In a Gypsy village, the fathers of Candela and José promise their children to each other. Years later, the unfaithful José marries Candela but while defending his lover Lucía in a brawl, he... See full summary »
As in the novel of the same title from Camilo Jose Cela, "La Colmena" is a sad composition with the stories of many people in the Madrid of 1942, just the postwar of the spanish civil war. ... See full summary »
A group of flamenco dancers are rehearsing a very spanish version of the Prosper Merimee's drama. Antonio (the coreographer) falls in love with Carmen (the main dancer). Their story then ... See full summary »
Laura del Sol,
Paco de Lucía
The movie tells the story of a family of commediants that work in the towns of Spain during the 40's and 50's. Life gets very taugh for them since they cannot compete any longer with the ... See full summary »
In a Gypsy village, the fathers of Candela and José promise their children to each other. Years later, the unfaithful José marries Candela but while defending his lover Lucía in a brawl, he is stabbed to death. Carmelo, who secretly loves Candela since he was a boy, is arrested while helping José and unfairly sent to prison. Four years later he is released and declares his love for Candela. However, the woman is cursed by a bewitched love and every night she goes to the place where José died to dance with his ghost. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
[Under the spell of the ghost of her dead husband José]
He's calling me. But I don't want to go! He's chasing me. I'm too weak. What can I do?
Calm down. Calm down.
What can I do, Carmelo?
Let's leave this place.
And go where?
Anywhere far from here.
He'll follow us everywhere, to the ends of the earth... What can I do?
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Formalismo is an integral part of both Hispanic culture and gypsy/flamenco culture. It is inherent in this dance-drama within a movie. You must willingly suspend disbelief in the realistic sets set on an obvious dance stage with scrimmed and lighted backdrops. Likewise to accept the plot, you must suspend disbelief in phantom lovers, duels for honor, and happy-ever-after endings -- although be forwarned that the ending of this Bewitched Love (a better translation than the usual "Love, the Magician", altho' there are at least three other ways to interpret the ambiguous Spanish title words) can be understood only as a comedy, or comedie noire. The action, singing and dancing are compressed into the lines of flamenco dances as tightly as pure emotion can be condensed into a sonnet, or any other strict form, and yet they transcend with the freedom of the gypsy spirit, if you but open yourself to the experience. The first of Saura's great dance movies.
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