A biker's brother is killed while investigating the kidnapping of a young boy, the byproduct of a war between two crime families. The biker vows to get revenge by finding the kidnapped boy and destroying the two families.
This, at the time, was a pioneering film. The always innovative and irreverent Rosa von Praunheim broke the ice on satirizing AIDS. This was later done by several other independent directors from Canada and the USA, also imitating the parody musical format which von Praunheim created. This film is still the most important of its genre. Von Praunheim was severely ostracized for poking fun at such a subject. But he insisted that given how the world had ignored AIDS up to then (1985; it took the Rock Hudson death to shake the US then), satire was necessary. He was right. Whatever would cause the most raucous would bring the most attention to AIDS. And it worked. So, don't expect a landmark film. But it is a film that perhaps highlights von Praunheim's career as a gay activist, not as a film maker.
3 of 3 people found this review helpful.
Was this review helpful to you?