"Ray", a man of mystery, gets people out of trouble, asking for favors in return.
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2   1  
1987   1986   1985  
Won 1 Primetime Emmy. Another 1 nomination. See more awards »

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Cast

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 Stingray (23 episodes, 1986-1987)
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Storyline

Ray is a shadowy character with a mysterious 'secret agent' past. People in trouble often come to him for help, since he has a lot of important and powerful contacts. He refuses to be paid for his services; however, those seeking his assistance must promise him a favor. Some time in the future, Ray will come to them and ask to collect on that favor, giving them some task that is often arduous and/or dangerous. The title of the show comes from the vintage Corvette Stingray that Ray drives. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

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Details

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Release Date:

14 July 1985 (USA)  »

Also Known As:

Contrato de Risco  »

Filming Locations:

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Technical Specs

Runtime:

(23 episodes)

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

"Stingray" attracted his clients by advertising a black 1965 Chevrolet Corvette "for barter only". See more »

Quotes

Ray: Okay, I'll tell you this much. The world runs on money. Everybody walks around with this invisible number in their heads. You hit the figure close enough, the penny drops, you own the man. In Hong Kong you can buy a murder for five bucks. In New York City a sloppy job runs you five hundred. A neat, clean, professional hit, upwards of ten grand. On skid row they'll kill you for your shoes. I take money out of the equation. My hands don't sweat, because I'm never at the pay window.
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Crazy Credits

The end credits were played over behind-the-scenes photos of the making of that week's episode See more »

Connections

Follows Stingray (1985) See more »

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User Reviews

Surprisingly Mature
15 February 2005 | by (Silver City, NM USA) – See all my reviews

One of the things I admired about the show was the quality of the scripts. Not only did the plots vary considerably as to genre (mystery, science fiction, crime drama, psychological drama) but there appeared to be a concerted effort to explore different writing styles and devices.

For example: I recall one episode that was a 'Mission Impossible'-style caper with a unique twist-- the first half of the show was how the caper was SUPPOSED to come off, while the second half was how disastrously wrong it (nearly) turned out. Another show featured a mystery writer who appeared to write what was happening to Ray as it was happening-- that Ray's actions and the plot were under the writer's control, not Ray's.


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