A visual documentary of Einstuerzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and ... See full summary »
Pinocchio 964, lobotomised cyborg sex slave, is thrown out onto the street by his owners because of his inability to maintain an erection. He is befriended by a criminally insane, ... See full summary »
A man wakes up to find himself locked in a tiny, cramped concrete room, in which he can barely move. He doesn't remember why he is there and where he came from. He has a terrible stomach ... See full summary »
Ryoko Itakura is a government tax agent who has just landed a big promotion. Her first assignment is to catch wheeler-dealer Hideki Gondo. She has a tough job, since in Japan tax evasion is... See full summary »
Benkei, a master fighter and killer, vows never to take another life after his conversion to Buddhism. His faith in pacifism, however, is shaken and ultimately broken by the attacks from a ... See full summary »
Dead End Run is de eerste film van Ishii sinds het overweldigende Electric Dragon 80.000 V (vertoond op het festival in 2001), waar sommige argelozen nog altijd met verbaasde oren aan ... See full summary »
Tomiko is a conductor in a rural bus driven by the handsome Niitaka. Tomiko had received a letter from her best friend Tsuyako, a conductor in another bus company, just after Tsuyako was ... See full summary »
A visual documentary of Einstuerzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks (which was scheduled for demolition; footage of same was incorporated into the movie) and a brief appearance on stage. Written by
Serdar Yegulalp <email@example.com>
This one hour feature just has to be seen. Director Sogo Ishii filmed the famous German Band "Einstürzende Neubauten" in a deserted factory loft (the perfect industrial setting for their music). It all looks very rough as you would expect it from one of Japans most influential filmmakers (his influence on Shinya Tsukamoto cannot be ignored). This film is rarely to be seen. If you get the possibility to watch it, do not hesitate. The images and the experimental sounds build up a perfect connection, which you do not get that often in concert documentaries.
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