This gritty police drama shows us the underbelly of the Parisian drug trade. Lulu is a tough streetwise narcotics cop who, like a Frank Serpico or a Dirty Harry Callahan, doesn't play by ... See full summary »
The setting is the Riviera in autumn. A retired English businessman has just been through heart surgery but it has, apparently, done little to relieve his constant pain or improve his ... See full summary »
France, 1719. Four years after Louix XIV's death, Philippe d'Orleans is the regent for the nine-year-old Louis XIV. Philippe is a liberal and a libertine. His right-hand man, Dubois, an ... See full summary »
Set at the Newport jazz festival in 1958, this documentary mixes images of water and the town with performers and audience. The film progresses from day to night and from improvisational ... See full summary »
In 'Round Midnight, real-life jazz legend Dexter Gordon brilliantly portrays the fictional tenor sax player Dale Turner, a musician slowly losing the battle with alcoholism, estranged from his family, and hanging on by a thread in the 1950's New York jazz world. Dale gets an offer to play in Paris, where, like many other black American musicians at the time, he enjoys a respect for his humanity that is not based upon the color of his skin. A Parisian man who is obsessed with Turner's music befriends him and attempts to save Turner from himself. Although for Dale the damage is already done, his poignant relationship with the man and his young daughter re-kindles his spirit and his music as the end draws near. Written by
All the music is performed live, on the set. There are two soundtrack albums: one from Columbia and another "The Other Side of 'Round Midnight" under Dexter Gordon's name on the Blue Note label. See more »
In the closing credits, the character "Ace", who's always cooking his Louisiana cuisine, is listed as Bobby Hutcherson. In fact, Ace is played by Billy Higgins, who was the drummer at the Blue Note. See more »
Dexter Gordon plays Dale Turner, an aging tenor sax player at the end of his days. Beaten but unbowed by years of drug and alcohol abuse Turner arrives in Paris (1959) for a gig at a small, smoky, jazz club. Acknowledged as one of the greats he is joined by other stellar musicians as he quietly struggles to quell his demons and make great music. For a while, at least, he succeeds at both. Gently constructed without much plot this movie is a treat for all, and a grand slam home run for jazz fans.
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