An expatriate Russian dancer is on a plane forced to land on Soviet territory. He is taken to an apartment in which a black American who has married a Russian woman lives with her. He is to become a dancer for the Kirov Academy of Ballet again, but he wishes to escape, but can he trust the American? Written by
John Vogel <firstname.lastname@example.org>
A whole new motion picture experience is on the horizon.
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Did You Know?
In selecting shooting locations, director Taylor Hackford
had an obvious problem: most of the action of White Nights
(1985) was set in the U.S.S.R., in Siberia and Leningrad, where permission would not be given to film the movie's subject matter, and where Mikhail Baryshnikov
could not safely visit. Nor could Siberian exteriors be built on sound stages because the quality of light of an Arctic summer night would be impossible to reproduce accurately in a studio situation. In an Arctic summer, there is virtually no night, only a lingering twilight. Faced with this challenge, the filmmakers made several reconnaissances in countries close to the Arctic Circle and eventually decided to shoot on the island of Reposaari, off the northwest coast of Finland, where in late summer they would experience the same unique quality of light required for the scenes set in Siberia. It required great diplomacy on the part of co-producer William S. Gilmore
before this was allowed to happen, since most people in Reposaari, whose population at the time was 1017, were Communists. They had to be satisfied that White Nights
(1985) was not a run-of-the-mill anti-Soviet movie offensive to their enigmatic neighbor. Finnish Communists, however, are pragmatists, according to the film's production notes: the movie would bring in a considerable investment of money and some temporary jobs. The mayor canvassed his people, many of whom were unemployed. The island's once-thriving port was in decline, as were a mutually destructive chemical plant and a fish processing factory. Only three residents objected to the village becoming for two weeks a make-believe Siberian town. See more
The aircraft in the opening sequences has antennas on the wingtips when in the air, but not when on the ground. See also the trivia entry. See more
Nikolai 'Kolya' Rodchenko
I see. You and your wife, you worke in the theater. And you live here... in Siberia.
It's just temporary.
Nikolai 'Kolya' Rodchenko
Of course. Nobody is here permanently.
Referenced in Psych: Bollywood Homicide
Waltz in a minor B. 150 Opus Posth.
Written by Frédéric Chopin
Played on the piano by Kolya (Mikhail Baryshnikov) during a scene in the dancing studio. See more