Ray is contacted by a doctor at a mental hospital about some strange occurrences. But, once he gets inside the hospital, he finds out the "doctor" is really a patient. However, there really are some ...
When a young woman tries to kill Ray, and then steps in front of a bus, his investigation leads him back to a University research program where several students have committed suicide. It turns out ...
Three vietnam veterans (Nick Ryder, Cody Allen and Murray Bozinsky) now work as private eyes in sunny southern California. Nick and Cody are the muscles and Murray is a computer wizard of ... See full summary »
Cassandra "Cassy" St. John and Tom Ryan are the new duo in town. It is now their job to catch the killers of Palm Beach. They are ex-partners, who got married, and then divorced. Now they ... See full summary »
A scientist who has created a super helicopter has defected to Libya and taken the machine with him. A secretive government agency hires an ex-Vietnam War pilot to go to Libya, steal the chopper and bring it back.
Donald P. Bellisario
Ray is a shadowy character with a mysterious 'secret agent' past. People in trouble often come to him for help, since he has a lot of important and powerful contacts. He refuses to be paid for his services; however, those seeking his assistance must promise him a favor. Some time in the future, Ray will come to them and ask to collect on that favor, giving them some task that is often arduous and/or dangerous. The title of the show comes from the vintage Corvette Stingray that Ray drives. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
For a few years in the late '80s, when I was just starting high school, "Stingray" was a regular fixture of my Friday nights. I used to stay home to tape it and "Crime Story" every week, so I got to see many episodes, and I think they still exist on ancient videocassettes somewhere in my brother's house. What can I say? This was easily one of the most stylish of the prime time dramas of the day, kind of Film Noir meets MTV, complete with quasi-music-video segments (all Post/Carpenter compositions, of course), disorientating quick-cuts in time with dramatic bursts of electronic drums, lots of shadows and glistening wet nighttime streets. Very moody and atmospheric at times, especially the episodes directed by David Hemmings (the same one who starred in Blow-Up and other movies). Being a sci-fi geek at the time, probably my favorite episode of all was the implausibly silly but neat-looking "Playback" (the "Desert Dome episode" as I call it, directed by Hemmings and co-starring Eugene Roche). Great series. Bring it back. Not that they ever will. Did I mention the '65 Vette?
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