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Zuckerbaby (1985)

 -  Comedy  -  1 October 1985 (USA)
6.6
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Ratings: 6.6/10 from 444 users  
Reviews: 8 user | 3 critic

In a large city lives a lonesome, 38-year old woman. Without friends, she has indulged in food and candy too much and has become a bit overweight. In short, she is disappointed in her life.... See full summary »

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Title: Zuckerbaby (1985)

Zuckerbaby (1985) on IMDb 6.6/10

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2 wins & 1 nomination. See more awards »

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Cast

Cast overview:
...
Marianne
Eisi Gulp ...
Huber
Toni Berger ...
Mortician
Manuela Denz ...
Mrs. Huber
Will Spindler ...
Train Conductor
Hans Stadlbauer ...
Train Conductor
Meret Burger ...
Girl in the Train
Werner Zeussel
Christiane Blumhoff
Dietrich Kerky
Peter Weiß
Michele Tichawsky
Paul Wuerges ...
Himself - Leader of his Combo
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Storyline

In a large city lives a lonesome, 38-year old woman. Without friends, she has indulged in food and candy too much and has become a bit overweight. In short, she is disappointed in her life. One day she sees a young and handsome subway driver and instantly falls in love with him. In a very short time, she finds out all about him and eventually contacts him. Written by Mattias Thuresson

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Genres:

Comedy

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Release Date:

1 October 1985 (USA)  »

Also Known As:

Sugarbaby  »

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1.33 : 1
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Connections

Remade as Babycakes (1989) See more »

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User Reviews

 
like its heroine, unexpectedly appealing
5 January 2011 | by (United States) – See all my reviews

A lonely and obese assistant mortician becomes infatuated with a handsome young subway driver and goes to great lengths to meet him in this oddly exuberant German import. It sounds like someone's idea of a bad joke, and likely would have become just that if ever remade for a dumbed-down American market. But the single-minded determination of the heroine's pursuit (and the apparent ease with which she wins her dream lover) keeps the film light and sunny, despite an unexpected tragic ending. Director Percy Adlon's fantastic, hallucinogenic color scheme is an acquired taste, however. It's either a pretentious art house mannerism, or a stroke of necessary style adding the perfect touch of unreality to an already far-fetched romance.


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