parker | .... | second sound re-recording mixer | |
| John Post | .... | foley | |
| Steve Rice | .... | dialogue editor | |
| Peter Shewchuk | .... | sound mixer | |
| Stan Siegel | .... | foley | |
| Kelly Tartan | .... | sound coordinator | |
| David Lewis Yewdall | .... | sound designer | |
| Steve Rice | .... | adr editor (uncredited) | |
Special Effects by | |||
| Martin Becker | .... | special effects: Reel EFX, Inc. | |
| Jim Gill | .... | special effects: Reel EFX, Inc. | |
| Bettie Kauffman | .... | special effects: Reel EFX, Inc. (as Bettie Kaufman) | |
| Christopher Swift | .... | special effects: Reel EFX, Inc. | |
| Barbara Anne Bock | .... | special effects (uncredited) | |
Stunts | |||
| Lou Bollo | .... | assistant stunt coordinator (as Louis Bollo) | |
| Jim Dunn | .... | stunt man | |
| John Wardlow | .... | stunt coordinator | |
Camera and Electrical Department | |||
| David Barritt | .... | company electrician (as Dave Barritt) | |
| Bruno Bittner | .... | electrical best boy (as Robert Bittner) | |
| Cranston Gobbo | .... | company electrician (as Cranston Gobo) | |
| Dan Heather | .... | second assistant camera | |
| Robert K. Hill | .... | company grip (as Robert Kenneth Hill) | |
| Chris Kankainen | .... | dolly grip | |
| Cameron MacDonald | .... | camera operator (as Cam Macdonald) | |
| Scott MacDonald | .... | best boy grip | |
| Neil McCauley | .... | gaffer | |
| Jack Rowand | .... | still photographer | |
| Bruce Smith | .... | key grip | |
| Peter Smith | .... | first assistant camera | |
| Anthony Smoller | .... | company grip | |
| David S. Warner | .... | company electrician (as Dave Warner) | |
Casting Department | |||
| Mark Holub | .... | casting associate: Los Angeles | |
| Mary Jo Slater | .... | casting: New York | |
| Sue Swan | .... | casting coordinator | |
| Susan Willett | .... | casting: New York | |
Costume and Wardrobe Department | |||
| Melissa Gleason | .... | dresser | |
| Grace Keating | .... | wardrobe assistant | |
| Lio Kellar | .... | wardrobe head (as Lid Kellas) | |
| Maria Mancuso | .... | wardrobe consultant | |
| Rose Mihalyi | .... | wardrobe assistant (as Rose Mihayli) | |
Editorial Department | |||
| Bruce Giesbrecht | .... | assistant editor: production | |
| Karen Schwartz | .... | apprentice editor | |
| Stephen R. Sheridan | .... | color timer (as Steve Sheridan) | |
| Michael Smith | .... | assistant editor: production | |
| Jonas Thaler | .... | assistant editor | |
Music Department | |||
| Charles Bernstein | .... | orchestrator | |
| Julie Giroux | .... | orchestrator (as Julie Giroux-West) | |
| John La Salandra | .... | music editor (as John Lasalandra) | |
| James Thatcher | .... | musician: french horn | |
Transportation Department | |||
| Chris Baldwinson | .... | driver | |
| Dave Bowe | .... | transportation captain (as David Bowe) | |
| Don Cameron | .... | driver | |
| Barry Chapman | .... | transportation coordinator | |
| Mark Gould | .... | driver | |
| Darold Hadley | .... | driver (as Darold A. Hadley) | |
| Tony Johnson | .... | driver (as Tony Johnston) | |
| Terry Newton | .... | transportation co-captain | |
| James Perenseff | .... | driver (as Jim Perenseff) | |
| Michael Price | .... | driver | |
Other crew | |||
| Blue Angus | .... | caterer: Location Caterers (as Mark Angus) | |
| Victoria Barney | .... | production coordinator | |
| Dan Curry | .... | title designer | |
| Lara Fox | .... | script supervisor | |
| Ron Gadoury | .... | security (as Ron Gadourly) | |
| Stephen A. Gallard | .... | stand-in | |
| Michael Goldberg | .... | assistant accountant | |
| Gordon Hardwick | .... | production assistant (as Gordon Hardwicke) | |
| Jan James | .... | stand-in | |
| Tony Jordan | .... | production assistant | |
| Don Lane | .... | caterer: Location Caterers | |
| Laurie Lee | .... | assistant: Mr. Mancuso | |
| Lauren 'Fluff' Lindsay | .... | craft service (as Lauren Lindsay) | |
| Padi Mills | .... | production secretary | |
| Marilyn Natty | .... | stand-in | |
| Victor Nicolle | .... | production assistant | |
| Colleen Nystedt | .... | location liaison | |
| Liz Staniforth | .... | payroll assistant (as Elizabeth Staniforth) | |
| Constance Talley-Sherman | .... | production accountant | |
| Margaret Hanly | .... | script supervisor (uncredited) | |
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| Black Christmas | Friday the 13th | A Nightmare on Elm Street | My Bloody Valentine | Slaughter High |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section |
April Fool's Day has just the right smarts about it that it holds up extremely well, even all these years later. While the cast may be youthful, the characters and story set this film way above "teen" slasher or horror flicks. Mainly, because this is really a mystery in the vein of Ten Little Indians.
It's a good thing I saw this film in a theatre when it was first released in 1986 -- because the VHS cover has something on it that would have kept me AWAY if I had not seen the film already: "It's just what you'd expect from the producer who brought you Friday the 13th -- Parts Two, Three, Four, and Five." You just can't put April Fool's Day in the same category as those films! This is far superior in story and intelligence. It's clever, well-written, and has great characters that you like even if they are not so nice! These days it seems it's more important to find the most popular actors, and that is usually distracting and doesn't guarantee a good film. April Fool's Day had lesser known stars for that time (Deborah Foreman, Amy Steel, Clayton Rohner, Griffin O'Neal) and that worked as an advantage.
The basic premise of a group of college students stuck on an island in a big house and one by one they disappear, yes, it's been done in many variations before. But the clever execution of the story, red herrings, and the underrated Deborah Foreman's delightful portrayal of Muffy/Buffy all make for a really fun viewing experience. Foreman has just the right amount of sweetness and can go right into being just plain quirky with such ease. The touch of having dolls on the dinner table, sort of like name tags, will bring a giggle and a smile for sure!
One plus for this film is the fact that it didn't sink into the tiring T & A route. Sure, a few of the characters have sex on the brain but their actions and dialogue never really wander off into the gratuitous area. Guys, if you really want lots of breasts than just go ahead and get some porn or a Playboy video, okay? Let the rest of us enjoy a good story once in a while!
After the body count rises and things escalate into a tense and frenzied chase through the house, you'll be surprised at what happens next. April Fool's Day is one of the few films of this kind that actually had a very surprising reveal and I was even caught off guard, left with my jaw agape at what the whole deal was about. The BIG surprise just happens so...abruptly, that you feel just like the character that runs into the room -- just stuck for a second! After about 90 minutes of mystery, the payoff BETTER be good, and sure enough, this one doesn't disappoint! I'm especially thrilled to have picked up the eerie soundtrack by Charles Bernstein on vinyl when it first came out, and to this day love to give it a spin on the turntable.
Paramount has a vast library of films that just NEED to be given great treatment on DVD, and I'm crossing my fingers that films like April Fool's Day, Let's Scare Jessica To Death, and Polanski's film The Tenant will be given their glory. >