| Photos (See all 29 | slideshow) | Videos (see all 2) |
| Jay Baker | ... | Harvey | |
| Pat Barlow | ... | Clara | |
| Lloyd Berry | ... | Ferryman | |
| Deborah Foreman | ... | Muffy / Buffy | |
| Deborah Goodrich | ... | Nikki | |
| Tom Heaton | ... | Constable Potter / Uncle Frank | |
| Mike Nomad | ... | Buck | |
| Ken Olandt | ... | Rob | |
| Griffin O'Neal | ... | Skip | |
| Leah Pinsent | ... | Nan (as Leah King Pinsent) | |
| Clayton Rohner | ... | Chaz | |
| Amy Steel | ... | Kit | |
| Thomas F. Wilson | ... | Arch |
Directed by | |||
| Fred Walton | |||
Writing credits | ||
| Danilo Bach | (written by) | |
Produced by | |||
| Frank Mancuso Jr. | .... | producer | |
Original Music by | |||
| Charles Bernstein | |||
Cinematography by | |||
| Charles Minsky | (director of photography) | ||
Film Editing by | |||
| Bruce Green | |||
Casting by | |||
| Pamela Basker | |||
| Fern Champion | |||
Art Direction by | |||
| W. Stewart Campbell | (as Stewart Campbell) | ||
Set Decoration by | |||
| Della Mae Johnston | (as Della Johnston) | ||
Makeup Department | |||
| Martin Becker | .... | makeup effects: Reel EFX, Inc. | |
| Deborah Anne Dawson | .... | hair stylist | |
| Victoria Down | .... | assistant makeup artist | |
| Jim Gill | .... | makeup effects: Reel EFX, Inc. | |
| Bettie Kauffman | .... | makeup effects: Reel EFX, Inc. (as Bettie Kaufman) | |
| Todd McIntosh | .... | head makeup artist | |
| Beverly K. Sewers | .... | assistant hair stylist | |
| Christopher Swift | .... | makeup effects: Reel EFX, Inc. | |
Production Management | |||
| Randy Cheveldave | .... | production manager (as Randolph F. Cheveldave) | |
Second Unit Director or Assistant Director | |||
| Reid A. Dunlop | .... | third assistant director (as Reid Dunlop) | |
| Lee Knippelberg | .... | first assistant director | |
| David Rollin Webb | .... | second assistant director (as David Webb) | |
| Geoff Wilkinson | .... | third assistant director | |
Art Department | |||
| Gary Brolly | .... | construction coordinator (as Garry Brolly) | |
| Roger Dole | .... | assistant set decorator | |
| Bill Flanagan | .... | stand-by carpenter | |
| D.N. Pettipas | .... | set dresser (as Dianne Pettipas) | |
| Hugh Poole | .... | scenic artist | |
| Dave Rowan | .... | set dresser | |
| David Tait | .... | carpenter | |
| Sonny Van Hecke | .... | assistant property master | |
| Robert J. Visciglia Sr. | .... | property master (as Robert Visciglia Sr.) | |
| Barbara Anne Bock | .... | art crew (uncredited) | |
| Scott H. Campbell | .... | assistant art director (uncredited) | |
Sound Department | |||
| Mark Berger | .... | sound re-recording mixer | |
| Jonathan D. Evans | .... | sound engineer | |
| Kim Fowler | .... | foley (as Kim Fowler Esser) | |
| Herb Heritage | .... | boom operator | |
| F. Hudson Miller | .... | sound effects | |
| R.J. Palmer | .... | supervising sound editor | |
| David Parker | .... | second sound re-recording mixer | |
| John Post | .... | foley | |
| Steve Rice | .... | dialogue editor | |
| Peter Shewchuk | .... | sound mixer | |
| Stan Siegel | .... | foley | |
| Kelly Tartan | .... | sound coordinator | |
| David Lewis Yewdall | .... | sound designer | |
| Steve Rice | .... | adr editor (uncredited) | |
Special Effects by | |||
| Martin Becker | .... | special effects: Reel EFX, Inc. | |
| Jim Gill | .... | special effects: Reel EFX, Inc. | |
| Bettie Kauffman | .... | special effects: Reel EFX, Inc. (as Bettie Kaufman) | |
| Christopher Swift | .... | special effects: Reel EFX, Inc. | |
| Barbara Anne Bock | .... | special effects (uncredited) | |
Stunts | |||
| Lou Bollo | .... | assistant stunt coordinator (as Louis Bollo) | |
| Jim Dunn | .... | stunt man | |
| John Wardlow | .... | stunt coordinator | |
Camera and Electrical Department | |||
| David Barritt | .... | company electrician (as Dave Barritt) | |
| Bruno Bittner | .... | electrical best boy (as Robert Bittner) | |
| Cranston Gobbo | .... | company electrician (as Cranston Gobo) | |
| Dan Heather | .... | second assistant camera | |
| Robert K. Hill | .... | company grip (as Robert Kenneth Hill) | |
| Chris Kankainen | .... | dolly grip | |
| Cameron MacDonald | .... | camera operator (as Cam Macdonald) | |
| Scott MacDonald | .... | best boy grip | |
| Neil McCauley | .... | gaffer | |
| Jack Rowand | .... | still photographer | |
| Bruce Smith | .... | key grip | |
| Peter Smith | .... | first assistant camera | |
| Anthony Smoller | .... | company grip | |
| David S. Warner | .... | company electrician (as Dave Warner) | |
Casting Department | |||
| Mark Holub | .... | casting associate: Los Angeles | |
| Mary Jo Slater | .... | casting: New York | |
| Sue Swan | .... | casting coordinator | |
| Susan Willett | .... | casting: New York | |
Costume and Wardrobe Department | |||
| Melissa Gleason | .... | dresser | |
| Grace Keating | .... | wardrobe assistant | |
| Lio Kellar | .... | wardrobe head (as Lid Kellas) | |
| Maria Mancuso | .... | wardrobe consultant | |
| Rose Mihalyi | .... | wardrobe assistant (as Rose Mihayli) | |
Editorial Department | |||
| Bruce Giesbrecht | .... | assistant editor: production | |
| Karen Schwartz | .... | apprentice editor | |
| Stephen R. Sheridan | .... | color timer (as Steve Sheridan) | |
| Michael Smith | .... | assistant editor: production | |
| Jonas Thaler | .... | assistant editor | |
Music Department | |||
| Charles Bernstein | .... | orchestrator | |
| Julie Giroux | .... | orchestrator (as Julie Giroux-West) | |
| John La Salandra | .... | music editor (as John Lasalandra) | |
| James Thatcher | .... | musician: french horn | |
Transportation Department | |||
| Chris Baldwinson | .... | driver | |
| Dave Bowe | .... | transportation captain (as David Bowe) | |
| Don Cameron | .... | driver | |
| Barry Chapman | .... | transportation coordinator | |
| Mark Gould | .... | driver | |
| Darold Hadley | .... | driver (as Darold A. Hadley) | |
| Tony Johnson | .... | driver (as Tony Johnston) | |
| Terry Newton | .... | transportation co-captain | |
| James Perenseff | .... | driver (as Jim Perenseff) | |
| Michael Price | .... | driver | |
Other crew | |||
| Blue Angus | .... | caterer: Location Caterers (as Mark Angus) | |
| Victoria Barney | .... | production coordinator | |
| Dan Curry | .... | title designer | |
| Lara Fox | .... | script supervisor | |
| Ron Gadoury | .... | security (as Ron Gadourly) | |
| Stephen A. Gallard | .... | stand-in | |
| Michael Goldberg | .... | assistant accountant | |
| Gordon Hardwick | .... | production assistant (as Gordon Hardwicke) | |
| Jan James | .... | stand-in | |
| Tony Jordan | .... | production assistant | |
| Don Lane | .... | caterer: Location Caterers | |
| Laurie Lee | .... | assistant: Mr. Mancuso | |
| Lauren 'Fluff' Lindsay | .... | craft service (as Lauren Lindsay) | |
| Padi Mills | .... | production secretary | |
| Marilyn Natty | .... | stand-in | |
| Victor Nicolle | .... | production assistant | |
| Colleen Nystedt | .... | location liaison | |
| Liz Staniforth | .... | payroll assistant (as Elizabeth Staniforth) | |
| Constance Talley-Sherman | .... | production accountant | |
| Margaret Hanly | .... | script supervisor (uncredited) | |
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| Black Christmas | Friday the 13th | A Nightmare on Elm Street | My Bloody Valentine | Slaughter High |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section |
When a formula is worn out people tend to lose interest. If you use it without something new to say then why bother right? You could apply this to slasher films, many of which are cliché and predictable. There are some exceptions. If a film that's like so many others has talented people involved in front of and behind the camera then it might rise above that. Fortunately there are some filmmakers out there who don't want to lose their audience and try to keep things fresh and exciting with each project. After you've seen so many slasher films what else can they really do with the concept? By 1986 the number of these films made was overwhelming, but of course there were diamonds in the rough. Paramount, the home of the hit 'Friday the 13th' series is also responsible for a forgotten (Not by horror fans) film that would surprise those tired of the same old, same old.
Pros: Performances are good all around. A good fresh spin on the slasher genre. Plus the writing is quite good. A great sense of humor. A nice job done on the score, which is eerie. Beautiful shooting location and photography. Some good creepy sequences. Fast paced. Director Fred Walton and writer Danilo Bach do a fine job of keeping this from getting too predictable. Some nice surprises I wouldn't dream of giving away.
Cons: Some of the characters are not too likable and can be irritating. Most of the kills are off screen.
Final thoughts: Truly a breath of fresh air for the slasher sub-genre. Don't get me wrong, there are plenty of 1980s slasher films I enjoy, good and bad, but so many lack anything new that hasn't already been seen in countless other films. A must see for genre buffs. I must warn you though, the 2008 remake is not at all worth seeing and will be no more than a waste of your time.
My rating: 4.5/5