After 10 or 11 weeks in the hospital, Marlow has a session with a psychiatrist, Dr. Gibbon, that does not go well. Gibbon believes that the root of Marlow's skin disorder is psychological and that he...
Arthur, a sheet music salesman, has an ear for the hit tunes, but nobody will trust it. And his imagination often bursts into full song, building musical numbers around the greatest ... See full summary »
The mysterious murder of an environmental activist leads her straight-laced father, an Inspector of the local police force, through a haunting revelation of the murkiness of the British ... See full summary »
During the Suez Crisis of 1956, two young clerks at the stuffy Foreign Office in Whitehall display little interest in the decline of the British Empire. To their eyes, it can hardly compete... See full summary »
Called out of retirement to settle the affairs of a friend, Smiley finds his old organization, the Circus, so overwhelmed by political considerations that it doesn't want to know what ... See full summary »
A US property developer realises that he has a battle on his hands when he tries to renovate a London building containing a vast photographic collection and discovers that the library ... See full summary »
Reworking material from his first novel, "Hide and Seek" (1973), and folding this into a prismatic blend of autobiographical details, popular music and 1940s film noir, Dennis Potter delivered a drama now regarded as a 20th-century masterwork. Detective novelist Philip Marlow (Michael Gambon) suffers from the crippling disease of psoriatic arthritis. Confined to a hospital bed, Marlow mentally rewrites his early Chandleresque thriller, "The Singing Detective," with himself in the title role, drifting into a surreal 1945 fantasy of spies and criminals, along with vivid memories of a childhood in the Forest of Dean. As past events and 1940s songs surface in his subconscious, Marlow's voyage of self-discovery provides a key to conquering his illness, while his noir-styled hallucinations evoke the Philip Marlowe of Chandler's "Murder, My Sweet" (1944), starring Dick Powell, who later became a "singing detective" on radio's "Richard Diamond, Private Detective" (1949), crooning to ... Written by
Bhob Stewart <firstname.lastname@example.org>
There's no point in reiterating the praise for this miniseries. Many have called it the best television production ever, and as far as I can tell, they're absolutely correct. This is (NBC notwithstanding) the true definition of 'must-see TV'.
I just want to comment on something that struck me when I watched this recently on DVD. There's no way that an actor like Michael Gambon could ever get cast as the leading man in an American production (for TV or movies). He's just not physically attractive enough in the conventional sense; for example, he has the beginnings of a double-chin (more of a sloping-down from his chin to his collar), and I can't imagine any American producer being willing to give such an "not hot" actor so much screen time in the lead role.
Yet, it hardly needs be said, he is 100% perfect in this role, and it's hard to imagine anyone else doing as good a job. He can convey more feeling (rage, helplessness, love, hatred) in one close-up of his eyes than some actors do in their entire careers. His presence in this film is, in a sense, a reminder of how lucky we all are that it ever got made at all, by a BBC that was willing to give producer Kenith Trodd almost complete autonomy, as long as he stayed within budget. With the possible exception of HBO, you just don't see that sort of artistic freedom too often over on this side of the pond.
Anyway, as others said, it's a masterpiece, brilliantly written and brilliantly acted. Truly one of the most incredible uses of the television medium ever.
24 of 26 people found this review helpful.
Was this review helpful to you?