A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
A young man is accidentally sent 30 years into the past in a time-traveling DeLorean invented by his friend, Dr. Emmett Brown, and must make sure his high-school-age parents unite in order to save his own existence.
Michael J. Fox,
After the rebels have been brutally overpowered by the Empire on their newly established base, Luke Skywalker takes advanced Jedi training with Master Yoda, while his friends are pursued by Darth Vader as part of his plan to capture Luke.
Fifty seven years after Ellen Ripley survived her disastrous ordeal, her escape vessel is recovered after drifting across the galaxy as she slept in cryogenic stasis. Back on earth, nobody believed her story about the "Aliens" on the planet LV-426. After the "Company" orders the colony on LV-426 to investigate, however, all communication with the colony is lost. The Company enlists Ripley to aid a team of tough, rugged space marines on a rescue mission to the now partially terraformed planet to find out if there are aliens or survivors. As the mission unfolds, Ripley will be forced to come to grips with her worst nightmare, but even as she does, she finds that the worst is yet to come. Written by
In an interview, composer James Horner felt that James Cameron had given him so little time to write a musical score for the film, he was forced to cannibalize previous scores he had done, such as elements from his Star Trek II: The Wrath of Khan (1982) and Star Trek III: The Search for Spock (1984) scores, as well as adapt a rendition of "Gayane Ballet Suite" for the main and end titles. Horner stated that the tensions with Cameron were so high during post-production that he assumed they would never work together again. However, Cameron loved the score from Braveheart (1995) so much, the two mutually agreed that Horner would write the score for Titanic (1997), because it was a story they both wanted to do. They've let bygones be bygones ever since, especially when they won their Oscars for Titanic (1997) and collaborated again 12 years later for Avatar (2009). See more »
As Ripley and Newt are ascending in the elevator, the muzzles of Ripley's pulse rifle are smooth, revealing it to be a lightweight stunt prop. See more »
Salvage team leader:
Bio-readouts are all in the green, looks like she's alive. Well, there goes our salvage, guys.
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As the final credits fade, there is the sound of a facehugger scurrying across from left to right. See more »
I rate Aliens a perfect 10. This second installment in the Alien series evolves the original movie's horror/sci-fi genre into action-adventure/sci-fi, setting a standard which has not yet been matched. I like this movie because it paints a picture of the future which is realistic enough to suck you in during the beginning of the film and then quickly introduces you to interesting characters who you become concerned with; some you love and others you hate.....but none of them bore you. By the time the action starts it's possible to forget you're watching a movie (at least the first couple of times). The plot is filled with tension that is occasionally broken by some of the most memorable one-liners in history (especially by Private Hudson). The special effects are remarkable, considering the fact that they were accomplished the "old fashioned way" prior to digital manipulation. I can report that I now own the Director's Cut and rate this version a 10 also. The extra footage will be extremely interesting to fans of the 1986 release. Either version gives you great characters, suspense, action, firepower, sarcasm, and wit. Aliens is an outstanding show!
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