| Photos (See all 42 | slideshow) | Videos (see all 2) |
| Rob Lowe | ... | Danny Martin | |
| Demi Moore | ... | Debbie | |
| James Belushi | ... | Bernie Litgo | |
| Elizabeth Perkins | ... | Joan | |
| George DiCenzo | ... | Mr. Favio | |
| Michael Alldredge | ... | Mother Malone | |
| Robin Thomas | ... | Steve Carlson | |
| Donna Gibbons | ... | Alex | |
| Megan Mullally | ... | Pat | |
| Patricia Duff | ... | Leslie | |
| Rosanna DeSoto | ... | Mrs. Lyons (as Rosana De Soto) | |
| Sachi Parker | ... | Carrie | |
| Robert Neches | ... | Gary | |
| Joe Greco | ... | Gus | |
| Ada Maris | ... | Carmen | |
| Rebeca Arthur | ... | Crystal | |
| Tim Kazurinsky | ... | Colin | |
| Kevin Bourland | ... | Ira | |
| Dean Bastounes | ... | Man in Joan's Apartment | |
| Charlotte Maier | ... | Madge | |
| Marjorie Bransfield | ... | Gloria | |
| Kimberley Pistone | ... | Girl at Bar | |
| Lindy Huddleson | ... | Lisa | |
| Raffi Di Blasio | ... | Kid #1 (as Raffi DiBlasio) | |
| Sheenika Smith | ... | Kid #2 | |
| Heath Wagerman | ... | Kid #3 | |
| Brie O'Banion | ... | Kid #4 | |
| Dawn Arnemann | ... | Ruthie | |
| Catherine Keener | ... | Cocktail Waitress | |
| Steven Eckholdt | ... | Man in Bar | |
| Robert B. Durkin | ... | Friend of Danny & Bernie | |
| Ray Wohl | ... | Friend of Danny & Bernie | |
| rest of cast listed alphabetically: | |||
| Kevin Bassett | ... | Baseball extra (uncredited) | |
| James Kall | ... | Softball Player (uncredited) | |
| John Richard Petersen | ... | Man on Elevated Train (uncredited) | |
| Diana Simonzadeh | ... | Girl at Biograph Theatre (uncredited) | |
Directed by | |||
| Edward Zwick | |||
Writing credits | ||
| David Mamet | (play "Sexual Perversity in Chicago") | |
| Tim Kazurinsky | (screenplay) and | |
| Denise DeClue | (screenplay) | |
Produced by | |||
| Jason Brett | .... | producer | |
| E. Darrell Hallenbeck | .... | associate producer | |
| Stuart Oken | .... | producer | |
| Arnold Stiefel | .... | executive producer | |
Original Music by | |||
| Miles Goodman | |||
Cinematography by | |||
| Andrew Dintenfass | |||
Film Editing by | |||
| Harry Keramidas | |||
Casting by | |||
| Gail Eisenstadt | |||
Production Design by | |||
| Ida Random | |||
Set Decoration by | |||
| Chris Butler | |||
Costume Design by | |||
| Deborah Lynn Scott | (as Deborah L. Scott) | ||
Makeup Department | |||
| Robyn Goldman | .... | hair stylist: Chicago | |
| Brian J. Kossman | .... | makeup artist: Chicago (as Brian Kossman) | |
| Gail Rowell-Ryan | .... | hair stylist (as Gail Ryan) | |
| Robert Ryan | .... | makeup artist | |
Production Management | |||
| E. Darrell Hallenbeck | .... | unit production manager | |
| Ted Zachary | .... | executive in charge of production (uncredited) | |
Second Unit Director or Assistant Director | |||
| Julie Chandler | .... | second second assistant director: Chicago (as Julia A. Chandler) | |
| Donald P.H. Eaton | .... | second assistant director (as Donald Eaton) | |
| Wendy Ikeguchi | .... | dga trainee | |
| Stefanie Moore | .... | second second assistant director: Chicago | |
| Mark Piznarski | .... | second second assistant director: Chicago | |
| Allan Wertheim | .... | first assistant director | |
Art Department | |||
| Jean Alan | .... | set decorator: Chicago | |
| Beverli Eagan | .... | set designer | |
| William A. Elliott | .... | assistant art director (as William Elliott) | |
| Robert E. Knight | .... | supervising signwriter | |
| Michael Kohan | .... | assistant property master | |
| Karen B. Mazzulla | .... | assistant property master: Chicago | |
| Michael Schmidt | .... | lead man (as Michael J. Schmidt) | |
| Arthur Shippee | .... | property master (as Arthur Shipee Jr.) | |
| George Stokes | .... | construction coordinator | |
| Danae Walczak | .... | lead person: Chicago | |
Sound Department | |||
| Rick Ash | .... | adr mixer | |
| Rick Ash | .... | foley mixer | |
| William C. Carruth | .... | foley editor (as William Carruth) | |
| Evelyn Dutton | .... | foley walker | |
| Terrance Emerson | .... | boom operator | |
| Sukey Fontelieu | .... | sound editor | |
| Michael C. Gutierrez | .... | sound editor (as Michael Guiterrez) | |
| Jerelyn J. Harding | .... | sound editor (as Jerelyn Golding) | |
| Dale R. Janus | .... | cable person: Chicago (as Dale Janus) | |
| David J. Kimball | .... | sound re-recording mixer (as David Kimball) | |
| Rick Kline | .... | sound re-recording mixer | |
| Gregg Landaker | .... | sound re-recording mixer | |
| Janet Fiona Mason | .... | assistant sound editor | |
| Jacques Nosco | .... | production sound mixer | |
| Mark Pappas | .... | assistant sound editor | |
| Geoffrey Patterson | .... | cable person (as Geoffrey Lucius Patterson) | |
| Gary Ritchie | .... | sound re-recordist | |
| Victoria Rose Sampson | .... | supervising sound editor | |
| Eric Shrader | .... | adr editor (as Erik Schrader) | |
| Jerry Trent | .... | foley artist | |
Special Effects by | |||
| Darrell Pritchett | .... | special effects | |
| Brian Tipton | .... | special effects: first unit (uncredited) | |
Camera and Electrical Department | |||
| Steve Adams | .... | best boy electric | |
| Art Bartels | .... | best boy grip: Chicago | |
| Ron Batzdorff | .... | still photographer | |
| Kelly R. Borisy | .... | grip | |
| Donald Carlson | .... | first assistant camera: Chicago (as Donald C. Carlson) | |
| Robert C. Carlson | .... | second assistant camera: Chicago | |
| Frederick Hamm | .... | second assistant camera | |
| Kit Kalionzes | .... | first assistant camera | |
| Michael M. Krevitt | .... | grip: Chicago | |
| Dan Lerner | .... | camera operator | |
| Frank Miller | .... | camera operator: Chicago (as Frank M. Miller) | |
| Mike Moyer | .... | best boy electric: Chicago | |
| Dick Oakes | .... | electrician: Chicago | |
| Bruce Olinder | .... | gaffer | |
| Harold Rabuse | .... | key grip | |
| Rebel Schunke | .... | dolly grip | |
| Sandy Williams | .... | second grip | |
| James Zenk | .... | still photographer: Chicago | |
| Paul Jacobsen | .... | set lighting technician (uncredited) | |
Casting Department | |||
| Barbara Harris | .... | adr casting | |
| Catherine Jane Holzer | .... | extras casting assistant (as Catherine Holzer-Ballowe) | |
| Catherine Keener | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Dallas D. Dornan | .... | costumer | |
| Julie Starr Dresner | .... | costume supervisor: women | |
| George L. Little | .... | costume supervisor: men | |
| Sherry Thompson | .... | costumer | |
Editorial Department | |||
| Rick Arbuckle | .... | post-production assistant | |
| Linda Folk | .... | second assistant film editor | |
| Stephen Fox | .... | assistant editor: Chicago | |
| Rose Kuo | .... | second assistant editor: Chicago | |
| Alexandra Leviloff | .... | assistant film editor | |
| Marc Solakian | .... | post-production assistant | |
Music Department | |||
| George Doering | .... | musician | |
| Bones Howe | .... | music supervisor | |
| Joel Moss | .... | scoring mixer | |
| Curtis Roush | .... | music editor | |
Transportation Department | |||
| Fritz Braden | .... | transportation coordinator | |
| Richard Deangelo | .... | transportation captain: Chicago (as Richard DeAngelo) | |
| Benson Jones | .... | transportation captain | |
Thanks | |||
| Gail Eisenstadt | .... | dedicatee | |
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| Bitter Moon | My Own Private Idaho | Feast of Love | Goodbye, Columbus | The Unbearable Lightness of Being |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I know I know you look at the cast and say "Geez, another a brat pack movie from the 80's". However, this movie is really good. The scariest part is how accurate the movie is in portraying the challenge to find true love among young twenty something's in the eighties. All of which still applies today. Did David Mamet know something thirty years ago that we didn't? Even the four main characters and the different personalities they have are easy to relate too and understand because they are all people that we know or once used to know!!!!! Danny (Rob Lowe), a restaurant supply salesman, and Debbie (Demi Moore), an art director at an advertising agency, meet at a baseball game and later link up at a singles bar in Chicago. He's a handsome guy used to one-night stands; she's having an affair with her boss but is looking for something more romantic and less sleazy.
After a one-night stand at Danny's apartment, Debbie tells him, "It's been a slice of heaven." She returns to her place where she lives with Joan (Elizabeth Perkins), a kindergarten teacher whose smart ass tongue discourages most men. Meanwhile at work, Danny's buddy Bernie, a Neanderthal barbaric like fellow (played beautifully by Jim Belushi) who sees himself as a lady killer, queries his friend about his date with Debbie.
The affair continues, and Debbie decides to move in with Danny. Living together proves to be a difficult experience for them. They try out plenty of new positions for sex, but find that coping with each other's habits, quirks, and expectations is far more challenging. Danny's passivity and inability to open up bother Debbie. At one point, he discovers her looking through his private possessions for clues to his past life.
Debbie, of course, wants them to be a couple, while Danny, hiding behind the myth of the independent male, doesn't want to tie himself down and so ends up treating Debbie as nothing more than a live-in sexual object. And if there isn't enough tension between them, Bernie and Joan are constantly trying to sabotage their relationship. Thus the beginning of the end starts when Danny and Debbie use the "L" word after a steamy night of passion. Danny's frustrations with his career spill over into his relationship with Debbie. More frustrations come about with his best friend Bernie giving him a hard time about being with Debbie, losing touch with his own free spirit partier identity and a lack of communication with Debbie. This ultimately leads to a gut wrenching break up scene followed by Danny's painful attempts to get Debbie back after he finally realizes that what he had was special and now wants back what he has lost.
As I was watching this movie I found myself squirming in my seat while these characters struggle to relate to each other. It wasn't very difficult for me to remember that I had gone through the same heartbreaking downfall of a good relationship in my early twenties due to my lack of communication and inexperience regarding matters of the heart like Danny in the movie. And how difficult it can be to move on. My only peace of mind comes at the end when Danny and Debbie decide to start courting again. This time with the realization that they were both unrealistic and naive and that they will be better to each other because of the painful lessons learned. The voices inside Danny, Debbie, Bernie, and Joan speak volumes about the loneliness, anger, self-hate, and fear of men and women who remain perplexed about themselves and the opposite sex. About Last Night is a provocative portrait of young adults. A very underrated movie and a must see.