Sledge runs into his best bud from high school, now a defense lawyer. Rekindling of their friendship comes to a halt when he learns that his friend is about to marry his ex-wife. Sledge is forced to ...
A bevy of bikini-clad 'terrorettes' steal a nuclear warhead and threaten to blow up the city unless their billion dollar demand is met. Sledge and Dori trace the suspects to a health spa operated by ...
An old friend of Captain Trunk's, Roy Talbot, asks for help in cracking one last case before he retires. They are staking out a drug deal that's going down at a hotel. Hammer and Doreau go undercover...
A one-off special from Benny Hill, produced for ATV in 1967, featuring musical numbers from The Seekers (who sing "When Will the Good Apples Fall" and "Music of the World A'Turning") and ... See full summary »
This timeless modern slapstick-format doesn't really have a plot, but is an irresistible rapid succession of independent short, comical scenes, mostly without any text, often using ... See full summary »
"HAMMERED: The Best of Sledge" (Laserdisc) - Prepare yourself for four crime stories that pack more punch than Sledge Hammer's trusty Magnum. And loaded with more misadventure than there is air between Sledge's ears. Our hero find himself up against the likes of the infamous Elvis impersonator serial killer, a powerful Mafioso Don, the sex-starved Elizabeth, and a violent revolutionary. Armed only with a Magnum, grenades, several Uzi machine-guns, and a bazooka, our hero singlehandedly makes the streets safe again for law-abiding citizens. Written by
During a motel raid scene in "Under the Gun", two adjacent room numbers - "86" and "99" are used. These are references to Don Adams and Barbara Feldon's agent numbers in the series Get Smart (1965). "Get Smart" executive producer Leonard Stern was a consultant on this series. See more »
Good evening, I'm Robin Leach. The producers of Sledge Hammer! have asked me to explain tonight's episode. Let me be frank - it is an attempt to boost ratings. There are many ways to do this: better scripts, more warmth and big-name guest stars. But, we're desperate. So on tonight's episode, we're gonna to rely on four sure-fire ratings grabbers: sex, violence, rock music, and, best of all, a cliffhanger ending that will keep our viewers glued to the edge of their seats until next season. Thus,...
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The episode "Last of the Red Hot Vampires" ends with the dedication "In Memory of Mr. Blasko". Blasko was the real last name of Bela Lugosi. See more »
Ah, the comedies of the 1980s. The Cosby Show, Family Ties, Night Court. There are shows like those, classics indeed, for their own reasons, and then there is "Sledge Hammer!"
It's just a _bit_ different. Imagine if you will the ability of a show to consistently spoof movies, or whole genres of tv show/film, and consistently nail it dead on in a 30 minute time slot. That's the quality of writing the show had, but the execution is what made it work. The three leads had consistent timing and brutally funny comic delivery. David Rasche, as the lead, was a standout, often getting the most manic material, though Page and Martin made it truly a triple threat. On one of the shows, Martin's character takes on Hammer's personality, and she nails that stuff pretty well.
In short, Hammer is the ultimate send-up of the classic loose cannon police detective. Dirty Harry is a great inspiration, but there are other aspects that work their way in as well. A few of the shows sent up the film noir detective genre. While some have compared it to "Get Smart" or "Police Squad," the thing that amazed me about it was how it reminds me at times of British comedies like "Blackadder" or some of Monty Python's skits. It is great that send-ups this consistently good got on American TV. Especially as there was almost always another, more subtle layer of humor under the more over-the-top gags. The main running current of humor was the sending up (by exaggeration) of the ultra-violent tone the action genre had taken on at the time. Yet underneath the people involved managed to work in genuine warmth, sybtle moments of humor, and genuine emotion across the board.
The show only ran for two seasons, agaist stiff competition (Put in a timeslot for example, against CBS' "Dallas" and NBC's "Miami Vice.") If only there was a better timeslot.. and maybe more budget, though the show did quite well with what they had.
I saw this in it's initial ABC run, then a few years later when a local station in Philadelphia put it on in reruns. Some of it held up very well, especially when classic genres/films were "given tribute." Some of the 80s references date it, but it wasn't bad. In fact, it rocked. Plus I remember seeing the first run as a kid, and the scene with the bazooka in the first show hooked me. Hilarious. In short, although it struggled, it built a pretty strong following among fans, and that is the definition of a cult classic. Websites have sprung up in recent years, allowing fans to chat about this truly unique show. When they put this one together, they really did know what they were doing.
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