| Photos (see all 36 | slideshow) |
| Tue. July 28 | 8:15 AM | AMC |
| Harrison Ford | ... | Det. Capt. John Book | |
| Kelly McGillis | ... | Rachel Lapp | |
| Josef Sommer | ... | Chief Paul Schaeffer | |
| Lukas Haas | ... | Samuel Lapp | |
| Jan Rubes | ... | Eli Lapp | |
| Alexander Godunov | ... | Daniel Hochleitner | |
| Danny Glover | ... | Det. Lt. James McFee | |
| Brent Jennings | ... | Det. Sgt. Elden Carter | |
| Patti LuPone | ... | Elaine | |
| Angus MacInnes | ... | Det. 'Fergie' | |
| Frederick Rolf | ... | Stoltzfus | |
| Viggo Mortensen | ... | Moses Hochleitner | |
| John Garson | ... | Bishop Tchantz | |
| Beverly May | ... | Mrs. Yoder | |
| Ed Crowley | ... | Sheriff | |
| Timothy Carhart | ... | Zenovich | |
| Sylvia Kauders | ... | Tourist Lady | |
| Marian Swan | ... | Marilyn Schaeffer | |
| Maria Bradley | ... | Casey Schaeffer | |
| Rozwill Young | ... | T-Bone, Suspect in Bar | |
| Paul S. Nuss | ... | Amish Man | |
| Emily Mary Haas | ... | Amish Woman | |
| Fred Steinharter | ... | Amish Man | |
| John D. King | ... | Amish Man | |
| Paul Goss | ... | Amish Man | |
| Annemarie Vallerio | ... | Amish Woman | |
| Bruce E. Camburn | ... | Amish Man | |
| William Francis | ... | Townsman | |
| Tom Kennedy | ... | Ticket Seller at Station (as Tom W. Kennedy) | |
| Ardyth Kaiser | ... | Couple in Garage | |
| Thomas Quinn | ... | Couple in Garage | |
| Eugene Dooley | ... | Detective | |
| Victoria Scott D'Angelo | ... | Detective | |
| Richard Chaves | ... | Homicide Detective | |
| Tim Moyer | ... | Detective | |
| Nino Del Buono | ... | Detective | |
| James Frank Clark | ... | Detective (as James Clark) | |
| Joseph Kelly | ... | Detective | |
| Norman Carter | ... | Detective | |
| Craig Clement | ... | Detective | |
| Robert Earl Jones | ... | Pop, Witness at Station | |
| Michael Levering | ... | Hoodlum | |
| Cara Giallanza | ... | Hoodlum | |
| Anthony Dean Rubes | ... | Hoodlum | |
| Bernie Styles | ... | Hot Dog Counterman | |
| Blossom Terry | ... | Mother at Station | |
| Jennifer Mancuso | ... | Little Girl at Station | |
| rest of cast listed alphabetically: | |||
| Nancy Kirk | ... | Crying Amish woman at funeral (uncredited) | |
Directed by | |||
| Peter Weir | |||
Writing credits | ||
| William Kelley | (story) and | |
| Pamela Wallace | (story) & | |
| Earl W. Wallace | (story) | |
| Earl W. Wallace | (screenplay) & | |
| William Kelley | (screenplay) | |
Produced by | |||
| David Bombyk | .... | co-producer | |
| Edward S. Feldman | .... | producer | |
| Wendy Stites | .... | associate producer (as Wendy Weir) | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| John Seale | (director of photography) | ||
Film Editing by | |||
| Thom Noble | |||
Casting by | |||
| Dianne Crittenden | |||
Production Design by | |||
| Stan Jolley | |||
Set Decoration by | |||
| John H. Anderson | (as John Anderson) | ||
Makeup Department | |||
| Leland V. Crawford | .... | hair stylist | |
| Marie Delrusso | .... | makeup artist | |
| Michael Hancock | .... | makeup supervisor (as Michael A. Hancock) | |
| Bette Iverson | .... | supervising hair stylist (as Bette L. Iverson) | |
| Jay Cannistraci | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Ted Swanson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Pamela M. Eilerson | .... | second assistant director (as Pamela Eilerson) | |
| David McGiffert | .... | first assistant director | |
Art Department | |||
| Carlos Acosta | .... | props (as Carlos L. Acosta) | |
| Frank L. Brown | .... | lead man | |
| Craig Edgar | .... | set designer | |
| David Goldman | .... | props (as David M. Goldman) | |
| Robert Krume | .... | construction coordinator | |
Sound Department | |||
| Pamela Bentkowski | .... | foley editor | |
| Alan Bromberg | .... | foley editor | |
| Norval D. Crutcher | .... | sound effects editor (as Norval Crutcher) | |
| Don Digirolamo | .... | sound re-recording mixer | |
| Humberto Gatica | .... | sound recording mixer | |
| Robert Glass | .... | sound re-recording mixer (as Bob Glass) | |
| Cecelia Hall | .... | supervising sound effects editor | |
| Frank Howard | .... | sound effects editor | |
| Robert Knudson | .... | sound re-recording mixer (as Buzz Knudson) | |
| Alan L. Nineberg | .... | sound effects editor | |
| Andrew Patterson | .... | sound effects editor | |
| Bruce Richardson | .... | sound effects editor (as Paul Bruce Richardson) | |
| Fred Stafford | .... | adr supervisor | |
| Barry Thomas | .... | sound mixer (as Barry D. Thomas) | |
| George Watters II | .... | supervising sound effects editor | |
| Forest Williams | .... | boom operator (as Forrest R. Williams) | |
| Edward M. Steidele | .... | foley artist (uncredited) | |
Special Effects by | |||
| Charles E. Dolan | .... | special effects supervisor | |
| John R. Elliott | .... | special effects | |
Stunts | |||
| Gary Epper | .... | stunt coordinator | |
| Gary Epper | .... | stunts | |
| Anderson Martin | .... | stunts | |
| Bob Minor | .... | stunts | |
| Glenn R. Wilder | .... | stunt coordinator (as Glenn Wilder) | |
| Vic Armstrong | .... | stunt double: Mr. Ford (uncredited) | |
Camera and Electrical Department | |||
| Charlie Clifton | .... | camera operator: second unit (as Chuck Clifton) | |
| Lawrence K. Freeman | .... | electrical best boy | |
| Chaim Kantor | .... | second assistant camera | |
| Robin P. Knight | .... | key grip (as Robin Knight) | |
| Dan Lerner | .... | camera operator | |
| Bruce MacCallum | .... | first assistant camera | |
| Bernie Schwartz | .... | dolly grip | |
| Gary Tandrow | .... | gaffer (as Gary B. Tandrow) | |
| Josh Weiner | .... | still photographer | |
Casting Department | |||
| Elina deSantos | .... | location casting: Philadelphia | |
| Tom Scott | .... | location casting: Lancaster | |
| Ilene Starger | .... | casting associate | |
| Gail Walton | .... | location casting: Philadelphia | |
Costume and Wardrobe Department | |||
| Paula Cain | .... | costumer | |
| Dallas D. Dornan | .... | costume supervisor | |
| Shari Feldman | .... | costume supervisor | |
| Michael W. Hoffman | .... | costumer | |
Editorial Department | |||
| Michael Amundsen | .... | apprentice editor | |
| Joan E. Chapman | .... | assistant editor | |
| Bob Noland | .... | color timer | |
| Jane Moran | .... | first assistant editor (uncredited) | |
Music Department | |||
| Richard Stone | .... | supervising music editor | |
Transportation Department | |||
| Clifford D. Hill | .... | transportation | |
Other crew | |||
| Eugene Dooley | .... | police advisor (as Capt. Eugene Dooley) | |
| Nora Dunfee | .... | dialect consultant: Amish | |
| Eyal Geva | .... | assistant: Mr. Weir | |
| Cara Giallanza | .... | production assistant | |
| John D. King | .... | advisor: Amish | |
| Michael Klastorin | .... | publicist | |
| Michael John Meehan | .... | location manager (as Michael Meehan) | |
| Michel Mention | .... | assistant: Maurice Jarre | |
| Judith Pritchard | .... | secretary to Mr. Swanson (as Judy Pritchard) | |
| Sandra Rabins | .... | production auditor | |
| Diane Schneier | .... | production assistant | |
| Gloria Slate | .... | assistant: Mr. Feldman and Mr. Bombyk | |
| Lynn Stewart | .... | production assistant | |
| Ruth Tighe | .... | production assistant | |
| Cynnie Troup | .... | script supervisor | |
| Hope Williams | .... | script supervisor | |
| T.J. Healy II | .... | production assistant (uncredited) | |
Thanks | |||
| Dick Thornburgh | .... | thanks (as Governor Dick Thornburgh) | |
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| The Night of the Hunter | Gone with the Wind | Basic Instinct | The Departed | City of Shoulders and Noses |
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I would like to clear up a couple of comments made by movieguy1021, who wrote:
"One thing I didn't understand is how come everyone seemed to use such strong accents yet they've been living in America for a long time."
Most Amish communities mainly speak Pennsylvania Dutch, which is a dialect of German, hence the accents in the film. Amish children learn English in school.
And:
"Also, although I may not be the end-all, be-all of Amish knowledge, it seems like for people so strict in their rules, they broke them easily. They didn't seem to object to riding in trains or cars, or even using technology."
The Amish accept some forms of modernisation as long as it is not deemed disruptive to their social structure. Some forms of primitive technology are accepted in their community, such as devices that assist with milking cows. Likewise they accept rides in cars, but members of the community cannot own them.