Scudder is a detective with the Sheriff's Department who is forced to shoot a violent suspect during a narcotics raid. The ensuing psychological aftermath of this shooting worsens his ... See full summary »
In a future, dystopian New York City, turf gangs and cops rule the streets. When one gang leader tries to bring all gangs together against the cops Coney Island's The Warriors are framed for his murder and the entire city turns on them.
A policeman takes his twin brother's place and inherits his problems and a beautiful girlfriend. He is forced to kickbox his way from France to the U.S. and back while playing footsie with ... See full summary »
Jean-Claude Van Damme,
Canada 1931: The unsociable trapper Johnson lives for himself in the ice-cold mountains near the Yukon river. During a visit in the town he witnesses a dog-fight. He interrupts the game and... See full summary »
Peter R. Hunt
Scudder is a detective with the Sheriff's Department who is forced to shoot a violent suspect during a narcotics raid. The ensuing psychological aftermath of this shooting worsens his drinking problem and this alcoholism causes him to lose his job, as well as his marriage. During his recovery through Alcoholics Anonymous, he meets a mysterious stranger who draws him back into a world of vice. In trying to help this beautiful woman, he must enter a crime-world of prostitution and drugs to solve a murder, while resisting the temptation to return to his alcohol abuse. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Oliver Stone was very displeased with how the final version of the film turned out as it had little to do with his original script, which subsequently was re-written by Robert Towne and then revised by Hal Ashby in improvisation. He said he only visited the set once, and wanted to have his name taken off the picture but it was too late as the credits were already made up for it. See more »
When Matt is laying on top of the fence at his house the position of the newspaper on the driveway changes depending on the shot. See more »
You're just an opportunistic prick who'd fuck mud if it'd move a little and not argue too much.
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I saw this film a couple of nights ago. I only bothered as it was a Hal Ashby movie & I'm a big fan. He didn't let me down. Ok it's not a masterpiece or even amongst his best but it's still a powerfully intense thriller. Superficially similar to Scarface it is less showy, more personal & more convincing. Garcia's stylised gangster with his 'Gaudi' affectations almost unsettles the realism but is compulsive. Bridges turns in another superb performance as the hard-boiled, ex-cop battling with alcoholism & other demons. Ashby's Chandleresque take on 80's LA is familiar but beautifully vivid nevertheless. What raises it above the plethora of dark 80's thrillers is it's old-fashioned 70's values like complex character and troubled hero not in control of the narrative over fast-pace, shallow action & irony. To the post-Star Wars generation '8 Million Ways' may look meandering and indulgent but this says more about their limitations as film fans than it does about the film.
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