Ray is contacted by a doctor at a mental hospital about some strange occurrences. But, once he gets inside the hospital, he finds out the "doctor" is really a patient. However, there really are some ...
Three vietnam veterans (Nick Ryder, Cody Allen and Murray Bozinsky) now work as private eyes in sunny southern California. Nick and Cody are the muscles and Murray is a computer wizard of ... See full summary »
Cassandra "Cassy" St. John and Tom Ryan are the new duo in town. It is now their job to catch the killers of Palm Beach. They are ex-partners, who got married, and then divorced. Now they ... See full summary »
Rick Hunter is a renegade cop who breaks the rules and takes justice into his own hands. Partnered with the equally stunning and rebellious Sgt. McCall, the tough-minded duo set out to crack down on L.A.'s slimiest criminals.
Ray is a shadowy character with a mysterious 'secret agent' past. People in trouble often come to him for help, since he has a lot of important and powerful contacts. He refuses to be paid for his services; however, those seeking his assistance must promise him a favor. Some time in the future, Ray will come to them and ask to collect on that favor, giving them some task that is often arduous and/or dangerous. The title of the show comes from the vintage Corvette Stingray that Ray drives. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
One of the things I admired about the show was the quality of the scripts. Not only did the plots vary considerably as to genre (mystery, science fiction, crime drama, psychological drama) but there appeared to be a concerted effort to explore different writing styles and devices.
For example: I recall one episode that was a 'Mission Impossible'-style caper with a unique twist-- the first half of the show was how the caper was SUPPOSED to come off, while the second half was how disastrously wrong it (nearly) turned out. Another show featured a mystery writer who appeared to write what was happening to Ray as it was happening-- that Ray's actions and the plot were under the writer's control, not Ray's.
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