What would you do if someone you loved sat down with you one night and calmly told you that they were going to end their life before morning? This is Thelma Cates' dilemma. Her daughter, ... See full summary »
It's 1944 in the small town of Gregory, Texas. Divorcée Nita Longley has been brought into the town by the telephone company to work as its switchboard operator, a job which requires her to... See full summary »
Montreal 1948. On Rosh Hashanah, Chaim (a Yiddish writer) is forced to think of his religion when he's asked to be the tenth in a minyan. As he sits in the park, he suddenly sees an old ... See full summary »
A man who doesn't like stable work environments has been away for too many years, and finds out his wife has divorced him and is planning to remarry. He comes home to confront her, trying ... See full summary »
Three sisters with quite different personalities and lives reunite when the youngest of them, Babe, has just shot her husband. The oldest sister, Lenny, takes care of their grandfather and ... See full summary »
A harrowing look at the 60s and early 70s through the eyes of Katherine Alman, a wealthy debutante who slowly, but inexorably spirals down into a fight for the causes that shook a nation, ... See full summary »
What would you do if someone you loved sat down with you one night and calmly told you that they were going to end their life before morning? This is Thelma Cates' dilemma. Her daughter, Jessie, has had it. A middle-aged epileptic unable to hold a job or drive with a failed marriage and a drug-addicted runaway son on the wrong side of the law, Jessie can find no reason to go on living. Adapted from the play by Marsha Norman, "'night, Mother" is the story of a parent's worst nightmare. How can Thelma convince her daughter that life is worth living if she can't feel her pain? How can she end her daughter's embrace of death before morning? Written by
Mark Fleetwood <firstname.lastname@example.org>/Reid Taylor
It happened in 1983. It was a rare and remarkable theatrical experience. Controversial. Provocative. And shocking. Now, two Academy Award-winning actresses make the Pulitzer Prize-winning play the motion picture event of the year.
Despite being backed by a major studio and with major performers as its leads, the film had extremely limited theatrical distribution, playing at only 35 theaters in its widest release. This marketing decision may have been motivated by the film's controversial storyline. See more »
But you are my child!
I'm what became of your child. I found an old baby picture of me... and it was somebody else - not me. It was somebody pink and fat. Who never heard of sick or lonely. Somebody who cried and got fed. And reached up and got held. Slept whenever she wanted to just by closing her eyes. Somebody who mainly just laid there and laughed at the colors waving over, round her head. And chewed on a polka-dot whale. And woke up knowing some new trick nearly every day. Rolled over and ...
[...] See more »
That is just one of the thought provoking lines from this movie. There are many. And while most of the reviewers praise the acting in this movie, and rightly so since it is a tour de force, I have to give praise to Marsha Norman who adapted her own Pulitzer Prize winning stage play for the screen.
When a movie is a "slice of life" such as this one, I unconsciously look for good and realistic dialog. There are just so many lines in this movie that ring true to real life conversations. There's a part where the Mom (Bancroft) tells Jessie (Spacek) to call her ex-husband up & try again, he might be ready and Jessie tells her that there's no point in calling him up because what's she gonna say, "nothing's changed, I'd just like to look at you if you don't mind?" In another scene Jessie compares life to a bus ride. She says it's hot, crowded & noisy and the only reason you don't get off is that your destination is 10 stops away. She says if she gets off now, or later, it's the same place when she steps down to it. In another part of the movie she says that she thought about sticking around if there was just something that she really liked, like rice pudding or cornflakes- but Jessie is a person robbed of any enthusiasm for life. So for her, staying around, especially for others, just doesn't make sense any more- she's had enough.
I really don't think Marsha was asking us to agree w/that point of view or to even condone it. I think she was just giving us some perspective- another point of view. And I have to admit, after having seen this many times, maybe Jessie made the right decision. As she also says in the movie, she is what *became* of her (Bancroft's) child. That she, Jessie, that might have made a difference to herself, didn't show up. Which is really food for thought for ANYone watching this movie- make a difference to yourself first and foremost. Despite the movie being about suicide, this is actually a life affirming movie if you look at it from that point of view.
The "acting" (I say that in parenthesis because it's so real it doesn't even seem like acting) from Spacek and Bancroft is absolutely first rate. I would recommend this movie on that score alone. Luckily, with the powerful and thought-provoking screenplay and the lovely music by Dave Grusin, there is much to recommend this heart wrenching tale of life and death.
22 of 26 people found this review helpful.
Was this review helpful to you?