'Yellow Earth' focuses on the story of a communist soldier who is sent to the countryside to collect folk songs for the Communist Revolution. There he stays with a peasant family and learns... See full summary »
On Dry Well Lane in Beijing in 1953, Chen Shujuan and Lin Shaolong marry. A year later their son, nicknamed Tietou (Iron Head), is born. The Party is everywhere: Mao's photograph, ... See full summary »
When a young street vendor with a grim home life meets a woman on her way to Paris, they forge an instant connection. He changes all the clocks in Taipei to French time; as he watches ... See full summary »
The film focuses on three city folks who unknowingly share the same apartment: Mei, a real estate agent who uses it for her sexual affairs; Ah-jung, her current lover; and Hsiao-ang, who's ... See full summary »
Defying his parents, Hsiao Kang drops out of the local crammer to head for the bright lights of downtown Taipei. He falls in with Ah Tze, a pretty hood and their relationships is a confused... See full summary »
A-yuan and A-yun are both from the small mining town of Jio-fen. In the city, A-yuan is an apprentice by day and goes to night school, and A-yun works as a helper at a tailors. Everyone ... See full summary »
This depiction of childhood and adolescence draws heavily from the filmmaker's own boyhood. Like many of their compatriots, Hou's family moved from the mainland to Taiwan in 1948 and was unable ever to return. The film focuses on the widening generation gap in a family cut off from its cultural heritage. Written by
International Film Circuit <firstname.lastname@example.org>
This film is inspired by screenwriter-turned-director Hou Hsiao-Hsien's coming-of-age story. It is the second installment of Hou Hsiao-Hsien's "Coming-of-Age Trilogy" that features three prominent Taiwanese screenwriters' coming-of-age stories - the other two are _My Summer at Grandpa's (1984)_ (inspired by the childhood memories of Chu Tien-Wen) and _Dust in the Wind (1986)_ (inspired by the coming-of-age story of Wu Nien-Jen). See more »
Although I think The Puppetmaster is the real best masterpiece of Hao, Time to live and the time to die is the one I love most. Despite the implication and background of Taiwan history in the film, as I am not so clear about it and not close to me, the story about growing-up is the reason that the film move me so much. The trip of the main kid "ar Ha" and his grandma become the warmest and most unforgettable part of the film. By the way, I think the relatively slow and quiet style of Hao extremely suit the story of rural and history background, much better than modern city background.
5 of 5 people found this review helpful.
Was this review helpful to you?