In a Gypsy village, the fathers of Candela and José promise their children to each other. Years later, the unfaithful José marries Candela but while defending his lover Lucía in a brawl, he... See full summary »
Ana is an equestrian sharpshooter for a one ring circus in Madrid for a week. Marcos is a reporter doing a Sunday supplement piece. He interviews her and she invites him to dinner with the ... See full summary »
A group of flamenco dancers are rehearsing a very spanish version of the Prosper Merimee's drama. Antonio (the coreographer) falls in love with Carmen (the main dancer). Their story then ... See full summary »
Laura del Sol,
Paco de Lucía
As in the novel of the same title from Camilo Jose Cela, "La Colmena" is a sad composition with the stories of many people in the Madrid of 1942, just the postwar of the spanish civil war. ... See full summary »
One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...
The movie tells the story of a family of commediants that work in the towns of Spain during the 40's and 50's. Life gets very taugh for them since they cannot compete any longer with the ... See full summary »
In a Gypsy village, the fathers of Candela and José promise their children to each other. Years later, the unfaithful José marries Candela but while defending his lover Lucía in a brawl, he is stabbed to death. Carmelo, who secretly loves Candela since he was a boy, is arrested while helping José and unfairly sent to prison. Four years later he is released and declares his love for Candela. However, the woman is cursed by a bewitched love and every night she goes to the place where José died to dance with his ghost. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Lucía still loves José. She was his lover in life, let her be his lover in death, too.
What do you mean?
Didn't José die defending her honor? If he died for her, it's fitting that she should offer him her love.
Her love?... You mean her life.
My son... The happiness of some always comes at the expense of others. That's how life is. You must speak to Lucía. Tell her to go tonight to where José died, where Candela meets the apparition. Talk to Candela. Arrange it with her.
There's no other way?
[...] See more »
As an avid fan of classical music, ballet, opera, I am, more often than not, confounded by the poor quality of films based on these genres. If they're not "dumbed down," they are "interpreted," beyond recognition, or simply a vehicle for the director to shout: "look at me! I'm DIRECTING!"
But Carlos Saura has placed the story (full of passion, fire, lust, longing, love, sin and redemption) well ahead of his own ego. He simply allows the story to be told through dance, music and sparse dialogue.
Add to this the quality and nature of the choreography where again, we are simply allowed to experience the story: the dance, and its appropriateness to the subject matter tells us all.
Musically, it is almost, also, perfect. My one reservation lay in some acoustically "awkward" moments that render de Falla's critical orchestration less effective. I will not name them, in the hopes that the reader will not notice them and therefore, not be disappointed.
Nevertheless, the music is brilliant, and these three elements of form work together for a powerful, moving, and thrilling experience. As music with dance creates an experience that is more than both, this creation is much more than a film.
See it with a loved one. Or alone at night with a glass of Fundador...
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