A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
A vengeful British spy goes rogue and sets off to unleash vengeance on a drug lord who tortured his best friend, a C.I.A. agent, and left him for dead and murdered his bride after he helped capture him.
James Bond has one more mission. Bond returns from his travels in the USSR with a computer chip. This chip is capable of withstanding a nuclear electromagnetic pulse that would otherwise destroy a normal chip. The chip was created by Zorin Industries, and Bond heads off to investigate its owner, Max Zorin. Zorin may only seem like a innocent guilty man, but is really planning to set off an earthquake in San Andreas which will wipe out all of Silicon Valley. As well as Zorin, Bond must also tackle May Day and equally menacing companion of Zorin, whilst dragging Stacy Sutton along for the ride. Written by
When Grace Jones as May Day screams during the mine sequence when sparks fly around her, her screams are for real. She did not know that electric cables around her would go off as a special effect for the scene. See more »
At the drawbridge, with the cop cars having crashed into each other sliding down the raised bridge, the operator makes a move to lower the bridge. But the motion of the counterweight crushing the police captain's car is indicative of the bridge raising, not lowering. See more »
UNDERRATED "GUILTY PLEASURE" ENTRY IN THE BOND SERIES
This 1985 Bond film is one of the better entries in the Bond series, even if the story is a bit absurd. It's not quite as good as some of the 1960's classics, and Tanya Roberts is simply awful as the heroine, but Roger Moore is always a treat to watch, and Christopher Walken is solid, if a bit low-key. Some of the scenes in France drag on (the "horse steroids" subplot is tangential to the main story about microchips), but A View to a Kill is still more intelligent than the mindless, over-the-top-action-over-storyline Bonds of the Pierce Brosnan era. Roger Moore is the second-best bond because of his wit alone. If you have to guess who the BEST Bond is, you obviously don't know your Bond history very well.
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