Jack Deth is a kind of cop/bounty hunter in the bleak Los Angeles of the future. He's become obssessed with chasing Whistler - an evil criminal who uses powerful hypnotic powers to convert ...
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It is Los Angeles, 1991. Jack Deth has become accustomed to life with his new wife, Lena, in the six years since they singed Whistler. Hap Ashby, a former pitcher for the California Angels,... See full summary »
A time traveling cop, Jack Deth, from the future is taken back to the past to be given the task of destroying the Trancer program before it has a chance to get out of control, sending the ... See full summary »
C. Courtney Joyner
Jack is now back in the future. He had since lost Lena, and finds out that he's lost his other wife Alice to none other than Harris. While heading out for another assignment, something goes... See full summary »
Jack's back for one more round with the Trancers. Jack Deth must attempt to find his way home from the other-dimensional world of Orpheus, where magic works and the Trancers were the ruling... See full summary »
Unicom is a powerful organization overseeing most of the world after its economic collapse. They have banned computers and robots in an attempt to insure "life, liberty, and the pursuit of ... See full summary »
The evil vampire villain Radu returns to his hometown Prejnar, after spending years in exile. He steals the precious blood stone which is said to be bleeding from all saints, from his ... See full summary »
In this 'sequel' anthology, the film offers a TRANCERS sequel written by original creators Danny Bilson and Paul DeMeo, a new Lovecraft adaptation THE EVIL CLERGYMAN, featuring Jeffrey ... See full summary »
Jack Deth is a kind of cop/bounty hunter in the bleak Los Angeles of the future. He's become obssessed with chasing Whistler - an evil criminal who uses powerful hypnotic powers to convert people into zombie like creatures known as trancers. Whistler has managed to escape through time travel and is loose in 1980s L.A. but Deth is on his trail. Written by
Col Needham <email@example.com>
The motorcycle scene marked the first time Helen Hunt had operated a motorcycle. See more »
When McNulty comes down the line into the body of his ancestor, a young girl, he claims that to reach Deth, he had to sneak around the parents. However, he fails to explain why he couldn't have jumped into one of the parents. See more »
Last January, I finally singed Martin Whistler out on one of the rim planets. Since then, I've been hunting down the last of his murdering cult. We call them "Trancers:" slaves to Whistler's psychic power. Not really alive, not dead enough. It's July now, and I'm tired. Real tired.
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The Echo Bridge DVD release features a trailer for Trancers 2 superimposed on the credits in the upper-middle of the screen as the credits roll. See more »
the eternal struggle between detectives and zombies!
"Trancers" is one of the most enjoyable B-movies ever made. The time travel plot and "fish-out-of-water" aspects make it similar to the first "Terminator," but try to imagine that classic film with an infinitely lower budget and a more highly developed sense of humor. On some days, I probably prefer the wisecracking antics of "Trancers" star Tim Thomerson to the earnestness of Michal Biehn in Cameron's film; in this instance, cheaper production values and more obscure actors do not necessarily equal an inferior product.
Thomerson is, without a doubt, the glue that holds the whole silly series together. He's a performer, not an actor. He entertains without emoting. And hey, for this material, that's fine. In fact, that's the bomb. He could read his lines right off the page in a monotone, and you'd still want to stand up and cheer.
The only flaw in this film is a slightly boring villain, but everything else is cool - check out Helen Hunt as some kind of trashy '80s biker chick. Best scene? When Thomerson beats up the stupid punks in the disco.
Overall, an effective blend of the sci-fi and detective genres, and a good indicator of what imagination and a good sense of humor can accomplish in the absence of cash.
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