An eccentric and dogmatic inventor sells his house and takes his family to Central America to build a utopia in the middle of the jungle. Conflicts with his family, a local preacher and ... See full summary »
Henry is a lawyer who survives a shooting only to find he cannot remember anything. As if that weren't enough, Henry also has to recover his speech and mobility, in a life he no longer fits... See full summary »
An 8 year old Amish boy and his mother are traveling to Philadelphia, on their way to visit the mother's sister. While waiting at the train station, the young boy witnesses a brutal murder inside one of the bathroom stalls. Police detective John Book is assigned to investigate the murder of the man, who was a undercover cop. Soon after, Book finds out that he's in great danger when the culprits know about his investigation and hides out in the Amish community. There, he learns the way of living among the Amish locals, which consists of non-violence and agriculture. Book soon starts a romance with the mother of the little boy, but their romance is forbidden by the Amish standards. But, it's not long before the bad guys find out Book's whereabouts. Written by
When shooting the murder in the men's room scene, Peter Weir claimed it was the most violent scene he'd ever filmed. Even today, he still thinks it was perhaps too violent. But he wanted to have an outrage over the violence that occurred before the eyes of an innocent Amish boy. See more »
"We've got a barn to build, and only a day to do it"... and yet they start the barn raising around noon (judging by the shadows) instead of the crack of dawn. See more »
Your sister says you don't have a family.
No, I don't.
She thinks that you ought to get married and have children of your own, instead of trying to be a father to hers.
Except she thinks you are afraid of the responsibility.
That's interesting... anything else?
Mm hm... she thinks you like policing because you think you are right about everything and you're the only one who can do anything, and when you drink a lot of beer you say things like 'none of the other police know a crook from a ...
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For Tom Scott. Scott was a member of the casting department on Witness. See more »
This is one of those movies whose virtues and subtleties become more and more apparent with subsequent viewings. The crime story is nothing more than a pretense - a "MacGuffin", in Hitchcock's phrase - on which to hang this sensitive and insightful story of the conflict between modernity and the culture of the Amish, which is portrayed here with admiring respect and not a hint of condescension.
Harrison Ford's portrayal of John Book is perhaps his finest work on screen so far. In particular, Book's struggle to suppress his rising attraction for Rachel, and his tormented realization that a relationship between them is not possible, is achingly portrayed. Ford's effort is well-matched by Kelly McGillis, whose beauty here is almost breathtaking. The erotic interplay between them, because it is unconsummated, radiates an almost painful tension, and the easily lampooned "running through the field" scene - because it has been led up to so convincingly - is almost heartbreaking. The character of Eli Lapp, wonderfully played by Jan Rubes, is richly multifaceted. His suspicion of the "English" outsider and his anger at Rachel's attraction to him, is surmounted by an underlying humanity. His parting words to Book, "You be careful out there among them English," are moving testimony to his acceptance of him. His stern yet loving dialogue to his grandson about renouncing hatred and violence is a treasured moment.
Both direction and cinematography are splendid. The simplicity of Amish interiors is shot in a way that makes its austerity almost beautiful, and the barnraising scene is an exercise in cinematic lyricism.
It would be easy to fault the movie for the facile scene in which the punks taunting of Book's newfound friends and protectors drives him over the edge (Eli: "It's not our way, Book" / Book: "No, but it's MY way."), but his gift to the young thug of a bloody nose is mighty satisfying to behold.
My one criticism is with the music; certainly not with the venerable Maurice Jarre's score itself, but with its paltry synthesized realization. They should have found the money to spring for a full orchestra.
In short, a highly satisfying, richly themed, and multifaceted film which is well worth watching.
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