| Photos (See all 12 | slideshow) |
| Dexter Gordon | ... | Dale Turner | |
| François Cluzet | ... | Francis Borler | |
| Gabrielle Haker | ... | Berangere | |
| Sandra Reaves-Phillips | ... | Buttercup | |
| Lonette McKee | ... | Darcey Leigh | |
| Christine Pascal | ... | Sylvie | |
| Herbie Hancock | ... | Eddie Wayne | |
| Bobby Hutcherson | ... | Ace | |
| Pierre Trabaud | ... | Francis's Father | |
| Frédérique Meininger | ... | Francis's Mother | |
| Hart Leroy Bibbs | ... | Hershell | |
| Liliane Rovère | ... | Madame Queen | |
| Ged Marlon | ... | Beau | |
| Benoît Régent | ... | Psychiatrist | |
| Victoria Gabrielle Platt | ... | Chan Turner | |
| Arthur French | ... | Booker | |
| John Berry | ... | Ben | |
| Martin Scorsese | ... | Goodley | |
| Philippe Noiret | ... | Redon | |
| Alain Sarde | ... | Terzian | |
| Eddy Mitchell | ... | L'ivrogne au bar du Blue Note | |
| Billy Higgins | ... | Drums (Blue Note, Davout Studio) | |
| Eric Lelann | ... | Trumpet (Blue Note) | |
| John McLaughlin | ... | Guitar (Blue Note) | |
| Pierre Michelot | ... | Bass (Blue Note) | |
| Wayne Shorter | ... | Tenor Saxophone (Blue Note), Soprano Saxophone (Davout Studio, Lyon) | |
| Ron Carter | ... | Bass (Davout Studio, New York) | |
| Palle Mikkelborg | ... | Trumpet (Davout Studio) | |
| Mads Vinding | ... | Bass (Davout Studio, Lyon) | |
| Cheikh Fall | ... | Percussion (Lyon) | |
| Michel Pérez | ... | Guitar (Lyon) | |
| Tony Williams | ... | Drums (Lyon, New York) | |
| Freddie Hubbard | ... | Trumpet (New York) | |
| Cedar Walton | ... | Piano (New York) | |
| Charles Belonzi | |||
| Arno Chevrier | |||
| Marpessa Djian | |||
| Guy Louret | |||
| Patrick Massieu | |||
| Philippe Moreau | |||
| Jacques Poitrenaud | |||
| Luc Sarot | |||
| Jimmy Slyde | |||
| Pascal Tedes | |||
| Pascale Vignal | |||
| Noël Simsolo | |||
| rest of cast listed alphabetically: | |||
| Martine Guillaud | |||
| Jacky Terrasson | ... | Extra | |
| Marcel Zanini | |||
| Marc-Édouard Nabe | ... | Extra (uncredited) | |
Directed by | |||
| Bertrand Tavernier | |||
Writing credits | ||
| David Rayfiel | (screenplay) and | |
| Bertrand Tavernier | (screenplay) | |
| Colo Tavernier | (French translation) | |
Produced by | |||
| Irwin Winkler | .... | producer | |
Original Music by | |||
| Herbie Hancock | |||
Cinematography by | |||
| Bruno de Keyzer | |||
Film Editing by | |||
| Armand Psenny | |||
Casting by | |||
| Amanda Mackey Johnson | (as Amanda Mackey) | ||
Production Design by | |||
| Alexandre Trauner | |||
Art Direction by | |||
| Pierre Duquesne | |||
Costume Design by | |||
| Jacqueline Moreau | |||
Makeup Department | |||
| Alain Bernard | .... | hair stylist | |
| Paul Le Marinel | .... | makeup artist (as Paul Lemarinel) | |
Production Management | |||
| Monty Diamond | .... | production manager: New York | |
| Karl Lefay | .... | assistant unit manager | |
| Albert Prévost | .... | unit manager (as Albert Prevost) | |
| Philippe Saint-Blancat | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Frédéric Bourboulon | .... | first assistant director (as Frederic Bourboulon) | |
| Véronique Bourboulon | .... | second assistant director (as Veronique Bourboulon) | |
| Paula Brody | .... | second assistant director: New York | |
| Philippe Bérenger | .... | second assistant director (as Philippe Berenger) | |
| Mel Howard | .... | first assistant director: New York | |
Art Department | |||
| René Albouze | .... | property master (as Rene Albouze) | |
| Renaud Barbier | .... | assistant property master | |
| Georges Bouillette | .... | construction coordinator | |
| Joshua Harrison | .... | art director: New York (as Josh Harrison) | |
| Didier Naert | .... | assistant art director | |
| Jean-Pierre Nossereau | .... | property buyer | |
| Philippe Turlure | .... | set designer | |
Sound Department | |||
| Jean-Michel Chauvet | .... | boom operator | |
| Sophie Cornu | .... | sound editor | |
| Michel Desrois | .... | sound | |
| Jean Duguet | .... | sound effects | |
| Marielle Fernandez | .... | apprentice sound editor | |
| William Flageollet | .... | sound | |
| Jean-Pierre Lelong | .... | sound effects | |
| Bernard Leroux | .... | sound re-recordist | |
| Mario Melchiorri | .... | sound effects | |
| Minh-Tam Nguyen | .... | apprentice sound editor (as Minh Tam Nguyen) | |
| Sylvie Pontoizeau | .... | dialogue editor | |
| Claude Villand | .... | sound re-recordist | |
Camera and Electrical Department | |||
| Yves Angelo | .... | second camera operator | |
| Gérard Bougeant | .... | grip (as Gerard Bougeant) | |
| Myra-Lee Cohen | .... | second assistant camera: New York | |
| Stefan Czapsky | .... | gaffer: New York (as Stephan Czapsky) | |
| Laurent Fleutot | .... | second assistant camera | |
| Charlie Freess | .... | key grip (as Charles Freess) | |
| Jean-Yves Freess | .... | grip | |
| William Gally | .... | electrician | |
| Etienne George | .... | still photographer | |
| Denis Hann | .... | key grip: New York | |
| Martin Jezequel | .... | electrician | |
| Michel LeFrançois | .... | gaffer (as Michel Lefrançois) | |
| Francis Pierson | .... | electrician (as Francis Pirson) | |
| Dominique Pinto | .... | first assistant camera | |
| Larry Steinberg | .... | grip: New York | |
| Jacques Stricanne | .... | grip | |
| Michel Védié | .... | electrician | |
| Adam Winkler | .... | additional still photographer | |
| James Donahue | .... | electrician: New York (uncredited) | |
| Allen Stillman | .... | generator operator (uncredited) | |
Costume and Wardrobe Department | |||
| Monique Dury | .... | wardrobe assistant | |
| William Loger | .... | wardrobe consultant: New York (as Billy Lodger) | |
Music Department | |||
| William Flageollet | .... | music recordist | |
| Dexter Gordon | .... | associate music consultant | |
| Herbie Hancock | .... | conductor | |
| Herbie Hancock | .... | music arranger | |
| Tony Meilandt | .... | music coordinator | |
| Henri Renaud | .... | music consultant | |
Other crew | |||
| Jane Bartelme | .... | production office coordinator: New York | |
| Claudine Bonnet | .... | accountant | |
| Philippe Brun | .... | operator | |
| Nicole Cavillon | .... | assistant accountant | |
| Aline Corneille | .... | production secretary | |
| Janet Crosby | .... | assistant to producers | |
| Lydia Dean Pilcher | .... | location manager: New York (as Lydia Pilcher) | |
| Catherine Guillot | .... | production assistant | |
| Mathieu Howlett | .... | production assistant | |
| Valerie Johnson | .... | assistant to producers | |
| Michel Kostromine | .... | production assistant | |
| Gary Marcus | .... | set coordinator: New York | |
| Eddy Moine | .... | production assistant | |
| Diane Schneier | .... | assistant: Amanda Mackey | |
| Claudine Taulère | .... | continuity (as Claudine Taulere) | |
| Thierry Verrier | .... | production assistant | |
Thanks | |||
| Michael Cuscuna | .... | special thanks | |
| Alain Leroux | .... | special thanks (as Doctor Alain Leroux) | |
| Bruce Lundvall | .... | special thanks | |
| Bud Powell | .... | dedicatee | |
| Lester Young | .... | dedicatee | |
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| Dreamgirls | The Visitor | The Doors | The Josephine Baker Story | Paris Blues |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Herbie Hancock's Oscar winning score is the marvel that proves that the Academy screens even the smallest films for consideration. Dexter Gordon is brilliant in an Oscar nominated performance as an improvising and misunderstood jazz genius whose speciality is the tenor-sax.
The film is set in 1950's Paris and Gordon is supported in his art by a loyal Frenchman who is his biggest fan. The way the film moves in pace is equivalent to listening to a warm and richly textured jazz score with medium movement. In fact, turning down the volume and watching it with sub titles suitable to your language while listening to that type of jazz score through headphones is a great way to enjoy it. Better yet, do it with the film's authentic score. It cooks!