An eccentric and dogmatic inventor sells his house and takes his family to Central America to build an ice factory in the middle of the jungle. Conflicts with his family, a local preacher ... See full summary »
Henry is a lawyer who survives a shooting only to find he cannot remember anything. If that weren't enough, Henry also has to recover his speech and mobility, in a life he no longer fits ... See full summary »
Samuel Lap is a young Amish boy who witnesses a murder in Philadelphia while traveling with his mother Rachel. A good cop named John Book must go with them into hiding when the killers come after them. All three retreat to Amish country and Book has to adjust to the new life style, and his feelings for the boy's mother. Of course the killers are still on their trail. Written by
Greg Bole <firstname.lastname@example.org>
Since the Amish community declined to be in the film, a lot of the extras were played by Mennonites. See more »
At the time this movie was made, Amish carriages were not required to have reflectors. Since then, an agreement between the Pennsylvania Department of Transportation and the Amish community has required the reflectors to be present. See more »
If we'd made love last night I'd have to stay. Or you'd have to leave.
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For Tom Scott. Scott was a member of the casting department on Witness. See more »
An earlier comment on the site suggests that the film is flawed because the Amish boy, coming from a secure, peaceful environment, would not be able to witness a scene of brutality without becoming utterly traumatised.
Far from being a flaw, I believe this is a key statement of the theme of the film - that the close, peaceful and loving upbringing he has enjoyed provide the boy with an emotional strength and resilience that allows him to recognise evil and reject it. Later that same environment will provide the embittered and emotionally scarred with a temporary oasis where he can in part recover from the loveless violence of his own life.
Contrast the failure of community in the vast and soulless terminal building, where the first scene is set, where every one is isolated by the indifference and aggression of their fellow travellers, with the co-operative endeavour of the justly famous barn raising scene, where even the outsider is welcomed and included in an act of joint creation.
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