After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious life-form, and they soon realize that its life cycle has merely begun.
After her last encounter, Ripley crash-lands on Fiorina Fury 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she brought along an unwelcome visitor.
Charles S. Dutton,
A seemingly indestructible humanoid cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
After a daring mission to rescue Han Solo from Jabba the Hutt, the rebels dispatch to Endor to destroy a more powerful Death Star. Meanwhile, Luke struggles to help Vader back from the dark side without falling into the Emperor's trap.
When Dr. Henry Jones Sr. suddenly goes missing while pursuing the Holy Grail, eminent archaeologist Indiana Jones must follow in his father's footsteps to stop the Nazis from getting their hands on the Holy Grail first.
Fifty seven years after Ellen Ripley survived her disastrous ordeal, her escape vessel is recovered after drifting across the galaxy as she slept in cryogenic stasis. Back on Earth, nobody believed her story about the "Aliens" on the moon LV-426. After the "Company" orders the colony on LV-426 to investigate, however, all communication with the colony is lost. The Company enlists Ripley to aid a team of tough, rugged space marines on a rescue mission to the now partially terraformed moon to find out if there are aliens or survivors. As the mission unfolds, Ripley will be forced to come to grips with her worst nightmare, but even as she does, she finds that the worst is yet to come. Written by
The various screens and displays, seen mostly in the backgrounds, are actually TV screens with a video running. The film was shot in the UK where televisions run at 25 frames per second, however, film is normally shot and projected at 24 frames per second! Filming the TV monitors at that speed would cause the TV screens to run out of sync with the film, so they would have flickered terribly. Instead, the shots containing the monitors were taken at 25 frames per second to keep the monitors in sync, so when these are then projected at the standard rate of 24 fps, they now run a bit slower than real-life. See more »
Whilst Ferro is piloting the drop-ship down to the planetoid, on the computer screen showing navigation, the characters at the bottom of the screen are back to front, indicating that the scene had been mirrored. See more »
Salvage Team Leader:
Bio-readouts are all in the green, looks like she's alive. Well, there goes our salvage, guys.
See more »
As the final credits fade, there is the sound of a facehugger scurrying across from left to right. See more »
What can I say that hasn't already been said? Every aspect of this movie is spot on, which I can only put down to James Cameron's obsessive attention to detail. The characters are distinct, memorable and believable. The plot builds slowly into the most tense, suspenseful roller-coaster ride I've ever experienced in the cinema. The special effects are good even by today's standards, and the sets are simply second to none. This is one of my top 10 favourite movies of all time.
If you like this kind of movie and haven't seen this yet, what are you waiting for? Twenty years on and the only other Sci Fi action movie in the same league is James Cameron's Terminator 2. I can only hope he returns to this genre in the future, he is the master.
Oh, and try to see the special extended edition if possible, the extra scenes make an amazing movie even better.
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