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Directed by | |||
| Peter Weir | |||
Writing credits | ||
| William Kelley | (story) and | |
| Pamela Wallace | (story) & | |
| Earl W. Wallace | (story) | |
| Earl W. Wallace | (screenplay) & | |
| William Kelley | (screenplay) | |
Produced by | |||
| David Bombyk | .... | co-producer | |
| Edward S. Feldman | .... | producer | |
| Wendy Stites | .... | associate producer (as Wendy Weir) | |
Original Music by | |||
| Maurice Jarre | (music composed by) | ||
Cinematography by | |||
| John Seale | (director of photography) | ||
Film Editing by | |||
| Thom Noble | |||
Casting by | |||
| Dianne Crittenden | |||
Production Design by | |||
| Stan Jolley | |||
Set Decoration by | |||
| John H. Anderson | (as John Anderson) | ||
Makeup Department | |||
| Leland V. Crawford | .... | hair stylist | |
| Marie Delrusso | .... | makeup artist | |
| Michael Hancock | .... | makeup supervisor (as Michael A. Hancock) | |
| Bette Iverson | .... | supervising hair stylist (as Bette L. Iverson) | |
| Jay Cannistraci | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Ted Swanson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Pamela M. Eilerson | .... | second assistant director (as Pamela Eilerson) | |
| David McGiffert | .... | first assistant director | |
Art Department | |||
| Carlos Acosta | .... | props (as Carlos L. Acosta) | |
| Frank L. Brown | .... | lead man | |
| Craig Edgar | .... | set designer | |
| David Goldman | .... | props (as David M. Goldman) | |
| Robert Krume | .... | construction coordinator | |
Sound Department | |||
| Pamela Bentkowski | .... | foley editor | |
| Alan Bromberg | .... | foley editor | |
| Norval D. Crutcher | .... | sound effects editor (as Norval Crutcher) | |
| Don Digirolamo | .... | re-recording mixer | |
| Humberto Gatica | .... | recording mixer | |
| Robert Glass | .... | re-recording mixer (as Bob Glass) | |
| Cecelia Hall | .... | supervising sound effects editor | |
| Frank Howard | .... | sound effects editor | |
| Robert Knudson | .... | re-recording mixer (as Buzz Knudson) | |
| Alan L. Nineberg | .... | sound effects editor | |
| Andrew Patterson | .... | sound effects editor | |
| Bruce Richardson | .... | sound effects editor (as Paul Bruce Richardson) | |
| Fred Stafford | .... | adr supervisor | |
| Barry Thomas | .... | sound mixer (as Barry D. Thomas) | |
| George Watters II | .... | supervising sound effects editor | |
| Forest Williams | .... | boom man (as Forrest R. Williams) | |
| Edward M. Steidele | .... | foley artist (uncredited) | |
Special Effects by | |||
| John R. Elliott | .... | special effects | |
| Charles E. Dolan | .... | special effects supervisor (uncredited) | |
Stunts | |||
| Gary Epper | .... | stunt coordinator | |
| Gary Epper | .... | stunts | |
| Anderson Martin | .... | stunts | |
| Bob Minor | .... | stunts | |
| Glenn R. Wilder | .... | stunt coordinator (as Glenn Wilder) | |
| Vic Armstrong | .... | stunt double: Mr. Ford (uncredited) | |
Camera and Electrical Department | |||
| Charlie Clifton | .... | cameraman: second unit (as Chuck Clifton) | |
| Lawrence K. Freeman | .... | electrical best boy | |
| Chaim Kantor | .... | second assistant cameraman | |
| Robin P. Knight | .... | key grip (as Robin Knight) | |
| Dan Lerner | .... | camera operator | |
| Bruce MacCallum | .... | first assistant cameraman | |
| Bernie Schwartz | .... | dolly grip | |
| Gary Tandrow | .... | gaffer (as Gary B. Tandrow) | |
| Josh Weiner | .... | stills | |
Casting Department | |||
| Elina deSantos | .... | location casting: Philadelphia | |
| Tom Scott | .... | location casting: Lancaster | |
| Ilene Starger | .... | casting associate | |
| Gail Walton | .... | location casting: Philadelphia | |
Costume and Wardrobe Department | |||
| Paula Cain | .... | costumer | |
| Dallas D. Dornan | .... | costume supervisor | |
| Shari Feldman | .... | costume supervisor | |
| Michael W. Hoffman | .... | costumer | |
Editorial Department | |||
| Michael Amundsen | .... | apprentice editor | |
| Joan E. Chapman | .... | assistant editor | |
| Bob Noland | .... | color timer | |
| Jane Moran | .... | first assistant editor (uncredited) | |
Music Department | |||
| Michel Mention | .... | assistant: Maurice Jarre | |
| Richard Stone | .... | supervising music editor: Segue Music | |
Transportation Department | |||
| Clifford D. Hill | .... | transportation | |
Other crew | |||
| Eugene Dooley | .... | police advisor: Philadelphia Police Dept. (as Capt. Eugene Dooley) | |
| Nora Dunfee | .... | dialect consultant: Amish | |
| Eyal Geva | .... | assistant: Mr. Weir | |
| Cara Giallanza | .... | production assistant | |
| John D. King | .... | advisor: Amish | |
| Michael Klastorin | .... | publicist | |
| Michael John Meehan | .... | location manager (as Michael Meehan) | |
| Judith Pritchard | .... | secretary to Mr. Swanson (as Judy Pritchard) | |
| Sandra Rabins | .... | production auditor | |
| Diane Schneier | .... | production assistant | |
| Gloria Slate | .... | assistant: Messrs. Feldman and Bombyk | |
| Lynn Stewart | .... | production assistant | |
| Ruth Tighe | .... | production assistant | |
| Cynnie Troup | .... | script supervisor | |
| Hope Williams | .... | script supervisor | |
| T.J. Healy II | .... | production assistant (uncredited) | |
Thanks | |||
| Tom Scott | .... | in memory of | |
| Dick Thornburgh | .... | the producers wish to express their appreciation for the assistance and cooperation of (as Governor Dick Thornburgh) | |
| Company credits | Box office and business | Technical specifications |
| Soundtrack listing | Crazy credits | Main details |