Jack Deth is a kind of cop/bounty hunter in the bleak Los Angeles of the future. He's become obssessed with chasing Whistler - an evil criminal who uses powerful hypnotic powers to convert ...
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It is Los Angeles, 1991. Jack Deth has become accustomed to life with his new wife, Lena, in the six years since they singed Whistler. Hap Ashby, a former pitcher for the California Angels,... See full summary »
A time traveling cop, Jack Deth, from the future is taken back to the past to be given the task of destroying the Trancer program before it has a chance to get out of control, sending the ... See full summary »
C. Courtney Joyner
Jack is now back in the future. He had since lost Lena, and finds out that he's lost his other wife Alice to none other than Harris. While heading out for another assignment, something goes... See full summary »
Jack's back for one more round with the Trancers. Jack Deth must attempt to find his way home from the other-dimensional world of Orpheus, where magic works and the Trancers were the ruling... See full summary »
In this 'sequel' anthology, the film offers a TRANCERS sequel written by original creators Danny Bilson and Paul DeMeo, a new Lovecraft adaptation THE EVIL CLERGYMAN, featuring Jeffrey ... See full summary »
Unicom is a powerful organization overseeing most of the world after its economic collapse. They have banned computers and robots in an attempt to insure "life, liberty, and the pursuit of ... See full summary »
Jack Deth is a kind of cop/bounty hunter in the bleak Los Angeles of the future. He's become obssessed with chasing Whistler - an evil criminal who uses powerful hypnotic powers to convert people into zombie like creatures known as trancers. Whistler has managed to escape through time travel and is loose in 1980s L.A. but Deth is on his trail. Written by
Col Needham <firstname.lastname@example.org>
The motorcycle scene marked the first time Helen Hunt had operated a motorcycle. See more »
Items in the kitchen when the first Trancer is scorched. See more »
Last January, I finally singed Martin Whistler out on one of the rim planets. Since then, I've been hunting down the last of his murdering cult. We call them "Trancers:" slaves to Whistler's psychic power. Not really alive, not dead enough. It's July now, and I'm tired. Real tired.
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The Echo Bridge DVD release features a trailer for Trancers 2 superimposed on the credits in the upper-middle of the screen as the credits roll. See more »
This sci-fi entry comes across as a charmingly trashy amalgam of BLADE RUNNER (1982) and THE TERMINATOR (1984) not as good as either, sure, but arguably more entertaining. It involves an unshaven, raincoat-clad police detective from the 23rd century (the film, in fact, was re-issued as FUTURE COP) chasing the leader of a group of Trancers (gullible "squibs" who turn vicious and expire fluorescently in a pile of ashes) back to the present day, where the latter intends to exterminate the ancestors of the three council members who brought about his downfall.
Except for a young Helen Hunt, I was unfamiliar with the main cast though craggy-faced lead Tim Thomerson evokes the perfect blend of machismo, world-weariness and bewilderment the role requires. The film is also refreshingly tongue-in-cheek with the funniest bits being the hard-boiled hero lighting a match against his own teeth and when, on entering a discotheque frequented by punk rockers, he deadpans "It looks like a room full of Trancers to me". As a matter of fact, the sharply-written script has a fair amount of amusing one-liners: when Thomerson complains about the implausibility of a name like Peter Gunn upon catching an episode of the vintage series on TV, Hunt quips, "What kind of a name is Jack Deth?" (i.e. the character played by Thomerson himself).
While the special effects afforded by the modest budget could best be described as quaint, the action sequences are adequate enough including a couple in which the hero manages to halt time (via a James Bond-like gadget wrist-watch) in order to flee the presence of Trancers who have him cornered and, then, to save the heroine from certain death. Though perhaps too low-key for its own good and somewhat under-developed at 76 minutes, the film seems to be deserving of a cult reputation (for what it's worth, it was followed by two sequels also featuring Thomerson) but, alas, hasn't been served at all well by the DVD format so far (this viewing came by way of the no-frills fullscreen R2 edition from a budget label). I, for one, wouldn't be averse to a more exhaustively packaged and properly framed re-issue...
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