| Photos (See all 13 | slideshow) |
| Bob Peck | ... | Ronald Craven (6 episodes, 1985) | |
| Joe Don Baker | ... | Darius Jedburgh (6 episodes, 1985) | |
| Charles Kay | ... | Pendleton (6 episodes, 1985) | |
| Ian McNeice | ... | Harcourt (5 episodes, 1985) | |
| Joanne Whalley | ... | Emma Craven (5 episodes, 1985) | |
| Hugh Fraser | ... | Bennett (4 episodes, 1985) | |
| John Woodvine | ... | Ross (4 episodes, 1985) | |
| Jack Watson | ... | James Godbolt (4 episodes, 1985) | |
| Allan Cuthbertson | ... | Chilwell (4 episodes, 1985) | |
| Kenneth Nelson | ... | Grogan (3 episodes, 1985) | |
| David Fleeshman | ... | Jones (3 episodes, 1985) | |
| Zoë Wanamaker | ... | Clemmy / ... (3 episodes, 1985) | |
| Bill Stewart | ... | Dingle (3 episodes, 1985) | |
| T.R. Bowen | ... | Childs (3 episodes, 1985) | |
| Imogen Staley | ... | Young Emma (3 episodes, 1985) | |
| Paul Humpoletz | ... | Elham (2 episodes, 1985) | |
| Sarah Martin | ... | Polly Pelham (2 episodes, 1985) | |
| Paul Williamson | ... | Bewes (2 episodes, 1985) | |
| Tim McInnerny | ... | Terry Shields (2 episodes, 1985) |
Series Directed by | |||
| Martin Campbell | (6 episodes, 1985) | ||
Series Writing credits | ||
| Troy Kennedy-Martin | (6 episodes, 1985) | |
Series Produced by | |||
| Michael Wearing | .... | producer (6 episodes, 1985) | |
Series Original Music by | |||
| Eric Clapton | (6 episodes, 1985) | ||
| Michael Kamen | (6 episodes, 1985) | ||
Series Cinematography by | |||
| Andrew Dunn | (6 episodes, 1985) | ||
Series Film Editing by | |||
| Ardan Fisher | (3 episodes, 1985) | ||
| Dan Rae | (3 episodes, 1985) | ||
Series Production Design by | |||
| Graeme Thomson | (6 episodes, 1985) | ||
Series Costume Design by | |||
| Denver Hall | (6 episodes, 1985) | ||
Series Makeup Department | |||
| Daphne Croker | .... | makeup designer (6 episodes, 1985) | |
| Norma Webb | .... | assistant makeup artist (unknown episodes) | |
Series Production Management | |||
| Rosemary Padvaiskas | .... | production manager (6 episodes, 1985) | |
Series Art Department | |||
| Robin Rumbelow | .... | properties buyer (6 episodes, 1985) | |
| Andy Coward | .... | graphic designer (2 episodes, 1985) | |
Series Sound Department | |||
| Richard Bird | .... | film sound (6 episodes, 1985) | |
| Rob James | .... | dubbing mixer (6 episodes, 1985) | |
| Bruce Wills | .... | boom operator (6 episodes, 1985) | |
| Chris Swanton | .... | dubbing editor (5 episodes, 1985) | |
Series Visual Effects by | |||
| Mat Irvine | .... | visual effects (4 episodes, 1985) | |
Series Stunts | |||
| Terry Cade | .... | stunts (1 episode, 1985) | |
| Frank Henson | .... | stunts (1 episode, 1985) | |
| Dave Holland | .... | stunts (1 episode, 1985) | |
| Terence Plummer | .... | stunts (unknown episodes) | |
Series Camera and Electrical Department | |||
| John Palmer | .... | film lighting electrician (6 episodes, 1985) | |
| Jim Monks | .... | grip (3 episodes, 1985) | |
| Phil Brookes | .... | electrician (unknown episodes) | |
| Martin Healey | .... | electrician (unknown episodes) | |
| John Ward | .... | Steadicam operator (unknown episodes) | |
Series Other crew | |||
| Alison Barnett | .... | location manager (6 episodes, 1985) | |
| Michael Bartley | .... | production associate (6 episodes, 1985) | |
| Simon Cellan Jones | .... | assistant floor manager (6 episodes, 1985) | |
| Scott Thompson | .... | assistant floor manager (6 episodes, 1985) | |
| Valerie Tuner | .... | production assistant (6 episodes, 1985) | |
| Mark Lyons | .... | assistant floor manager (2 episodes, 1985) | |
| Richard Bonehill | .... | stand-in (unknown episodes) | |
| Walt Patterson | .... | series advisor (unknown episodes) | |
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| The Interpreter | Across the Bridge | The Quiet American | "Oliver's Travels" | "Prime Suspect 2" |
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| Episode guide | Full cast and crew | Company credits |
| External reviews | News articles | IMDb TV section |
| IMDb Crime section | IMDb UK section |
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Bob Peck, perhaps best known to American audiences as game warden Robert Muldoon in JURASSIC PARK, portrays a police inspector obsessed with solving his daughter's murder. His investigation leads him not only into his own past but into subversive anti-government groups, international intelligence conspiracies, and globalist elitism. This brilliant program, produced in 1986, goes beyond the Cold War and successfully predicts the darker side of globalism, the rise of New Age, pagan belief systems, and the government paranoia which keeps "The X-Files" in business. Another plus is Joanne Whalley-Kilmer as the murdered girl, who keeps appearing and conversing with her father. This cleverly serves not only an expository device, externalizing for the viewer the motivations and rationales behind one man's solitary mission, but also reminds us how unbalanced Peck's character truly is. This is an intelligent, thought-provoking program that only improves upon further viewings.