An eccentric and dogmatic inventor sells his house and takes his family to Central America to build a utopia in the middle of the jungle. Conflicts with his family, a local preacher and ... See full summary »
Henry is a lawyer who survives a shooting only to find he cannot remember anything. If that weren't enough, Henry also has to recover his speech and mobility, in a life he no longer fits ... See full summary »
Samuel Lap is a young Amish boy who witnesses a murder in Philadelphia while traveling with his mother Rachel. A good cop named John Book must go with them into hiding when the killers come after them. All three retreat to Amish country and Book has to adjust to the new life style, and his feelings for the boy's mother. Of course the killers are still on their trail. Written by
Greg Bole <firstname.lastname@example.org>
The first time Book goes to Strasburg with Eli to use the phone, the initial shot shows the horse and buggy pulling into a "parking space." On the next shot, we watch John exit the buggy and walk toward the phone. As John passes the horse, we see that the horse has been been chained to hold it in place. As John passes the horse and group of people, we see Eli exit the buggy, then walk up to join the group. How the horse got chained, or who did it, is unexplained. See more »
[as she and Samuel are walking through the police station with Book]
When can we leave the city?
We're trying to get this done as quickly as possible, then you can go. But, Samuel's probably gonna have to come back to testify. I'm sorry.
No, you are not, you are glad.
Because now you have a witness.
Yeah, now I got a witness.
I just don't like the idea of my son spending all this time with a man who carries a gun and goes around whacking people!
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The closing shot of John Book, driving away in his car passing Daniel provides an initial backdrop for the end credits. See more »
I've seen hundreds, maybe thousands, of films, and when asked which is my favorite my decision keeps coming back to "Witness," Australian director Peter Weir's masterpiece. Fabulously acted, beautifully photographed . . . it's just perfect. Outside of the well-known stars (Harrison Ford, Kelly McGillis, Danny Glover) look for brilliant work from Josef Sommers and an amazingly understated performance by the late Alexander Godunov.
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