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A View to a Kill (1985) Poster

Goofs

Continuity 

Mr Howe's office exit-only office door is marked "Divisions of Oil and Mines" during the corridor shots and when James goes out, but is marked "Division of Oil and Mines" when Stacey leaves.
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Audio/visual unsynchronised 

A sound of an airplane crashing is played as the helicopter is spinning out of control in the opening fight sequence.
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When Stacey hits the intruder on the head with the vase, the breaking sound is heard before the vase actually hits his head.
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Inside the iceberg submarine, Bond says something to his assistant like "Be a good girl will you, and put her automatic" but his mouth is not even moving.
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In the shower, Bond is engaged in a deep lip-lock with Stacy, yet, he laughs "HAHA" very loudly. Obvious over-dubbing.
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When Bond follows Stacey to her home from San Francisco, a radio announcer is discussing the weather. His dialogue is continuous, yet in each shot of Bond and Stacey driving, there is a different background, indicating time-lapse in their journey.
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Boom mic visible 

Reflected in the side windows of the goons' limousine as it leaves Stacey's house following the fight.
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Character error 

Bond climbs out of the elevator shaft easily. There is no reason why Stacy can't climb out. Yet, Bond has to come back with a separate rescue for Stacy - using a fire hose as a rope, rather than putting the fire out with it.
The police captain's patrol car is hit by a taxi at a major intersection during the fire truck chase, and five other vehicles swerve to avoid a collision. All come from three directions at once with no signs of yielding to each other, and thus would have crashed or swerved anyway, had the pursuit not blasted through the intersection to stop them.
When Bond and Tibbett break into the laboratory, Bond does not even have the basic burglar/spy item of gloves, and leaves his fingerprints all over the lab, being so inept as to "announce" his presence by putting the vial back into the wrong spot.
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James reconnected Stacy's phone poorly. One wire is moving after he's punched them all down. These are insulation displacing connections, and a loose wire wouldn't work well.
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The Division of Mines paperwork on Zorin's wells has HAYWOOD written across it. All other references, and the actual fault, are spelled HAYWARD.
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Early in the movie, Zorin comments that they make microchips out of silicon, "which is common sand." Sand is mostly quartz (silicon dioxide).
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Continuity 

At the drawbridge, with the cop cars having crashed into each other sliding down the raised bridge, the operator makes a move to lower the bridge. But the motion of the counterweight crushing the police captain's car is indicative of the bridge raising, not lowering.
The police car stuck at the top of the drawbridge is a Dodge Diplomat. In the close-up of its rear tire spinning before it falls, the wheel arch is different and is in fact a shot of an earlier Dodge Monaco, which are also used in the scene.
During the chase in San Francisco, the police cars are crashed into multiple times, yet in the very next scene the police cars have absolutely no damage.
Bond sprays the police chief with water from the fire truck and yet minutes later in the chase scene, the police chief is completely dry.
During the fire engine chase, when James becomes tillerman, the ladder is locked.
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In the Golden Gate Bridge scene, the boats consistently change position. First, a wake passes and a small boat is seen on the left most part of the screen for a split second. Two shots later, that same boat is seen entering from the right side. Moments later, a cargo ship is exiting the right side of the screen. Two shots later it is seen entering from the left side.
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When James is chasing May Day up the Eiffel Tower, she turns around and whips a fishing line at him, which sends him sprawling over the rail. As he is suspended upside-down halfway over the railing, his legs are spread apart, however when he regains his balance and begins unwinding the fishing line, his legs are now bound together.
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When Bond is using the fire hose to pull Stacey up from the burning elevator shaft, there is a patch of flames immediately below him which would certainly impede her progress, but when the camera angle switches to show her from his point of view, there are no flames.
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The recorded conversation between Max Zorin and Bob Conley in the dock warehouse does not match the actual conversation.
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Angle of the drawbridge when the officer looks down at the patrol cars beneath them.
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Zorin's shoes change between shots at the end of the movie.
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The locomotive that Scarpine drives/rides in the quarry throughout the mine sequence has an all green radiator, but when he and Zorin come out of the mine, the top of the radiator is black.
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The locomotive seen outside in the quarry has a higher exhaust pipe above the muffler, in the mine interior sequence filmed at Pinewood the pipe has been cut down to clear the tunnel roof.
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The Rolls Royce has blackwall tires. However, after it has been pushed underwater the tires are clearly marked Michelin in bold white letters in the scenes where Bond is using the air in one to breathe.
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In Zorin's blimp conference, he tosses microchips onto the table which fall onto the map that comes out of the table top. When the map rises the microchips are gone.
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On the blimp when Max Zorin is explaining plan "Main Strike", May Day can be seen in the background with her sunglasses on and then in her hand without enough time to remove them.
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At the first horse race you see that Pegasus is gray. Later at Zorin's stables when they are bringing Pegasus out of a horse trailer, he is brown. Then a few scenes later when they show Pegasus going into a stall he is gray again.
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When James's car was pushed into the water, the windows were clearly open but when he opened the door under water to get out, they were closed.
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Bond is sleeping with the gun in his lap. When he is awoken by Stacy, the gun has changed positions, and Bond is holding it upright.
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Bond falls through the roof of the boat onto a wedding cake. He gets up, perfectly clean. Bond should be covered with frosting.
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When Bond is submerged in the Rolls Royce, there are many bubbles rising up to the surface. When it cuts to the camera shot of the surface of the water, there are no bubbles rising.
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In the mine office, Bond smashes the glass window in the office with a chair. He jumps out. There is no glass down below the window.
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When Bond puts the oxygen tank into the turbine, the bottom part of the tank is the part that gets jammed in the fan blade. Notice that the paint is not damaged very much. When Zorin pulls the oxygen tank out of the turbine, the center of the oxygen tank is where it has been cut, and the paint is also badly damaged.
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The helicopter crashes into an icy wall and explodes. However, in the next shot, the explosion is over top of the open water.
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When Zorin is sneaking up behind Stacy in his blimp, he is far back in the distance. The camera cuts away and then cuts back, and Zorin is right behind her and swoops her up.
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When Bond enters the turbine, there is a crab on the grate, which appears to be dead and lifeless. On his way back out, the crab is gone.
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During the fight in the warehouse, the amount of crates on the conveyor belt and their position keeps changing.
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During the Paris car chase scene, Bond is going in reverse down a small set of stairs, but it cuts to a different camera angle and we see Bond is going reverse down a much larger set of stairs, which appear to be in a different area.
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When Bond is chasing May Day on the Seine, Bond falls onto a party cake. In one shot, he has cake on his sleeve, but in the next shot, his sleeve is clean.
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When pulled into the blimp, Stacey has only one shoe. Later on the bridge, she has both.
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On the main cable of the Golden Gate Bridge, when 007 and Zorin are fighting, they appear to be on a flat platform where the roadway cables would loop around, however in the next shot the roadway cables just loop around the main cable, there is no platform.
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When Bond and Sir Godfrey go down the stable elevator to the lab, there is straw on the floor. When the two goons approach the elevator, there isn't any straw. A moment later when they go down the elevator, there is straw again.
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During the fire truck chase scene, the police are driving two Dodge Monacos when they sideswipe each other and lock fenders. A moment later, they hit a post which separates the cars and causes them to spin out of control. When this happens, suddenly the Monacos have turned into Dodge Diplomats. When the police begin the chase again, the cars have turned back into Monacos.
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When Bond is hanging from the mooring rope of the blimp as he passes over the city, a wide shot shows that it is a cloudy day and the top of the Golden Gate Bridge is covered in fog, way off in the distance. 30 seconds later as the blimp approaches the bridge, almost all of the fog has disappeared and it's now sunny.
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Bond attempts to free himself of May Day's wire in the Eiffel Tower. He is seen holding his gun when he goes to reach the wire. In the close-up shot, he is shown freeing himself with both hands and no gun. The next shot has him back holding the gun.
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When Dr. Mortner fires at Bond, he shoots 8 times from his 6-shot revolver without reloading.
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When Bond's Renault taxi is crushed in two pieces by an oncoming car, the other car is a grey Renault 20, but at first it is a BMW.
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When Bond is chasing May Day up the stairs of the Eiffel Tower, three red lifts go up the shaft within the space of a minute. This is impossible as there is only one lift per shaft, and it takes longer than a minute to go up and come down again. When Bond jumps onto the next lift traveling down, it is yellow, showing they are filming in a different shaft.
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During the firetruck chase, Bond climbs successfully on top of the free-swinging ladder. In the next shot, when the ladder swings towards the fire truck, Bond is under the ladder.
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Crew or equipment visible 

During the fire engine chase in San Francisco, on the back end of the truck you can see two crew members with a camera.
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When May Day pushes Bond's Rolls Royce into the water, a cable that pulls the Rolls into the water is visible for a moment.
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Just after Stacey has climbed out of the mineshaft, a shot of the airship coming over the edge of the quarry towards the camera shows a crew member lurking in the bushes immediately below.
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Just before the Rolls Royce is pushed into the water - you can hear one of the crew say - "mind that door".
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Obvious stunt man driving during the Paris car chase (plus a boom mike reflected in the car window), and subsequently crashing through the wedding on top of the cake.
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When the Siberians are shooting at Bond in the glacier, a piece of snow kicks up and gets stuck to the camera lens.
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Errors in geography 

A British registered airship (indicated by a registration beginning "G-") is highly unlikely to be flying around in the US (all of the shots of the airship which show the registration number clearly visible were filmed in the UK).
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When Bond is swinging from the fire truck ladder as Stacy drives, his feet knock the hats off two guys in a convertible. The driver is on the right side of the car, as though they were in England instead of SF.

Factual errors 

When Bond and Sutton are on top of the burning elevator fire burns the cables and it falls down the shaft. In reality a Molotov cocktail can't produce enough heat to burn through heavy steel cables.
As Bond and Stacey are climbing up the elevator shaft, the cables burn through and the elevator falls down the shaft. Elevators have braking systems that prevent them falling even in the event of loss of their supporting cables.
In the Paris chase, Bond drives the front half of a car which apparently still runs. This is impossible even with front wheel drive because the gas tank would be in the back. The brakes would also no longer work because the lines would have been cut.
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The color pattern of the phone box is incorrect for a 25 pair phone line. And the wire position, (IE the 2 wires in the middle of the block) are in the wrong spot. They should be in the far left if they are coming into the block or far right if they are going into the house.
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When James takes the cap off the tire valve he, air escapes and he puts his mouth over the valve to breathe the oxygen that is escaping. In reality, there is a stem that must be depressed to let air out which would be impossible to do with your mouth over the valve.
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In the horse laboratory with Tibbett, Bond uses a stethoscope to break into the medical cabinet. However, he puts on the stethoscope backwards. This is seen by the angled ear prongs pointing rearwards rather than forwards. In this position the ear pieces do not seal in the ear canals and so no sound can be heard.
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Bond's Rolls Royce is shown sinking a long distance from the shore. We then see Bond looking up from under the water and seeing Zorin and Mayday standing on the shore. At such a large angle to the vertical, you can't see anything outside the water: total internal reflection means that the surface of the water from below looks like a silvered mirror. You can only look out of the water through a narrow vertical cone, up to about 60 degrees from the vertical.
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Even though it is filled with rock salt, Bond shoots the shotgun repeatedly without ever reloading it.
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Plot holes 

When Bond and Stacy exit the burning building, there is a fire ladder leading up to the top floor, even though no firefighters are entering the building that way. Also, the firefighters seem to just stand there on the ground and watch Bond and Stacy make their way down the ladder without trying to help them in any way. It seems as though the ladder was just left there and the survivors are responsible for making their own escape.

Revealing mistakes 

Zorin's safety harness is visible as he pulls Stacey into his blimp.
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Bond's safety harness is visible as he flips over the railing of the Eiffel Tower.
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When May Day jumps off the Eiffel Tower, she is about halfway up in the tower after being chased up the stairs, but when the jump is viewed from below, it is obviously made from the top of the tower. A special platform made for jumping is clearly visible mounted on top of the Eiffel Tower.
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When Bond and Tibett enter Mortner's lab by the horse-elevator, the light of the elevator isn't low enough to see the silhouettes you see in the elevator windows.
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When a man is thrown out of Zorin's airship, it is clearly a dummy falling into the water below. Especially the legs look unnatural.
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In the fight scene below the laboratory, Bond and Tibbett are fighting the villains, and their punches are not even close to making contact.
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When Bond is fighting Zorin's men in Sutton's mansion at the top of the stairs, the railing is perfectly precut and gives way as Bond pushes the thug past the railing, with only the slightest pressure.
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When Bond "unties" the fishing line from his legs, if you look closely, there is nothing there to untie at all.
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When Bond is talking to Dr. Mortner, the same clip of Bond using the "ring camera" to take a picture is re-used from earlier. You can tell because Bond is not holding a champagne glass at the time he takes the picture, but there is a champagne glass in his hand in the shot.
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When May Day military presses the agent over her head, you can see the wires holding him up. You can also tell he is being suspended, because of the way his body is bent in the middle.
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The interior "meeting room" set is far larger than the cab of the blimp would have room for.
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When Pola Ivanova sneaks out of the Japanese bath-house with the (wrong) tape, she leaves her clothes and underwear behind in a pile; supposedly, she's wearing only a robe. Outside, the robe slips, and briefs are visible.
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Flipped image: when Bond is hanging from the ladder of the fire truck, he knocks the hats off men in a white Cadillac, which appears to be driven from the right side.
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After the fight with the intruders, Stacey tells James that the vase contained the ashes of her uncle (it's OK, he always liked a good fight) but when she broke it over the intruder's head, we can see it was empty as no ashes were released.
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The way in which Stacey is driving the fire truck does not correspond to the actual turns shown on the background (projection) screen.
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When Bond is hanging on the ladder during the fire truck chase, there is a mirrored rear-projection shot that shows cars driving on the wrong side of the street.
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Obvious stunt double for 007 as he jumps onto the elevator at the Eiffel Tower.
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During the opening sequence, Bond takes a runner from a skidoo and uses it as a snowboard. The trail he leaves behind is from a real snowboard instead of from a skidoo runner, as it leaves a smooth track instead of leaving the mark of a running groove.
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One of the invaders in Stacey's house is wearing a wig and is obviously a stuntman, but as they depart, the outside shot shows the proper actor with his natural hair.
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At the end, the video the surveillance robot is shooting doesn't match up with the direction it is pointed in.
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After Pola Ivanova sneaks out of the baths, she climbs into the car with General Gogol, who can be to seen to be a double and not Walter Gotell.
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Obvious double for Patrick Macnee during the warehouse fight. It starts at 40:17. Their positions also change, with the stand in sitting almost upright, while Patrick Macnee is almost vertical.
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When Bond enters Stacey's house and climbs the staircase, the cutaway banister (used for a later stunt) moves.
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Spoilers 

The goof items below may give away important plot points.

Audio/visual unsynchronised 

When May Day tells James that she has to hold the brake, the audio does not match her lips.
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Audio/visual unsynchronised 

When Zorin is gunning people down in the underground mine, his mouth is moving as if he is yelling something, but no words are coming out.

Continuity 

At the Golden Gate Bridge, Stacey is missing when Bond and Zorin are fighting, there are inconsistencies in the ships sailing underneath and then when Stacey and Bond are together at the end, the fire axe has disappeared.
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Continuity 

Just after Zorin shoots Howe, his accomplice Jenny Flex enters behind Bond, then turns to leave again. In the next shot, she is still facing Bond, and once more starts to turn.
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Continuity 

Zorin and May Day push the car into the water with Bond and Tibbet's body in the car. When Bond is in the car underwater, Tibbet's body has mysteriously disappeared.
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Continuity 

When the mine is flooded and May Day and 007 are caught in the water, May Day's hair is completely drenched and ruined. She even has to push the damp bangs from her eyes. Later, when she and James are discussing what they should do about the bomb in the power keg, her hair is perfect again, despite James' shirt still being wet and plastered to him.
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Continuity 

When Zorin falls from the blimp, he and Bond are wrestling at the top of one of the Golden Gate Bridge Towers. However, they immediately cut to a shot where he's falling off the road deck of the the bridge.

Continuity 

At the end of the movie, General Gogol has a medal in his right hand. In the next shot, he is drinking a sip of champagne, holding the glass in his right hand too, and the medal is gone.
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Crew or equipment visible 

When Zorin floods the fault, the explosive charge in the lake is visible for a few frames before detonation.
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Crew or equipment visible 

Just as Zorin pulls Stacey into the Airship you can see a large number of crew reflected in the Airship's windscreen. The next windscreen shot shows a guy in a white shirt clearly visible.
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Errors in geography 

When Max Zorin falls from the top of the Golden Gate Bridge he is on the Sausalito side, but when he hits the water he is on the San Francisco side.

Revealing mistakes 

When May Day is winching James Bond and the bomb out of the mine shaft, the cogs of the winch are not moving.
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See also

Trivia | Crazy Credits | Quotes | Alternate Versions | Connections | Soundtracks

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