| Roy Scheider | ... | Harry Mitchell | |
| Ann-Margret | ... | Barbara Mitchell | |
| Vanity | ... | Doreen | |
| John Glover | ... | Alan Raimy | |
| Robert Trebor | ... | Leo Franks | |
| Lonny Chapman | ... | Jim O'Boyle | |
| Kelly Preston | ... | Cini | |
| Doug McClure | ... | Mark Arveson | |
| Clarence Williams III | ... | Bobby Shy | |
| Alex Henteloff | ... | Dan Lowenthal | |
| Michelle Walker | ... | Counter Girl | |
| Philip Bartko | ... | Test Site Worker | |
| Tom Byron | ... | Party Goer | |
| Herschel Savage | ... | Party Goer (as Harvey Cowen) | |
| Ron Jeremy | ... | Party Goer (as Ron Jeremy Hyatt) | |
| Amber Lynn | ... | Party Goer | |
| Sharon Mitchell | ... | Party Goer | |
| Ines Ochoa | ... | Party Goer | |
| Allyson Palmeter | ... | Party Goer | |
| Katherine Poland | ... | Party Goer | |
| Debra Satell | ... | Party Goer | |
| Amy White | ... | Party Goer | |
| Charles Bowden | ... | Factory Worker | |
| Marc Castenada | ... | Factory Worker | |
| Mike Caruso | ... | Factory Worker | |
| Steven Clawson | ... | Factory Worker | |
| Christopher Cory | ... | Factory Worker | |
| Maurice Jenkins | ... | Factory Worker | |
| John Kahnen | ... | Factory Worker | |
| Bobby Ponce | ... | Factory Worker | |
| Ray Vela | ... | Factory Worker | |
| Robin Bronfman | ... | Injured Driver | |
| Debra Berger | ... | O'Boyle's Wife | |
| Laisa Carrie | ... | Janet | |
| Blackie Dammett | ... | Drug Dealer | |
| Barbara Ferris | ... | Lisa | |
| John Francis | ... | Policeman | |
| Conroy Gedeon | ... | James Boyer | |
| Bill Gratton | ... | Ed Salvon | |
| Jai M. Jefferson | ... | Patron | |
| Lenora Logan | ... | Lady in Hall | |
| Mark M. Mayuga | ... | Passerby | |
| Lorrie Lovett | ... | Nude Model | |
| Sandra Perron | ... | Nude Model | |
| Barbara Summers | ... | Nude Model | |
| William John Murphy | ... | Grady (as William J. Murphy) | |
| Anthony Palmer | ... | Tom | |
| Frank Sivero | ... | Vendor | |
| Arlin Miller | ... | Celebrity Voice Impersonation | |
| rest of cast listed alphabetically: | |||
| Barbara Dare | ... | Party Goer (uncredited) | |
| Jamie Gillis | ... | Party Goer (uncredited) | |
| Bill Kucera | ... | Campaign Worker (uncredited) | |
| Cara Lott | ... | Party Goer (uncredited) | |
| Randy West | ... | Party Goer (uncredited) | |
Directed by | |||
| John Frankenheimer | |||
Writing credits | ||
| Elmore Leonard | (novel) | |
| Elmore Leonard | (screenplay) and | |
| John Steppling | (screenplay) | |
Produced by | |||
| Yoram Globus | .... | producer | |
| Menahem Golan | .... | producer | |
| Henry T. Weinstein | .... | executive producer | |
Original Music by | |||
| Gary Chang | |||
Cinematography by | |||
| Jost Vacano | (photography) | ||
| Stephen Ramsey | (uncredited) | ||
Film Editing by | |||
| Robert F. Shugrue | |||
Casting by | |||
| Louis DiGiaimo | (as Lou DiGiaimo) | ||
Production Design by | |||
| Philip Harrison | (as Phillip Harrison) | ||
Art Direction by | |||
| Russell Christian | |||
Set Decoration by | |||
| Max Whitehouse | |||
Costume Design by | |||
| Ray Summers | |||
Makeup Department | |||
| Dale Brady | .... | prosthetic lab technician | |
| Rob Burman | .... | prosthetic lab technician (as Robert T. Burman) | |
| Norma Collins | .... | hair stylist (as Norma Bass) | |
| Hallie D'Amore | .... | makeup artist | |
| Vered Hochman | .... | makeup artist | |
| Dee Mansano | .... | makeup artist | |
| Dee Mansano | .... | special makeup effects supervisor | |
| Moni Mansano | .... | chief prosthetics makeup | |
Production Management | |||
| Jeffrey Silver | .... | production manager | |
| Michael R. Sloan | .... | post-production supervisor | |
| Rony Yacov | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Bea Ellen Cameron | .... | assistant director intern | |
| Scott Cameron | .... | second assistant director | |
| Jodi Ehrlich | .... | second assistant director | |
| Bradley M. Gross | .... | first assistant director | |
| Roger La Page | .... | first assistant director: second unit | |
Art Department | |||
| Michael Paul Clausen | .... | leadman (as Michael Clausen) | |
| Joseph C. Fama | .... | carpenter | |
| David L. Glazer | .... | property master (as David Glazer) | |
| Mark 'Digger' Green | .... | assistant property master (as Mark Green) | |
| Bill Hall | .... | scenic artist | |
| Hal Martin | .... | set dresser | |
| Sarah Burdick Stone | .... | assistant set decorator (as Sarah Burdick) | |
| Peter A. Tullo | .... | second assistant props | |
Sound Department | |||
| Rick Alexander | .... | sound re-recording mixer | |
| Dwayne Avery | .... | sound editor | |
| Duncan Burns | .... | sound editor | |
| Michael C. Casper | .... | sound re-recording mixer (as Michael Casper) | |
| Terry Chambers | .... | sound editor | |
| Paul B. Clay | .... | supervising sound editor (as Paul Clay) | |
| Rick Crampton | .... | sound editor | |
| Thomas Paul Croce | .... | foley artist | |
| Alfred T. Ferrante | .... | sound recordist | |
| Robert Fitzgerald | .... | sound editor (as Bob Fitzgerald) | |
| Mark Goodermote | .... | boom operator | |
| Tommy Goodwin | .... | adr mixer | |
| Tommy Goodwin | .... | foley mixer | |
| Nils C. Jensen | .... | sound editor (as Nils Jensen) | |
| Jack Keath | .... | adr supervisor | |
| Andy MacDonald | .... | sound re-recording mixer | |
| Ed Novick | .... | sound mixer | |
| Tally Paulos | .... | adr supervisor | |
| Kevin Rockey | .... | foley artist | |
| Greg Stacy | .... | sound editor | |
| Marty Stein | .... | sound editor | |
| Bruce Stubblefield | .... | sound editor | |
| Casey Troutman | .... | foley artist | |
| Clancy T. Troutman | .... | supervising sound editor | |
Special Effects by | |||
| Eric Allard | .... | special effects coordinator | |
| Philip Bartko | .... | special effects crew | |
| Thomas Mertz | .... | special effects crew (as Tom Mertz) | |
| Gary Zink | .... | special effects | |
Stunts | |||
| Phil Adams | .... | stunts | |
| Simone Boisseree | .... | stunts | |
| Jerry Brutsche | .... | stunts | |
| Richard E. Butler | .... | stunts (as Richard Butler) | |
| Erik Cord | .... | stunts | |
| Janeen Davis | .... | stunts | |
| Scott Dockstader | .... | stunts | |
| Ted Grossman | .... | stunt coordinator | |
| Ted Grossman | .... | stunts | |
| Bob Harris | .... | stunts | |
| Bob Herron | .... | stunts (as Robert Herron) | |
| Hubie Kerns Jr. | .... | stunts | |
| Hubie Kerns | .... | stunts | |
| Alan Oliney | .... | stunts | |
| Ron Oliney | .... | stunts (as Ronald Oliney) | |
| Ross Reynolds | .... | stunts | |
Camera and Electrical Department | |||
| Brian W. Armstrong | .... | second assistant camera (as Brian Armstrong) | |
| Alan Caso | .... | camera operator | |
| Jim Crandell | .... | additional electrician | |
| Stuart E. Cropley | .... | electrician (as Stuart Cropley) | |
| Mark Davison | .... | first assistant camera | |
| David Dubois | .... | best boy electrician | |
| John Farr | .... | electrical rigger | |
| Eyal Geva | .... | second assistant camera | |
| Nathaniel Goodman | .... | camera loader | |
| Anette Haellmigk | .... | first assistant camera | |
| Frank M. Holgate | .... | camera operator: helicopter camera (as Frank Holgate) | |
| Ian Kincaid | .... | gaffer | |
| Richard Kuhn | .... | best boy grip | |
| Jesse Mather | .... | electrician | |
| Brian H. Reynolds | .... | grip (as Brian Reynolds) | |
| Philip Sloan | .... | key grip | |
| Suzanne Tenner | .... | still photographer | |
| Ronald Woodward | .... | grip (as Ronald Woodard) | |
Costume and Wardrobe Department | |||
| Frances Harrison Hays | .... | costume supervisor (as Frances Hays) | |
| Philip Miglino | .... | costumer | |
Editorial Department | |||
| Ulla Hoeller | .... | first assistant editor (as Ulla Höller) | |
| Omneya 'Nini' Mazen | .... | post-production coordinator | |
| Angelo Russo | .... | color timer | |
| Jordan Smith | .... | second assistant editor | |
| Anne-Marie Vitello | .... | negative cutter | |
| Ron Vitello | .... | negative cutter | |
Music Department | |||
| Pete Anthony | .... | music arranger | |
| Sarah Nean Bruce | .... | spherical sound 3D audio recording assistant (as Sarah N. Bruce) | |
| Ken Caillat | .... | music engineer | |
| Paula Erickson | .... | music supervisor | |
| Mike Pfiefer | .... | music mixer | |
Transportation Department | |||
| Edward Flotard | .... | transportation captain | |
| Jimmy Jones | .... | transportation coordinator | |
| Joel Renfro | .... | transportation coordinator | |
| Jean Spray | .... | transportation co-captain | |
Other crew | |||
| Alicia Alexander | .... | location manager | |
| Wenden K. Baldwin | .... | title designer | |
| Caroline Baron | .... | production coordinator | |
| Howard Brandy | .... | unit publicist | |
| Mady Manson Burza | .... | first assistant accountant (as Madalyn Burza) | |
| Bea Ellen Cameron | .... | production assistant (as B.C. Cameron) | |
| Tom Capps | .... | production assistant | |
| Kristi Frankenheimer | .... | assistant location manager | |
| Whitney R. Hunter | .... | location scout (as Whitney Hunter) | |
| Ron Jeremy | .... | consultant | |
| Candace Lowell | .... | craft service | |
| Nelson McCormick | .... | production assistant | |
| Don Orlando | .... | production auditor | |
| Ross Reynolds | .... | helicopter pilot | |
| Sonny Ritscher | .... | production assistant | |
| Fred Roth | .... | production assistant | |
| Renate Schneuer | .... | script supervisor | |
| Kyle Seidenbaum | .... | title designer | |
| Walter Shipley | .... | location scout (as Walt Shipley) | |
| Chuck Simon | .... | production executive | |
| Joe Straw | .... | production accountant | |
Thanks | |||
| Ron Jeremy | .... | acknowledgment: film clip courtesy of (as Ron Jeremy Hyatt) | |
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| Perfect Stranger | The Cat o' Nine Tails | The Sentinel | Before the Devil Knows You're Dead | Magnum Force |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb USA section |
Seems out of place in time where the main emphasis in American films were on action and horror. 52 Pick Up(1986) is a film that's more suited to the middle years of the film noir genre during the mid 1940s. Many old and modern themes are put together to create a gripping and well acted thriller. Its roots are deep in Film Noir traditions and notions.
The main villain is one of the most memorable heavies in thrillers of the last twenty years. What makes the film so compelling are the realistic behavior of the villains who are into to something that's way over their heads. The main villain, Alan Raimy is a cool talking but vicious blackmailer and murderer who goes into a war a nerves with nemesis, Harry Mitchell. He is truly a frightening villain unlike in many crime thriller who's can explode at anytime or any second.
52 Pick Up(1986) is based on a novel by Elmore Leonard whose work has been adapted into the big screen or television. In the 1980s most of the Elmore Leonard based features were noirish, serious, and violent films..I.E., 52 Pick Up(1986), Stick(1985), Glitz(1987), and Cat Chaser(1989). During the 1990s films based on Elmore Leonard's work tended to be more lighter and less sleezy and serious like for example, Get Shorty(1995), Jackie Brown(1997), Touch(1996), Out of Sight(1998), and the made for TV movie Pronto(1998). 52 Pick Up(1952) is one of my favorite films based on the crime novels of Elmore Leonard.
The snuff murder sequence involving the murder of Cini played by Kelly Preston is chilling presented. Similiar to the scenes of snuff that the main character sees in 8MM(1998). A disturbing moment as disturbing as the Family massacre and torture home video of Henry:Portrait of a Serial Killer(1986) from that same year. Realisticly directed with emotional impact by director, John Frankenheimer.
Filled with a good or excellent plot twist at every turn of the story. The Plot twists in 52 Pick Up(1986) unlike in Reindeer Games(2000) are more believable and well toned. Its the kind of plot twists shown in 52 Pick Up(1986) that shows Elmore Leonard's strengths as a writer and a master of surprising plot twists. My favorite plot twist ocurrs at the end of the motion picture.
Many of the actors of this motion picture give tight convincing performances that supplements the brilliantly crafted direction of John Frankenheimer. Roy Scheider gives his character of Harry Mitchell a combination of human vererability and mental toughness. Ann Margret pulls some surprises as the dissappointed but understanding wife, Barbara Mitchell. John Glover puts on a charismatic performance as the ruthless but suave Alain Raimy.
Carried by mood and attitude for the whole duration of the motion picture. Strong mood is what makes or breaks a Film Noir or crime thriller. 52 Pick Up(1986) has enough mood to last two films. The mood in here is so tense to the point of glass breaking and walls shaking.
There are no heroes in the world of 52 Pick Up, only Criminals and survivals. Harry Mitchell is the ultimate anti hero that is part of Film Noir lore. He is akin to many anti heroes played by Robert Mitchuim, Kirk Douglus, and other tough guys of the Film Noir period. The toughest of tough guys portrayed by Roy Scheider in his long career.
Clarence Williams 3 plays a character which he would do a varation of in the horrible Reindeer Games(2000). He was much better in 52 Pick Up(1986) than he is in Reindeer Games(2000). The blackmail aspect of 52 Pick Up(1986) appears in Reindeer Games with pathetic results. Directed with gritt and intensity by the talented but inconsistent John Frankenheimer.
Kelly Preston brings to her role a sense of naivity and tragedy all in one package. The final moments are nail biting in the tradition of nail biting crime thrillers. Overlooked film that is the type of film rarely made today in Hollywood in our PC world. 52 Pick Up(1986) shows that a crime thriller is more than action set pieces and flashy actors.