After a space merchant vessel perceives an unknown transmission as distress call, their landing on the source planet finds one of the crew attacked by a mysterious lifeform. Continuing their journey back to Earth with the attacked crew having recovered and the critter deceased, they soon realize that its life cycle has merely begun.
After her last encounter, Ripley crash-lands on Fiorina Fury 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she brought along an unwelcome visitor.
Charles S. Dutton,
A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
Following clues to the origin of mankind a team journey across the universe and find a structure on a distant planet containing a monolithic statue of a humanoid head and stone cylinders of alien blood but they soon find they are not alone.
Fifty seven years after Ellen Ripley survived her disastrous ordeal, her escape vessel is recovered after drifting across the galaxy as she slept in cryogenic stasis. Back on earth, nobody believed her story about the "Aliens" on the moon LV-426. After the "Company" orders the colony on LV-426 to investigate, however, all communication with the colony is lost. The Company enlists Ripley to aid a team of tough, rugged space marines on a rescue mission to the now partially terraformed planet to find out if there are aliens or survivors. As the mission unfolds, Ripley will be forced to come to grips with her worst nightmare, but even as she does, she finds that the worst is yet to come. Written by
Hicks was originally played by James Remar, but Michael Biehn replaced him a few days after principal photography began. The often given reason for Remar being removed was due to "artistic differences" between Remar and director James Cameron. But in episode #128 of the 'Sidebar' podcast, Remar states that he was fired from the production because he was busted for possession of drugs. He said this was in a period of his life where he said he had developed a terrible drug problem. Remar still appears in the finished film - he is seen for one shot when the marines enter the alien nest. Because he is seen from behind wearing the same armor as Michael Biehn, it's impossible to tell the difference between the two actors. See more »
When the dropship is released, it is shown to be falling immediately as if in full gravity. However, since the Sulaco is placed on a stationary orbit, the dropship should remain in place upon releasing the clamps. An additional burn would be necessary to initiate deorbiting. See more »
Salvage Team Leader:
Bio-readouts are all in the green, looks like she's alive. Well, there goes our salvage, guys.
See more »
The ALIENS title forms slowly during the opening credits. The full title isn't seen until the opening credits are finished, and the "I" illuminates brightly. See more »
Compelling, far superior sequel to sci-fi classic (8/10)
Seven years after barely surviving events on board the Nostromo in Ridley Scott's classic sci-fi horror ALIEN, Sigourney Weaver reprised her role as Warrant Officer Ripley for one of the most compelling and critically-acclaimed sequels of all time. Canadian director James Cameron had already struck gold with the Arnold Schwarzenegger starring vehicle THE TERMINATOR (1984), after his somewhat inauspicious feature film directorial debut with the long-forgotten, Dutch-backed PIRANHA II: THE SPAWNING 3 years earlier. ALIENS would further cement Cameron's growing reputation as a first-rate director of high-tech, fast-paced, adrenaline-pumping action thrillers, from which there would normally be no let-up once they got going.
When Ripley is rescued from drifting aimlessly through deep space, she is horrified to learn that not only has she been asleep for 57 years, but the planet on which she had encountered the original alien all that time ago has since been colonized. At first no-one will heed her warnings or completely believe the story she gives at an official enquiry as to what happened to her and her fellow Nostromo crew members. But then contact is lost with LV-426, and despite initially throwing Ripley "to the wolves" (as she herself puts in), The Company, through representative Carter J. Burke (Paul Reiser), suddenly finds itself in a position of having to ask Ripley for help, finally persuading her to return to the planet that still consumes her every nightmare, as an advisor to a motley group of very tough colonial marines expecting this to be just another run-of-the-mill "bug-hunt". But how wrong that assumption turns out to be!
I would argue that ALIENS far surpasses its celebrated predecessor in almost every aspect. Obviously the sheer spectacle of what is basically a Vietnam war movie in space is particularly awe-inspiring - the impressive sets, the many excitingly-staged combat sequences, the aliens themselves (interestingly enough, although through fast cutting and appropriate camera placement it seems as though there are hundreds of aliens being blasted to kingdom come - or else picking off the gung-ho marines one by one - in reality no more than 6 aliens are ever seen in any one shot). But the human drama element of this sequel is also greatly heightened, primarily by the introduction of "Newt" (wonderful little Carrie Henn, in her only film role), who turns out to be the sole survivor of recent events on LV-426, becoming a kind-of surrogate daughter to Ripley, which leads to several touching moments and gives the story a surprisingly effective emotional core in the midst of all the otherwise pre-eminent carnage.
Amongst the talented supporting players are Cameron regulars Michael Biehn (THE TERMINATOR, THE ABYSS) and Bill Paxton (bit part in THE TERMINATOR, TRUE LIES, TITANIC), and Cameron's punchy dialogue includes such suitably macho wisecracks as - Hudson (Paxton): "Hey Vasquez, have you ever been mistaken for a man?" Vasquez (a pumped-up Jenette Goldstein): "No, have you?" Nominated for 7 Oscars, including Weaver as Best Actress (again this confirms the general class on display, as it is fairly rare for the Academy to recognize the acting qualities inherent in this type of predominantly action-driven movie), the film went on to win for Best Visual Effects and Best Sound Effects Editing. Further, almost inevitable sequels followed in 1992 and 1997, but I prefer to think of the terrifying perils of Ellen Ripley as ending on this high note.
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