The mysterious death of an enigmatic young man newly arrived in the suburb of Wetherby releases the long-repressed, dark passions of some of its residents.




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Nominated for 1 BAFTA Film Award. Another 5 wins & 1 nomination. See more awards »
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Cast overview, first billed only:
Marjorie Yates ...
Brenda Hall ...
Marjorie Sudell ...
Patrick Blackwell ...
Robert Hines ...
Katy Behean ...
Bert King ...
Paula Tilbrook ...


The mysterious death of an enigmatic young man newly arrived in the suburb of Wetherby releases the long-repressed, dark passions of some of its residents.

Plot Summary | Add Synopsis


Drama | Mystery


R | See all certifications »




Release Date:

19 July 1985 (USA)  »

Also Known As:

Il mistero di Wetherby  »

Filming Locations:


Company Credits

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Technical Specs

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Aspect Ratio:

1.78 : 1
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Did You Know?


The film cast includes two Oscar winners: Vanessa Redgrave and Judi Dench; and two Oscar nominees: Tom Wilkinson and Ian Holm. See more »


Jean Travers: [to her class] Today we address ourselves to the question: 'Is Shakespeare worth reading even though its only about kings?'
See more »

Crazy Credits

The cast credits are divided up into groups under the following headings: The Wetherby Characters; In the Past; The School; Miss Travers' Class; The Police; and From the University of Essex. See more »


References The Third Man (1949) See more »

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User Reviews

18 May 2005 | by (New York, New York) – See all my reviews

I've always loved this movie deeply. I just watched it again for perhaps the sixth or seventh time. I fully agree with the Japanese reviewer that the mention of Nixon is in sympathy, not ridicule. His yearning to be loved by another, is very much meant as a parallel to the young and older Redgrave character - as well as to the young man at the dinner party.

David Hare has a wonderful scene here that is very similar to the very end of Plenty - when we see Joely Richardson writing in her diary in 1947 or so (think of Plenty's flashback to Meryl Streep in 1944 or 1945 speaking to the French farmer). The scenes might be full of bathos - but gee, I was overwhelmed both times.

This movie has much in common with other Hare ventures - movies like Strapless and Plenty, plays like Skylight and "Amy's View".

Hare's deep sympathies are with the romantic, the compassionate, the sensitive, the foolhardy, the collective-minded and the lost. He is antipathetic toward the self-sufficient, the ambitious, the laconic, the individualistic, the successful. I only partly share his sympathy and his antipathy but he makes me appreciate his attitudes through dramas he creates with real living characters.

Hare is sentimental in a nostalgic way, and can write wonderfully vivid, intelligent and lost protagonists. I think him a far more intelligent and better dramatist than such left-wingers as Mike Leigh or Ken Loach.

Many of us will see much of ourselves in his protagonists' loneliness, our wonder at mistaken hopes from our past, and sense of our own frailties and faults as we grow older.

Others speak of similarities to Pinter - I don't see them. Hare is more essentially romantic - even if he doesn't want to be - and I'd place him more with a Jacques Demy than with a Pinter-Mamet and their cold keen patterns of speech and behavior - though granted, he's more concerned with social and political background than Demy.

This is essentially a sad movie about one who was once happy - and her wonder and self-realization about another sadder than she.

This movie also started me off on two decades of strongly favoring Joely Richardson in any role - as I had always loved Ian Holm and Vanessa Redgrave. (I realized recently that among my several dozen favorite movies since the mid-1960s, about one quarter seem to have Ian Holm in them!).

If you like movies like Sunday Bloody Sunday, Butley, Plenty, A Kind of Loving, Quartermaine's Terms - and I do - you'll love Wetherby. I love this movie.

17 of 23 people found this review helpful.  Was this review helpful to you?

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