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What would you do if someone you loved sat down with you one night and calmly told you that they were going to end their life before morning? This is Thelma Cates' dilemma. Her daughter, Jessie, has had it. A middle-aged epileptic unable to hold a job or drive with a failed marriage and a drug-addicted runaway son on the wrong side of the law, Jessie can find no reason to go on living. Adapted from the play by Marsha Norman, "'night, Mother" is the story of a parent's worst nightmare. How can Thelma convince her daughter that life is worth living if she can't feel her pain? How can she end her daughter's embrace of death before morning? Written by
Mark Fleetwood <firstname.lastname@example.org>/Reid Taylor
It happened in 1983. It was a rare and remarkable theatrical experience. Controversial. Provocative. And shocking. Now, two Academy Award-winning actresses make the Pulitzer Prize-winning play the motion picture event of the year.
Despite being backed by a major studio and with major performers as its leads, the film had extremely limited theatrical distribution, playing at only 35 theaters in its widest release. This marketing decision may have been motivated by the film's controversial storyline. See more »
Mama, I know you used to ride the bus. Riding the bus, and it's hot and bumpy and crowded and too noisy, and more than anything else in the world, you wanna get off. And the only reason in the world you don't get off is it's still fifty blocks from where you're going. Well, I can get off right now if I want to. Because even if I ride fifty more years and get off then, it's still the same place when I step down to it. Whenever I feel like it, I can get off. Whenever I've had enough, it's my stop...
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That is just one of the thought provoking lines from this movie. There are many. And while most of the reviewers praise the acting in this movie, and rightly so since it is a tour de force, I have to give praise to Marsha Norman who adapted her own Pulitzer Prize winning stage play for the screen.
When a movie is a "slice of life" such as this one, I unconsciously look for good and realistic dialog. There are just so many lines in this movie that ring true to real life conversations. There's a part where the Mom (Bancroft) tells Jessie (Spacek) to call her ex-husband up & try again, he might be ready and Jessie tells her that there's no point in calling him up because what's she gonna say, "nothing's changed, I'd just like to look at you if you don't mind?" In another scene Jessie compares life to a bus ride. She says it's hot, crowded & noisy and the only reason you don't get off is that your destination is 10 stops away. She says if she gets off now, or later, it's the same place when she steps down to it. In another part of the movie she says that she thought about sticking around if there was just something that she really liked, like rice pudding or cornflakes- but Jessie is a person robbed of any enthusiasm for life. So for her, staying around, especially for others, just doesn't make sense any more- she's had enough.
I really don't think Marsha was asking us to agree w/that point of view or to even condone it. I think she was just giving us some perspective- another point of view. And I have to admit, after having seen this many times, maybe Jessie made the right decision. As she also says in the movie, she is what *became* of her (Bancroft's) child. That she, Jessie, that might have made a difference to herself, didn't show up. Which is really food for thought for ANYone watching this movie- make a difference to yourself first and foremost. Despite the movie being about suicide, this is actually a life affirming movie if you look at it from that point of view.
The "acting" (I say that in parenthesis because it's so real it doesn't even seem like acting) from Spacek and Bancroft is absolutely first rate. I would recommend this movie on that score alone. Luckily, with the powerful and thought-provoking screenplay and the lovely music by Dave Grusin, there is much to recommend this heart wrenching tale of life and death.
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