Arthur, a sheet music salesman, has an ear for the hit tunes, but nobody will trust it. And his imagination often bursts into full song, building musical numbers around the greatest ... See full summary »
During the Suez Crisis of 1956, two young clerks at the stuffy Foreign Office in Whitehall display little interest in the decline of the British Empire. To their eyes, it can hardly compete... See full summary »
The Bates sadly care for their severely disabled daughter Pattie. Martin arrives at their door claiming to be her college friend. He charms them into accepting him as a lodger and carer for Pattie. But Martin is not all he seems.
The mysterious murder of an environmental activist leads her straight-laced father, an Inspector of the local police force, through a haunting revelation of the murkiness of the British ... See full summary »
Dr. Emma Porlock and her colleagues, attempting to unlock the secrets of human memory for the Masdon drug empire, get a cryogenically stored 400-year-old human head to project its memories ... See full summary »
Frances de la Tour
The Italian adventurer and libertine Giovanni Jacopo Casanova lived from 1725 to 1798, but in this six-part series Dennis Potter attempted to find a contemporary relevance through his ... See full summary »
Daniel Feeld is a screenwriter with pains in his gut and a new screenplay called "Karaoke", about a girl named Sandra who works in a seedy Karaoke bar and is murdered by a lowlife named ... See full summary »
Reworking material from his first novel, "Hide and Seek" (1973), and folding this into a prismatic blend of autobiographical details, popular music and 1940s film noir, Dennis Potter delivered a drama now regarded as a 20th-century masterwork. Detective novelist Philip Marlow (Michael Gambon) suffers from the crippling disease of psoriatic arthritis. Confined to a hospital bed, Marlow mentally rewrites his early Chandleresque thriller, "The Singing Detective," with himself in the title role, drifting into a surreal 1945 fantasy of spies and criminals, along with vivid memories of a childhood in the Forest of Dean. As past events and 1940s songs surface in his subconscious, Marlow's voyage of self-discovery provides a key to conquering his illness, while his noir-styled hallucinations evoke the Philip Marlowe of Chandler's "Murder, My Sweet" (1944), starring Dick Powell, who later became a "singing detective" on radio's "Richard Diamond, Private Detective" (1949), crooning to ... Written by
Bhob Stewart <email@example.com>
The most controversial scene in the entire production was when the young Philip witnesses his mother having sex in the undergrowth with a local man. This brought howls of protest from the puritanical quarters of the British press, partly for the graphic nature of the scene (Patrick Malahide is seen to be thrusting into Alison Steadman) and the fact that such a scene was being played out in front of a child. In reality of course the latter was simply not true. Child actor Lyndon Davies wasn't involved with the filming of this scene at all, apart from his own close-ups which were shot separately. For his close-ups, Davies was reacting to the director, Jon Amiel. Nevertheless, Amiel and producer Kenith Trodd had to convince BBC1 controller Michael Grade that the scene should air intact. To his credit, Grade agreed to this. See more »
There's no question that the greatest films of the past 25 years have been TV miniseries, from "I Claudius" to "The Decalogue" to "Nicholas Nickleby" to "The Singing Detective." The ability to stretch out over 6 to 10 hours is certainly a key to doing justice to a theme or great work of literature.
"The Singing Detective" is a bold, multileveled BBC series that is made all the more powerful considering that it is based on the author Dennis Potter's losing battle with a skin disease combined with his incredibly rich fantasies, painful memories, and writer's imagination, all rolled into one complex narrative. Over the 6-hour span, his life and personality, as portrayed by the brilliant Michael Gambon as the writer/novel protagonist Philip Marlow (without the "e"), is revealed inventively and poignantly. We sympathize with his wasting disease, admire his clever mind, and see all his hang-ups and "sins" gradually bared to his audience. It is an amazing swan song for a brutally self-honest writer.
Jon Amiel's direction is impeccable, and the whole production is uncompromising regarding sex, nudity, language and emotional pain. The famous musical numbers featuring not only Philip and his father in the past, but projected onto the patients and staff of the hospital ward where the "real" present action takes place, are so integral to the story that they are a perfect reflection of Philip's tenuous grip on reality.
The forthcoming Keith Gordon feature film, no matter how inventive and bizarre it is, must fail artistically and be suspected of dishonoring the essence of the story, Dennis Potter's autobiography. It will probably succeed financially with the casting of Downey and Gibson, but please find the BBC series at your local library and enjoy this masterpiece.
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