| Gregory Corso | ... | Himself | |
| Jan Kerouac | ... | Herself | |
| Herbert Huncke | ... | Himself | |
| Fran Landesman | ... | Herself | |
| William F. Buckley | ... | Himself (archive footage) | |
| Ed Sanders | ... | Himself (archive footage) | |
| Allen Ginsberg | ... | Himself | |
| Edie Kerouac Parker | ... | Herself | |
| William S. Burroughs | ... | Himself (as William Burroughs) | |
| Michael McClure | ... | Himself | |
| John Clellon Holmes | ... | Himself | |
| Lawrence Ferlinghetti | ... | Himself | |
| Ann Charters | ... | Herself | |
| Gary Snyder | ... | Himself | |
| Neal Cassady | ... | Himself (archive footage) | |
| Carolyn Cassady | ... | Herself | |
| Ed White | ... | Himself | |
| Diane Di Prima | ... | Herself | |
| Armand Morissette | ... | Himself (as Father 'Spike' Morissette) | |
| Steve Allen | ... | Himself (also archive footage) | |
| Joyce Johnson | ... | Herself | |
| Robert Creeley | ... | Himself | |
| Lewis Yablonsky | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Dizzy Gillespie | ... | Himself (archive footage) | |
| Jack Kerouac | ... | Himself (archive footage) | |
| Lewis MacAdams | ... | Himself - Interviewer (voice) | |
| Charlie Parker | ... | Himself (archive footage) | |
Directed by | |||
| Richard Lerner | |||
| Lewis MacAdams | |||
Writing credits(in alphabetical order) | ||
| Jack Kerouac | works "On the Road", "Visions of Cody", "Desolation Angels", "Mexico City Blues" and "Dr. Sax and others" | |
Produced by | |||
| Nathaniel Dorsky | .... | co-producer | |
| Gregg Gannon | .... | coordinating producer | |
| Malcolm Hart | .... | co-producer | |
| Eve Levy | .... | associate producer | |
| Lewis MacAdams | .... | co-producer | |
Film Editing by | |||
| Nathaniel Dorsky | |||
| Robert Estrin | |||
Sound Department | |||
| Jim Nisbet | .... | production sound: interviews | |
Camera and Electrical Department | |||
| Pat Darrin | .... | additional photographer: interview | |
| Gregg Gannon | .... | additional photographer: interview | |
| Gregg Gannon | .... | gaffer: interviews | |
| Jerry Hiler | .... | additional photographer: Times Square | |
| Richard Lerner | .... | photographer: interviews | |
| Randy Vik | .... | video engineer: interviews | |
Editorial Department | |||
| Sandra Adair | .... | assistant editor | |
| Robert Beverly | .... | color timer | |
| Steven E. Browne | .... | on-line editor | |
Other crew | |||
| Arlene Erb | .... | production assistant: interviews | |
| Barry Hall | .... | video director: interviews | |
| Beth van der Water | .... | catering manager: interviews | |
| Thom Williams | .... | title designer: main titles | |
Thanks | |||
| Steve Allen | .... | thanks | |
| Steve Bassett | .... | thanks | |
| William F. Buckley | .... | thanks (as William Buckley) | |
| Rudy Burckhardt | .... | acknowledgment: archival footage, "Square Times", "Climate of New York" (as Rudy Burkhardt) | |
| Stella Kerouac | .... | thanks | |
| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
Anyone who's a fan of Kerouac, or who would like to know about him, will be thrilled to see so much great stuff packed into one film. Aside from the usual anecdotes by people who knew him (Burroughs, Ginsberg, Corso etc.), there are numerous scenes of him on TV guest shows and in all kinds of home movies. The stuff with him on the Steve Allen Show is particularly invaluable as he reads some of his work with Allen playing background jazz piano. If you've never heard Kerouac read his work before, he is amazing. He has a rhythm and a beat that is like that of a great jazz vocalist.
This film beautifully chronicles his life from his early years when he seemed frivolous and free-spirited, to the mid-late 1950s, when he was becoming more intense and serious. It also covers the mid-late 1960s, when he was bloated, burnt-out and indigent (you can't blame him for being a little indigent toward William F. Buckley though!). There's a lot of great speculation about his personality and the meaning of his writings by those who knew him. My favorite bits though were just incredible B/W scenes of San Francisco's deserted seedy dock areas seemingly shot in late afternoon, with a jazz trumpet background and Kerouac's voice reading his work. Which is to say, that this film is more than just a well-researched documentary about a writer. It captures his tone and essence visually and musically. Everything one can hope for in a documentary!