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A View to a Kill (1985)

An investigation of a horse-racing scam leads 007 to a mad industrialist who plans to create a worldwide microchip monopoly by destroying California's Silicon Valley.

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Nominated for 1 Golden Globe. Another 2 wins & 4 nominations. See more awards »

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Storyline

James Bond has one more mission. Bond returns from his travels in the USSR with a computer chip. This chip is capable of withstanding a nuclear electromagnetic pulse that would otherwise destroy a normal chip. The chip was created by Zorin Industries, and Bond heads off to investigate its owner, Max Zorin. Zorin may only seem like a innocent guilty man, but is really planning to set off an earthquake in San Andreas which will wipe out all of Silicon Valley. As well as Zorin, Bond must also tackle May Day and equally menacing companion of Zorin, whilst dragging Stacy Sutton along for the ride. Written by simon

Plot Summary | Plot Synopsis

Taglines:

Smooth Operator. [UK poster] See more »


Certificate:

PG | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

24 May 1985 (USA)  »

Also Known As:

Dangereusement vôtre  »

Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend:

$13,294,435 (USA) (27 May 1985)

Gross:

$50,327,960 (USA)
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Company Credits

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Technical Specs

Runtime:

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Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Third official Bond film to not state the title of the next Bond film during the ending credits. Neither Dr. No (1962) nor Thunderball (1965) stated the next movie at the end of their credits either. See more »

Goofs

When Bond enters Stacey's house and climbs the staircase, the cutaway banister (used for a later stunt) moves. See more »

Quotes

Howe: [Bond posing as a London Financial Times reporter] If you'd like any further information, just call me, Mr, eh?
James Bond: Stock, James Stock. Thank you Mr. Howe.
See more »

Crazy Credits

Opening credits disclaimer "Neither the name 'Zorin' nor any other name or character in this film is meant to portray a real company or actual person" appears right before the gunbarrel opening sequence. It was added after producers discovered a real company run by a person named "Zoran." See more »

Connections

Featured in Best Ever Bond (2002) See more »

Soundtracks

The Four Seasons Concerto No. 3 in F major, Op. 8: Autumn - Allegro
Written by Antonio Vivaldi
Performed by Trevor Pinnock and The English Concert
Courtesy of CRD Records
See more »

Frequently Asked Questions

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User Reviews

 
Walken saves an otherwise forgettable Bond tale
30 April 2009 | by (United States) – See all my reviews

I can say I am a Bond fan, seeing as I own twenty of the twenty-two movies currently on DVD (as of writing this review). So far the only film I haven't enjoyed in the series has been Roger Moore's Moonraker, just because of the over the top silliness and the obvious sell-out to appeal to moviegoers who had just seen Star Wars.

Upon seeing 'A View to a Kill' I instantly was prepared for the worst, and let me tell you this certainly is a bad Bond film. Moore is showing his obvious age, making the relations with his leading ladies undeniably awkward, to say the least. The plot is as simple as they come, and none of the actors are really given any chance with the dialogue they have been given. Moore has very few witty comments in this movie, and most of the other characters are cardboard cut outs.

One thing however manages to make this film better than Moonraker. This is the under-appreciated role of Max Zorin, played by the always wonderful Christopher Walken. I can say without a doubt in my mind that Walken is the single saving grace in this film, exhibiting everything any good Bond villain needs.

Exotic locations: Check! Unique henchmen/henchwoman: Check! Surrounded by beautiful girls: Check Cold and ruthless attitude: Double check! Heartless and chilling disregard for henchmen life: CHECK Walken, with a horrid script (every character in this movie is poorly written) is able to create one of the best Bond villains I've ever seen! The way he talks, the way he acts, everything he does showcases his undeniable talent. So for a movie like 'A View to a Kill' Walken's performance is like shifting through sewage and finding a large diamond ring.

It is because of Walken that I recommend this movie and give it a relatively good rating. Everything else about this film is really forgettable. You'd think a super-strong female henchwoman would make for a memorable moment in the franchise, but this is so poorly handled that she winds up as one of the most forgettable characters in the series, as opposed to one of the best.

Roger Moore, unfortunately, ends his career on Bond in perhaps his own worst performance, which is undeniably sad. It seems that all Bond actors seem to end their careers on the lowest of their films (Connery with 'Diamonds are Forever', Brosnan with 'Die Another Day', and though Dalton was a great Bond, I have to say 'License to Kill' was a weak film) but with those films it has always been more the scripts fault, as opposed to the actor's talent (all three tried their best with the material). Moore is just plain stiff in his last entry! The man seems to have totally lost interest in playing the character by this point.

I consider 1979's 'Moonraker' Moore's worst, but like 'Diamonds are Forever', and 'Die Another Day', Moonraker was more the fault of the script writers; not the Bond actor. In 'A View to a Kill' Moore really shows that he is no longer capable of playing the part, and that is the saddest part of the film (especially seeing Moore seducing girls much younger than himself, with his developing turkey neck becoming quite obvious). Walken makes the movie an enjoyable, B-grade action movie, but as for Bond, this is where it becomes an undeniable fact that Moore has overstayed his welcome as Agent 007.

Moore deserved a better ending, and the fact is that he just shouldn't have come back for this film. Octopussy may have actually been a decent departure, but Moore decided to try one last time and it really is the straw that breaks the Moore Bond's back. Enough was enough, and Moore failed to recognize when he should have cried "when!" I give this film a decent rating for the performance of Christopher Walken, but everything else is very low, and forgettable. Go and see it for Walken, but it is sad to see Moore's finally desperate breaths as he tries to keep the character going one last time.


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